Top Pain In Her Eyes Quotes

Browse top 71 famous quotes and sayings about Pain In Her Eyes by most favorite authors.

Favorite Pain In Her Eyes Quotes

1. "I never said I didn't identify with Lily," she went on, her voice clear and her own. "I think in some way she's the heart of the book. And her transformation at the end, when she's finally able to finish her painting, after she doesn't have anything holding her back…it's one of the most important scenes in the novel. It's when she finally realises who she is."Mr Whitley nodded vaguely, pacing the length of a square-paned window overlooking the courtyard below."And what was it?" he asked deliberately. "What do you think was holding her back all that time?"Olivia looked down at her feet, feeling every pair of eyes in the class burning holes into the top of her head. Miles's mushroom loafers were fidgeting under the chair beside her, and she felt him holding his breathe. Her heart was pounding, but this time it was different. Everybody in the room was waiting for her, and that was okay. This time she had things to say."The past," Olivia answered finally. "The past was holding her back."
Author: Alexandra Bullen
2. "My palm presses against his cool cheek as I stare intently at him, willing him to understand, "I couldn't have forgiven myself, couldn't have gone on knowing I'd let you suffer when it was in my power to take that pain away." I pause to smile sadly at him, "Anyway, it's done now."He shakes his head in one last denial but there's nothing he can do. Crimson tears fill his eyes again as he whispers softly, "Kiss me?"
Author: Angela Louise McGurk
3. "There is a magnificent, beautiful, wonderful painting in front of you! It is intricate, detailed, a painstaking labor of devotion and love! The colors are like no other, they swim and leap, they trickle and embellish! And yet you choose to fixate your eyes on the small fly which has landed on it! Why do you do such a thing?"
Author: C. JoyBell C.
4. "He knew she saw it coming. He saw the pain in her eyes, but it wasn't from his fist. She was disappointed.Disappointed in me.Cole started running. He hit the side door and let it bang loudly against the building. He ran full tilt toward the busy road. This is it. I'm going down. Finally."
Author: Debra Anastasia
5. "I hit you. Won't that make you go away? What else can I do?" he snarled. He'd fallen back on his old standby, anger."I'm not going away, Cole, so maybe we can cut out the assaults in the future. You don't want me to go away. I know that. You love me, Cole. That's the feeling that makes you so angry." She'd sighed and looked at the ceiling. "You don't know what to do with it, because the people you've loved in the past caused you pain. That's what you think love is. Pain."She'd looked at his face until he met her eyes. They were still green."But, Cole, I love you. Have I hurt you? Ever?"Cole had to shake his head. She hadn't. Not once."I'm showing you what to do with love, Cole." She stood and held out her arms.A hug. A simple hug he didn't have to earn by throwing a chair. Human contact that wasn't required because he was trying to hurt someone. She still trusted him. She still saw something in him."
Author: Debra Anastasia
6. "The store is also lit to the point of painfulness by a ceiling loaded with more fluorescent bulbs than a landing mothership. Shielding my headachey eyes, I make my consumer choices, then head to the counter, where the clerk is wearing sunglasses. I pay the clerk with a five-dollar bill on which I have felt-penned the words:I AM AFRAID OF THE DARK AGES."
Author: Douglas Coupland
7. "Severian moved toward her, kneeling in front of her. His voice was pleading when he said, "When I return I mean to make you mine.""Do not return here Milord." She tried to pull away but some pain she saw in his face kept her eyes locked on him. "I am for Montparte.""You have my heart Meri and I will not settle for less than an equal measure of yours."
Author: Elizabeth Marx
8. "Yes, I want to tell her, and maybe I even do say that, but I am crying because whatever gifts, the pieces of good buried inside and under so much that I feel is bad, is wrong, is twisted, are less clear than the ability to hit a ball with a bat and break the scoreboard or do a triple pirouette in the air on ice. My gifts are for life itself, for an unfortunately astute understanding of all the cruelty and pain in the world. My gifts are unspecific. I am an artist manque, someone full of crazy ideas and grandiloquent needs and even a little bit of happiness, but with no particular way to express it. I am like the title character in the film Betty Blue, the woman who is so full of...so full of...so full of something or other-it is unclear what, but a definite energy that can't find its medium-who pokes her own eyes out with a scissors and is murdered by her lover in an insane asylum in the end. She is, and I am becoming, a complete waste. So I cry at the end of The Natural."
Author: Elizabeth Wurtzel
9. "I won't share you, Dylan. I mean that. If you think for one second now that we're married, you can try and pull some kind of shit over on me, you'd better think again. I can take whatever you can dish out when it comes to pain, embarrassment and humiliation, and whatever else you have going on in that wicked mind of yours, but I'll be damned if I'll share you with another woman. Or man." What the fuck? I almost laugh at her, but she's so serious she would probably slap the shit out of me. "Calm the hell down. I'm not trying to pull anything over on you, okay? And seriously, a man?" "Well, I don't know. Maybe one of your secrets is that you like getting pegged in the ass or something." This time I laugh out loud at her and she narrows her eyes at me. "Don't ask me to peg you either, because it's never going to happen." I laugh even louder. Good God this woman is funny. "I promise you that I don't want to be pegged, Isa."
Author: Ella Dominguez
10. "When Eleanor's arm touched his he felt his hands grow cold with deadly fear lest he should lose the shadow brush with which his imagination was painting wonders of her. He watched her from the corners of his eyes as ever he did when he walked with her-- she was a feast and a folly and he wished it had been his destiny to sit forever on a haystack and see life through her green eyes."
Author: F. Scott Fitzgerald
11. "I can't believe it's you. Wait, why does my chart say Randy Johnson?" Reid chuckled at the ridiculous name he used for anonymity. "It's an alias." Wanting to erase the pained look from whatever had happened before he arrived, he gave her a wicked smile and added, "And sometimes a state of being." Her brows gathered together for the few seconds it took to sink in, then her cheeks flushed with color and her eyes grew wide. "Reid!"
Author: Gina L. Maxwell
12. "Today the individual has become the highest form, and the greatest bane, of artistic creation. The smallest wound or pain of the ego is examined under a microscope as if it were of eternal importance. The artist considers his isolation, his subjectivity, his individualism almost holy. Thus we finally gather in one large pen, where we stand and bleat about our loneliness without listening to each other and without realizing that we are smothering each other to death. The individualists stare into each other's eyes and yet deny each other's existence. We walk in circles, so limited by our own anxieties that we can no longer distinguish between true and false, between the gangster's whim and the purest ideal."
Author: Ingmar Bergman
13. "I erupt from the dark, crushing tunnel into a flash of light and noise. A new kind of air surrounds me, dry and cold, as they wipe the last smears of home off my skin. I feel a sharp pain as they snip something, and suddenly I am less. I am no one but myself, tiny and feeble and utterly alone. I am lifted and swungthrough great heights across yawning distances, and given to Her. She wraps around me, so much bigger and softer than I ever imagined from inside,and I strain my eyes open. I see Her. She is immense, cosmic. She is the world. The world smiles down on me, and when She speaks it's the voice of God, vast and resonant with meaning, but words unknowable, ringing gibberish in my blank white mind."
Author: Isaac Marion
14. "I hate that she's hurt. I hate that she's been hurt, by me and by others, throughout the entire arc of her life. I barely remember pain, but when I see it in her I feel it in myself, in disproportionate measure. it creeps into my eyes, stinging, burning."
Author: Isaac Marion
15. "Wandering in the summer in the woods of Neldoreth [Beren] came upon Lúthien, daughter of Thingol and Melian, at a time of evening under moonrise, as she danced upon the unfading grass in the glades beside Esgalduin. Then all memory of his pain departed from him, and he fell into an enchantment; for Lúthien was the most beautiful of all the Children of Ilúvatar. Blue was her raiment as the unclouded heaven, but her eyes were grey as the starlit evening; her mantle was sewn with golden flowers, but her hair was dark as the shadows of twilight. As the light upon the leaves of trees, as the voice of clear waters, as the stars above the mists of the world, such was her glory and her loveliness; and in her face was a shining light."
Author: J.R.R. Tolkien
16. "A bird painted not with beauty but with all the dirt and wounds collected in a long hard life, in battle, in love, with torn feathers and a busted leg and a chipped beak and one of its eyes half closed; and yet a bird of deeper loveliness for all of that."
Author: Jeff Noon
17. "One day he trapped a large raven, whose wings he painted red, the breast green, and the tail blue. When a flock of ravens appeared over our hut, Lekh freed the painted bird. As soon as it joined the flock a desperate battle began. The changeling was attacked from all sides. Black, red, green, blue feathers began to drop at our feet. The ravens ran amuck in the skies, and suddenly the painted raven plummeted to the freshly-plowed soil. It was still alive, opening its beak and vainly trying to move its wings. Its eyes had been pecked out, and fresh blood streamed over its painted feathers. It made yet another attempt to flutter up from the sticky earth, but its strength was gone."
Author: Jerzy Kosiński
18. "Yes, she is." He looks at me, his face carved in pain. "She is dying, Sara. She will die, either tonight or tomorrow or maybe a year from now if we're really lucky. You heard what Dr. Chance said. Arsenic's not a cure. It just postpones what's coming."My eyes fill up with tears. "But I love her," I say, because that is reason enough."
Author: Jodi Picoult
19. "The child's face is close to her own now, but there is still no detail. It is a blur, a watercolor painting left out in the rain, the shades running, blending into one another. Only the eyes remain clear; black and hungry, jealous of life."
Author: John Connolly
20. "If we limit ourselves to painting as an example, both for brevity's sake and because in that field my ignorance is slightly less complete than it is in others, and if (wrongly, as I think) we agree to start an epoch with Giotto's Arena frescoes and then follow the line (nothing short of damnable though such "linear" arguments are) Giotto—Masaccio— Vinci—Michelangelo—Greco, no amount of emphasis on mystical ardors in the case of Greco can obliterate my point for anyone who has eyes that see."
Author: Joseph A. Schumpeter
21. "Alma is in a painting phase, and the people she paints are all the color of mold, look like they've just been dredged from the bottom of a lake. Her last painting was of you, slouching against the front door: only your frowning I-had-a-lousy-Third-World-childhood-and-all-I-got-was-this-attitude eyes recognizable."
Author: Junot Díaz
22. "-and nobody's getting laid!" I practically shouted."You think I don't know that?" He shifted his body beneath me, making me painfully aware of something. Two somethings, in fact, one of which was how far up my short skirt was. The other wasn't my problem. I wriggled, to shimmy my hem down, but his expression perished the thought. When Barrons looks at me like that, it rattles me. Lust, in those ancient, obsidian eyes, offers no trace of humanity. Doesn't even bother trying."
Author: Karen Marie Moning
23. "I suffered no pain, my hunger had taken the edge off; instead I felt pleasantly empty, untouched by everything around me and happy to be unseen by all. I put my legs up on the bench and leaned back, the best way to feel the true well-being of seclusion. There wasn't a cloud in my mind, nor did I feel any discomfort, and I hadn't a single unfulfilled desire or craving as far as my thought could reach. I lay with open eyes in a state of utter absence from myself and felt deliciously out of it."
Author: Knut Hamsun
24. "We had pale yellow tile in our bathroom rimmed with thin tiles of white. I'd dumped Tack's old, mismatched towels and added new, thick emerald green ones. They were hanging on the towel rack. My eyes moved. My moisturizer and toner bottles were the deep hued color of moss. My toothbrush was bright pink, Tack's was electric blue. There was a little bowl by the tap where I tossed my jewelry when I was washing my hands or preparing for bed. It was ceramic painted in glossy sunshine yellow and grass green. My eyes went to the mirror. My undies were cherry red lace.I grinned at myself in the mirror.I lived in color, every day, and my life was vibrant.I rubbed in moisturizer hoping our baby got his or her Dad's sapphire blue eyes.But I'd settle if they were my green."
Author: Kristen Ashley
25. "You told me you'd never let me go," shewhispered but it was an accusation.His eyes closed and the pain in them sweptover his entire face and settled there like it wouldnever, ever leave.Then he shocked her again. He dropped hisforehead to hers and kept his hands on her.Something out of her control made her continue."You told me," she said in a shaky voice,"you'd always take care of me."He opened his eyes and stared into hers. Hewas so close that if she moved the lower half ofher face forward, less than an inch, she wouldhave been kissing him."You didn't take care of me," she murmured,stating the obvious."
Author: Kristen Ashley
26. "Yeah, I must have been really bad in a past life or something." He smiled, his eyes still in pain. Reaching up, he touched a strand of mt hair. " Don't leave, OK?""Shhh. I'm not going anywhere." I kept stroking his forehead, trailing my fingers across it. His muscular shoulders gradually relaxed, his eyes closing again. His breathing slowed, became more regular.I could hear the TV on in the other room, the sound of voices. None of it mattered to me. I stayed there until long after Alex had fallen asleep-- gently caressing the vbrow of the boy I loved, trying to keep his pain at bay."
Author: L.A. Weatherly
27. "You're right," he said, jerking open the portal. "There is one place she's sure to go.""Yes.""And you.You should take your own advice and leave this place," Daniel said grimly. "You're rotting in here.""At least this body's pain distracts me from the pain in my soul," his past self said. "No.I wish you luck, but I won't leave these walls now.Not until she's settled in her next incarnation."Daniel's wings bristled at his neck. He tried to sort out time and lives and memories in his head, but he kept circling around the same irksome thought. "She-she should be settled now. In conception. Can't you feel it?""Oh," his imprisoned past self said softly. He closed his eyes. "I don't know that I can feel anything anymore." The prisoner sighed heavily. "Life's a nightmare.""No,it's not. Not anymore. I'll find her.I'll redeem us both," Daniel shouted, desperate to get out of there, desperately taking another leap of faith through time."
Author: Lauren Kate
28. "In the past I had often tried to escape the grown-up world of sorrow through my imagination- dreaming that a handsome young lieutenant would ride to my rescue or that a great empresario would discover my musical talents and whisk me away. I had envisioned knights in shining armor and happily ever after scenes to escape from rules or boredom or pain; including a vision of my mother walking through our front door whole and well again. Now I knew that a lifetime of escape led to a life like Aunt Bertie's. My imagination was a gift, but I had to live in the real world. My eyes had been opened this summer to poverty and crime and abuse and I needed to use my imagination not to escape, but to help people like Irina and Katya, to make my own contribution as the women in the women's pavilion had done. I couldn't do it in the same way Jane Adams and my grandmother and Aunt Mat were, but I would find my own way and my own time."
Author: Lynn Austin
29. "(All those paintings of women, in art galleries, surprised at private moments. Nymph Sleeping. Susanna and the Elders. Woman bathing, one foot in a tin tub - Renoir, or was it Degas? both, both women plump. Diana and her maidens, a moment before they catch the hunter's prying eyes. Never any paintings called Man Washing Socks in Sink.)"
Author: Margaret Atwood
30. "It took Feyra some time to realise that she was not delirious: the citizens were wearing painted masks.From childhood she had heard the legend that the Venetians were half human, half beast.She knew that this could not be true, but in the swirling fog of this hellish city she almost believed it. The creatures seemed to stare at her down their warped noses from their blank and hollow eyes. And overlord of all was the winged lion - he was everywhere, watching from every plaque or pennant, ubiquitous and threatening."
Author: Marina Fiorato
31. "Jesus, Mary …"She said it out loud, the words distributed into a room that was full of cold air and books. Books everywhere! Each wall was armed with overcrowded yet immaculate shelving. It was barely possible to see the paintwork. There were all different styles and sizes of lettering on the spines of the black, the red, the gray, the every-colored books. It was one of the most beautiful things Liesel Meminger had ever seen.With wonder, she smiled.That such a room existed!Even when she tried to wipe the smile away with her forearm, she realized instantly that it was a pointless exercise. She could feel the eyes of the woman traveling her body, and when she looked at her, they had rested on her face.There was more silence than she ever thought possible. It extended like an elastic, dying to break. The girl broke it."Can I?"The two words stood among acres and acres of vacant, wooden-floored land. The books were miles away.The woman nodded.Yes, you can"
Author: Markus Zusak
32. "Son, you can't go around painting yourself black, you hear?" "Why not, Papa?" "Because they'll take you away." "Why?" "Because you shouldn't want to be like black people or Jewish people or anyone who is...not us." "Who are Jewish people?" "You know my oldest customer, Mr. Kaufmann? Where we bought your shoes?" "Yes." "Well, he's Jewish." "I didn't know that. Do you have to pay to be Jewish? Do you need a license?" ..... "...you've got beautiful blond hair and big safe blue eyes. You should be happy with that; is that clear?"
Author: Markus Zusak
33. "Last tour my bass rig was breaking down every other night. That was a pain. We would get on stage and Trey would count off the song, and I'd play the first note and nothing would be there. Those guys would just roll their eyes."
Author: Mike Gordon
34. "By revealing to Tomas her dream about jabbing needles under her fingernails, Tereza unwittingly revealed that she had gone through his desk. If Tereza had been any other woman, Tomas would never have spoken to her again. Aware of that, Tereza said to him, Throw me out! But instead of throwing her out, he seized her hand and kissed the tips of her fingers, because at that moment he himself felt the pain under her fingernails as surely as if the nerves of her fingers led straight to his own brain.Anyone who has failed to benefit from the Devil's gift of compassion (co-feeling) will condemn Tereza coldly for her deed, because privacy is sacred and drawers containing intimate correspondence are not to be opened. But because compassion was Tomas's fate (or curse), he felt that he himself had knelt before the open desk drawer, unable to tear his eyes from Sabina's letter. He understood Tereza, and not only was he incapable of being angry with her, he loved her all the more."
Author: Milan Kundera
35. "It is not I who mix the colors but your own vision,' he answered. 'I only place them next to one another on the wall in their natural state; it is the observer who mixes the colors in his own eye, like porridge. Therein lies the secret. The better the porridge, the better the painting, but you cannot make good porridge from bad buckwheat. Therefore, faith in seeing, listening, and reading is more important than faith in painting, singing, or writing.' He took blue and red and placed them next to each other, painting the eyes of an angel. And I saw the angel's eyes turn violet. 'I work with something like a dictionary of colors,' Nikon added, 'and from it the observer composes sentences and books, in other words, images. You could do the same with writing. Why shouldn't someone create a dictionary of words that make up one book and let the reader himself assemble the words into a whole?"
Author: Milorad Pavić
36. "Her eyes narrowing, she turned her attention back to where Stephanie stood with Ben, feeling her own pain turn to intense fury. "Dominic knew her so damn well because he was usually thinking the same thing. She was his female version – two halves fitting perfectly together," Gena spat out, anger inflected in her voice. "Like him, she's reckless and like him, once she gets something into her head nothing or no one will change her mind." Her fury revealed itself in her eyes, as she spat out, "And, like him, she's going to get herself killed." - Gena Evans, Nowhere to Run"
Author: Nina D'Angelo
37. "Sonnet LXXXI And now you're mine. Rest with your dream in my dream. Love and pain and work should all sleep, now. The night turns on its invisible wheels, and you are pure beside me as a sleeping ember. No one else, Love, will sleep in my dreams. You will go, we will go together, over the waters of time. No one else will travel through the shadows with me, only you, evergreen, ever sun, ever moon. Your hands have already opened their delicate fists and let their soft drifting signs drop away; your eyes closed like two gray wings, and I move after, following the folding water you carry, that carries me away. The night, the world, the wind spin out their destiny. Without you, I am your dream, only that, and that is all."
Author: Pablo Neruda
38. "Simone! Are you all right? Simone!"And a voice, grunting with pain, says, "Todd?"And-And it ain't Simone's voice.The smoke starts to clear.And it ain't Simone."You saved me, Todd," says the Mayor, lying there, bad burns all over his face and hands, his clothes smoking like a brush fire. "You saved my life."And his eyes are full of wonder of it-That in the rush of the explozhun the person I chose to save-The one I chose without even thinking-(without there even being time for him to control me-)(no time for him to make me do it-)Was the Mayor."
Author: Patrick Ness
39. "I would ask my teacher a question," Yehonala said."Ask," Lady Miao replied. She was brushing fine quick strokes upon a large sheet of paper spread upon a square table which the eunuch had brought to her side."When may I paint a picture of my own?" Yehonala asked. Her teacher held her hand poised for an instant and cast a sidelong look from her narrowed eyes. "When I can no longer command you."
Author: Pearl S. Buck
40. "She didn't have words for what Levi was. He was a cave painting. He was The Red Ballon. She lifted her heels and pulled him forward until his face was so close, she could look at only one of his eyes at a time. "You're magic," she said."
Author: Rainbow Rowell
41. "I watched, enthralled, as he painted a large silver heart with flames edging one side. The whole design was Celtic in style. It was beautiful."Where did you get that from?" I asked in awe. I'd seen a lot of his work but never anything like this. His eyes were on his heart, completely caught up in his work. "Just something kicking around in my head. Reminds me of you. Fiery and sweet, all at the same time. A flame in the dark, lighting my way." His voice... his words... I recognized one of his spirit-driven moments. It should've unnerved me, but there was something sensual about the way he spoke, something that made my breath catch. A flame in the dark. He swapped out the silver paintbrush for a black one. Before I could stop him, he wrote over the heart: AYE. Underneath it, in smaller letters, he added: HONORARY MEMBER."
Author: Richelle Mead
42. "She sat up, cheeks flushed and golden hair tousled. She was so beautiful that it made my soul ache. I always wished desperately that I could paint her in these moments and immortalize that look in her eyes. There was a softness in them that I rarely saw at other times, a total and complete vulnerability in someone who was normally so guarded and analytical in the rest of her life. But although I was a decent painter, capturing her on canvas was beyond my skill. She collected her brown blouse and buttoned it up, hiding the brightness of turquoise lace with the conservative attire she liked to armor herself in. She'd done an overhaul of her bras in the last month, and though I was always sad to see them disappear, it made me happy to know they were there, those secret spots of color in her life."
Author: Richelle Mead
43. "Shall I tell you all about her, cat? She is very beautiful – your mistress,' he murmured drowsily, ‘and her hair is heavy as burnished gold. I could paint her – not on canvas – for I should need shades and tones and hues and dyes more splendid than the iris of a splendid rainbow. I could only paint her with closed eyes, for in dreams alone can such colours as I need be found. For her eyes, I must have azure from skies untroubled by a cloud – the skies of dreamland. For her lips, roses from the palaces of slumberland, and for her brow, snow-drifts from mountains which tower in fantastic pinnacles to the moons – oh, much higher than our moon here"
Author: Robert W. Chambers
44. "Majority of women like to fantasize and men like to romanticize. I saw a painful mountain in her eyes."
Author: Santosh Kalwar
45. "I got the idea from our family's plant book. The place where we recorded things you cannot trust to memory. The page begin's with the person's picture. A photo if we can find it. If not, a sketch or a painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim's cheek. My father's laugh. Peeta's father with the cookies. The colour of Finnick's eyes. What Cinna would do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late promise preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie's newborn son."
Author: Suzanne Collins
46. "Sometimes I close my eyes and paint these walls a different color. I imagine I'm wearing warm socks and sitting by a fire. I imagine someone's given me a book to read, a story to take me away form the torture of my own mind. I want to be someone else somewhere else with something else to fill my mind. I want to run, to feel the wind tug at my hair. I want to pretend that this is just a story within a story. That this cell is just a scene, that these hands don't belong to me, that this window leads to somewhere beautiful if only I could break it. I pretend this pillow is clean, I pretend this bed is soft. I pretend and pretend and pretend until the world becomes so breathtaking behind my eyelids that I can no longer contain it. But then my eyes fly open and I'm caught around the throat by a pair of hands that won't stop suffocating suffocating suffocating. My thoughts, I think, will soon be sound. My mind, I hope, will soon be found."
Author: Tahereh Mafi
47. "If knowledge isn't self-knowledge it isn't doing much, mate. Is the universe expanding? Is it contracting? Is it standing on one leg and singing 'When Father Painted the Parlour'? Leave me out. I can expand my universe without you. 'She walks into beauty, like the night of cloudless climes and starry skies, and all that's best of dark and bright meet in her aspect and her eyes."
Author: Tom Stoppard
48. "She knew how to put one foot in front of the other even when every step hurt. And she knew there was pain in the journey, but there was also great beauty. She'd seen it standing on rooftops and in green eyes and in the smallest, ugliest rock."
Author: Veronica Rossi
49. "Now for my pains, promise me-"And she hesitated."What?" asked Marius."Promise me!""I promise you.""Promise to kiss me on the forehead when I'm dead. I'll feel it."She let her head fall back on Marius's knees and her eyelids closed. He thought the poor soul had gone. Eponine lay motionless, but just when Marius supposed her forever asleep, she slowly opened her eyes, revealing the somber depths of death, and said to him in an accent whose sweetness already seemed to come from another world, "And then, do you know, Monsieur Marius, I believe I was a little in love with you."She tried to smile again and died."
Author: Victor Hugo
50. "Francis began the actual illumination of the lambskin. The intricacies of scrollwork and the excruciating delicacy of the gold-inlay work would, because of the brevity of his spare-project time, make it a labor of many years; but in a dark sea of centuries wherein nothing seemed to flow, a lifetime was only brief eddy, even for the man who lived it. There was a tedium of repeated days and repeated seasons; then there were aches and pains, finally Extreme Unction, and a moment of blackness at the end-or at the beginning, rather. For then the small shivering soul who had endured the tedium, endured it badly or well, would find itself in a place of light, find itself absorbed in the burning gaze of infinitely compassionate eyes as it stood before the Just One. And then the King would say: "Come," or the King would say: "Go," and only for that moment had the tedium of years existed. It would be hard to believe differently during such an age as Francis knew."
Author: Walter M. Miller Jr.

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Author: Angela Davis

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