Top Rent Musical Quotes

Browse top 24 famous quotes and sayings about Rent Musical by most favorite authors.

Favorite Rent Musical Quotes

1. "I made a lot of different experiments with tapes at that time, until I finally realized around 1995, that sound is an interesting subject for me. Ever since then sound got more and more integrated into my art works, musically as well as physically."
Author: Alva Noto
2. "Some writers are curiously unmusical. I don't get it. I don't get them. For me, music is essential. I always have music on when I'm doing well. Writing and music are two different mediums, but musical phrases can give you sentences that you didn't think you ever had."
Author: Barry Hannah
3. "I get a different kind of lyric from someone else that might make me go in a different musical direction."
Author: Barry Mann
4. "When I was 10, I knew there was something different about me. Everyone was football-mad, but I just wanted to watch musicals and see art."
Author: Bruno Tonioli
5. "I was at a school in England, a prep school, from the ages of 8 and 13. And every play they did was a musical. Parents love musicals. And I don't sing. It was driving me crazy. 'We're doing 'Macbeth.'' 'Yes!' 'The musical!' And I was always in the chorus, because of course, in all the main parts, you had to be able to sing."
Author: Charlie Cox
6. "I feel pretty comfortable in a lot of different musical styles. I like rhythm, and I like melody and so forth."
Author: Colin Hay
7. "I hope that I'm sexy in a different kind of way than I think that a lot of girls are right now. I think a lot of girls in the public eye, especially musical artists, are just kind of objectified a little bit and wearing super-skimpy outfits and leaving nothing to the imagination."
Author: Emmy Rossum
8. "Like an apparently strict musical form it breaks the five minute whole into its structural parts - a descriptive preamble, the action of taking the cards, the development of the cards' manipulation and the revelation of what has been achieved."
Author: Gavin Bryars
9. "Both parents were very encouraging - especially my father. My father thought the sun rose and set with me. Neither one had a musical background or any musical talent. They liked classical music, but neither could carry a tune."
Author: Gordon Getty
10. "Being in a different band always brings great musical experiences to be able to draw on."
Author: Graham Nash
11. "For me, Venezuela is very important, not just because it's a place I go to conduct, but because my family is there - my wife, my parents and my musical family."
Author: Gustavo Dudamel
12. "As a movie-goer, I really like to watch all different kinds of movies and, as an actor, I always feel like I could do pretty much anything but a musical."
Author: Luke Wilson
13. "I've had so many different influences musically, even from people who aren't even musicians. If you're inspired by someone and you document it musically, then they are your influence."
Author: Mark Salling
14. "I did quite a lot of the arranging, fitting different sections together, tempo changes, all sorts of things like that. I actually acted as a bridge between Robert and Ian. Not so much composing, rather presenting musical ideas at each rehearsal."
Author: Michael Giles
15. "There is a striking feature of the twentieth century… the musical creation of the 20th century is qualitatively different from the 18th century, in that it lacks that immediate access or short-term access that was true of the past… I have no doubt that if we took two children of today two groups and taught one of them Mozart Haydn & Beethoven and the other Schoenberg and post Schoenbergian music, that there would be very substantial difference in their capacity to comprehend and deal with it, and that may reflect, and in fact if that's correct it would reflect, something about our innate musical capacities."
Author: Noam Chomsky
16. "The ‘secret' of Shostakovich, it was suggested—by a Chinese neurologist, Dr Dajue Wang—was the presence of a metallic splinter, a mobile shell-fragment, in his brain, in the temporal horn of the left ventricle. Shostakovich was very reluctant, apparently, tohave this removed:Since the fragment had been there, he said, each time he leaned his head to one side he could hear music. His head was filled with melodies—different each time—which he then made use of whencomposing.X-rays allegedly showed the fragment moving around when Shostakovich moved his head, pressing against his ‘musical' temporal lobe, when he tilted, producing an infinity of melodies which his geniuscould use."
Author: Oliver Sacks
17. "Sometimes I sensed that the books I read in rapid succession had set up some sort of murmur among themselves, transforming my head into an orchestra pit where different musical instruments sounded out, and I would realize that I could endure this life because of these musicales going on in my head."
Author: Orhan Pamuk
18. "Mas uma tonalidade de cor diferente, casual, num aposento, no céu de certa manhã, um perfume especial de que você tanto gostou, porventura, e que evoca lembranças sutis, um verso de um poema esquecido, com que você depara novamente,a cadência de uma peça musical que você já não mais tocava...Eu digo, Dorian, é de coisas como essas que nossas vidas dependem."
Author: Oscar Wilde
19. "PRELIMINARY EXERCISE:What does a turbine veil? a bird avail what chord?I heard a bird whir no word, felta turbine shadow turning from the floods of timeelectric currents the darkness stirrd,and trees in blaze of light arosecasting shadows of speech, seductive, musical, abroad.It was a single tree. It was a word of many trees that filld the vale.It was a store of the unspoken in the birdthat whirrd the air, that every occasion of the word overawed."
Author: Robert Duncan
20. "Everybody was on the same page. Nobody has really gone out there on a different musical journey. When we got back together again, we all wanted to do the same kind of music."
Author: Roger Andrew Taylor
21. "I always try to think of a vocabulary to match different musical situations."
Author: Roscoe Mitchell
22. "For some young artists, it can take a bit of time to discover which tools (which medium, or genre, or career pathway) will truly suit them best. For me, although many different art forms attract me, the tools that I find most natural and comfortable are language and oil paint; I've also learned that as someone with a limited number of spoons it's best to keep my toolbox clean and simple. My husband, by contrast, thrives with a toolbox absolutely crowded to bursting, working with language, voice, musical instruments, puppets, masks animated on a theater stage, computer and video imagery, and half a dozen other things besides, no one of these tools more important than the others, and all somehow working together. For other artists, the tools at hand might be needles and thread; or a jeweller's torch; or a rack of cooking spices; or the time to shape a young child's day....To me, it's all art, inside the studio and out. At least it is if we approach our lives that way."
Author: Terri Windling
23. "Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it's impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the '30's, the curious fashions of the '20's, the particular moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see."
Author: Thomas Pynchon
24. "In my opinion I do not think I am a better guitarist than Ace, I honestly think we're both different, and we both brought something unique to the musical."
Author: Vinnie Vincent

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The war consciousness is purposely cultivated to guide the male away from the natural, healthy balances between masculine and feminine energies, and toward more unbalanced and detached psychologies."
Author: Bryant McGill

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