Top Tangibility Quotes

Browse top 6 famous quotes and sayings about Tangibility by most favorite authors.

Favorite Tangibility Quotes

1. "The daughter of the literary biographer Leslie Stephen, and close friend of the innovative biographer of the Victorians, Lytton Strachey, Woolf herself put forward, in ‘The New Biography' (1927) (reviewing work by another biographer acquaintance, Harold Nicolson), her own memorable theory of biography, encapsulated in her phrase ‘granite and rainbow'. ‘Truth' she envisions ‘as something of granite-like solidity', and ‘personality assomething of rainbow-like intangibility', and ‘the aim of biography', she proposes, ‘is to weld these two into one seamless whole' (E4 473). The following short biographical account ofWoolf will attempt to keep to the basic granitelike facts that Woolf novices need to know, while also occasionally attending in brief to the more elusive, but equally relevant, matter of rainbow-like personality."
Author: Jane Goldman
2. "The characters within a book were, from a certain point of view, identical on some fundamental level ? there weren't any images of them, no physical tangibility whatsoever. They were pictures in the reader's head, constructs of imagination and ideas, given shape by the writer's work and skill and the reader's imagination. Parents, of a sort."
Author: Jim Butcher
3. "Thus painting itself had to be able to demonstrate the desirability of what money could buy. And the visual desirability of what can be bought lies in its tangibility, in how it will reward the touch, the hand, of the owner."
Author: John Berger
4. "Names are illusions," he growled. "Nonsensical labels seized upon by people to make them feel better about the intangibility of their puny existences. I am this. I am that," he mocked. "I came from so and so. Ergo I am … whatever the blah-blah you want to claim. Bloody hell, spare me."
Author: Karen Marie Moning
5. "Poem (the spirit likes to dress up) The spirit likes to dress up like this: ten fingers, ten toes,shoulders, and all the rest at night in the black branches, in the morningin the blue branches of the world. It could float, of course, but would ratherplumb rough matter. Airy and shapeless thing, it needs the metaphor of the body,lime and appetite, the oceanic fluids; it needs the body's world, instinctand imagination and the dark hug of time, sweetness and tangibility,to be understood, to be more than pure light that burns where no one is –so it enters us – in the morning shines from brute comfort like a stitch of lightning;and at night lights up the deep and wondrous drownings of the body like a star."
Author: Mary Oliver
6. "Clothing, hair, shoes, accessories: these were props, visual cues, that people used to filter information and make instant assessments out of random connections, to categorize and assign value to those who populated their world. And layered beneath the props for sight came those for smell, and hearing, and more, that sense of intangibility that allowed people to read nuance and body language and interpret what the other senses didn't grasp directly; cues that together formed a picture that matched perceptions based on expectations and that, when adjusted one way or the other, filtered past the gatekeepers of the mind, allowing Munroe to become whatever she needed to be."
Author: Taylor Stevens

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Six years later my mother's absence remained in the air around us, a deafening silence that I had not learned to stifle with words."
Author: Carlos Ruiz Zafón

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