Top Bone Quotes

Browse top 1870 famous quotes and sayings about Bone by most favorite authors.

Favorite Bone Quotes

1. "Outside the hospital, a young girl who was selling small bouquets of daffodils, their green stems tied with lavender ribbons. I watched as my mother bought out the girl's whole stock. Nurse Eliot, who remembered my mother from eight years ago volunteered to help her when she saw her comng down the hall, her arms full of flowers. She rounded up extra water pitchers from a supply closet and together, she and my mother filled them with water and placed the flowers around my father's room while he slept. Nurse Eliot thought that if loss could be used as a measure of beauty in a woman, my mother had grown even more beautiful.(The Lovely Bones by Alice Sebold)"
Author: Alice Sebold
2. "She introduces me to a nurse as the Best Friend. The impersonal article is more intimate. It tells me that they are intimate, the nurse and my friend.'I was telling her we used to drink Canada Dry ginger ale and pretend were were in Canada' 'That's how dumb we were,' I say. 'You could be sisters,' the nurse says. So how come, I'll bet they are wondering, it took me so long to get to such a glorious place? But do they ask? They do not ask. Two months, and how long is the drive? The best I can explain it is this - I have a friend who worked one summer in a mortuary. He used to tell me stories. The one that really got to me was not eh grisliest, but it's the one that did. A man wrecked his care on 101 going south. He did not lose consciousness. But his arm was taken down to the bone - and when he looked at it - it scared him to death. I mean, he died. So I hadn't dared to look any closer. But now I'm doing it - and hoping that I will live through it."
Author: Amy Hempel
3. "I get described as 'interesting' a lot. People often call me odd, too. Maybe they mean ugly. Given the services of a plastic surgeon, I would get a pair of cheekbones."
Author: Anna Maxwell Martin
4. "Perhaps it's true that things can change in a day. That a few dozen hours can affect the outcome of whole lifetimes. And that when they do, those few dozen hours, like the salvaged remains of a burned house---the charred clock, the singed photograph, the scorched furniture---must be resurrected from the ruins and examined. Preserved. Accounted for. Little events, ordinary things, smashed and reconstitutred. Imbued with new meaning. Suddenly they become the bleached bones of a story."
Author: Arundhati Roy
5. "Looking out on a clean plank of planet earth, we can get shaken right down to the bone by the bronze-eyed possibility of lives that are not our own."
Author: Barbara Kingsolver
6. "It is high time for some congressional oversight backbone."
Author: Bob Barr
7. "When you see me in a scarf you may think "Oh, she went to some trouble there." But no, when I wear a scarf it means "this grey blouse was unwrinkled and those mocha pants make my behind look fine and voila I have a vivid grey and brown silk scarf which means I have transformed self from bone lazy to coordinated accessory maven.(Maid in Waiting publish date June 2014)"
Author: Bridget Allison
8. "If you look at Gothic detailing right down to the bottom of a column or the capital of a column, it's a small version of the whole building; that's why, like dating the backbones of a dinosaur, a good historian can look at a detail of a Gothic building and tell you exactly what the rest of the building was, and infer the whole from the parts."
Author: Charles Jencks
9. "Every time I talk about this, I say: when the singer is singing, he must be respected, you must be able to hear what he's saying. You can't put a trombone and a drum up there, and a microphone on the drum, microphones on everybody. You can't hear what he's saying."
Author: Compay Segundo
10. "Her bones felt thin and hollow beneath my fists, but her frailty didn't deter me. I wanted her to feel my pain."
Author: Courtney Cole
11. "When dams were erected on the Columbia, salmon battered themselves against the concrete, trying to return home. I expect no less from us. We too must hurl ourselves against and through the literal and metaphorical concrete that contains and constrains us, that keeps us from talking about what is most important to us, that keeps us from living the way our bones know we can, that bars us from our home. It only takes one person to bring down a dam."
Author: Derrick Jensen
12. "At least this is a nation, with a religion, a head, a status, a policy. Not a damned Noah's ark: a chicken here, a lamb there, a family of wolves in the next field. I suppose you are proud of your French Queen, playing dice with Scots knucklebones for the greater glory of her native land?"
Author: Dorothy Dunnett
13. "Don't creationists ever wonder about the fact that the paleontologists found ape-like skulls with the 'human leg and foot bones,' rather than the other way around, i.e., human skulls with 'ape leg and foot bones?' . . . Come on, creationists, think about it! Did God hide the human skulls, only leaving behind leg and foot bones belonging to human midgets with misshapen feet, and mix such bones only with the skulls of ape-like creatures with larger cranial capacities than living apes? What a 'kidder' the creationists' God must be."
Author: Edward Babinski
14. "You know before you know, of course. You are bending over the dryer, pulling out the still-warm sheets, and the knowledge walks up your backbone. You stare at the man you love and you are staring at nothing; he is gone before he is gone."
Author: Elizabeth Berg
15. "Small businesses are the backbone of our economy."
Author: Ellen Tauscher
16. "While most science moves in a sort of curve, being constantly corrected by new evidence, this science flies off into space in a straight line uncorrected by anything. But the habit of forming conclusions, as they can really be formed in more fruitful fields, is so fixed in the scientific mind that it cannot resist talking like this. It talks about the idea suggested by one scrap of bone as if it were something like the aeroplane which is constructed at last out of whole scrapheaps of scraps of metal. The trouble with the professor of the prehistoric is that he cannot scrap his scrap. The marvellous and triumphant aeroplane is made out of a hundred mistakes. The student of origins can only make one mistake and stick to it."
Author: G.K. Chesterton
17. "In the first few pages, Kundera discusses several abstract historical figures: Robespierre, Nietzsche, Hitler. For Eunice's sake, I wanted him to get to the plot, to introduce actual "living" characters - I recalled this was a love story - and to leave the world of ideas behind. Here we were, two people lying in bed, Eunice's worried head propped on my collarbone, and I wanted us to feel something in common. I wanted this complex language, this surge of intellect, to be processed into love. Isn't that how they used to do it a century ago, people reading poetry to one another?"
Author: Gary Shteyngart
18. "Jump. "Not yet." A few more seconds of anticipation, of knowing most of his bones would shatter on contact. He grinned at the thought. The razor-sharp bone shards would cut his injured, swollen organs and those organs would burst like water balloons; his skin would rip from the excess fluid and this time the lifeblood that drained would be his own. Agony, such blissful agony, would consume him. For a little while, anyway."
Author: Gena Showalter
19. "Family likeness has often a deep sadness in it. Nature, that great tragic dramatist, knits us together by bone and muscle, and divides us by the subtler web of our brains; blends yearning and repulsion; and ties us by our heart-strings to the beings that jar us at every movement."
Author: George Eliot
20. "All this time I'd thought we were strangers, and it turned out we knew each other intuitively, in our bones, in our blood. It was kind of romantic. Catastrophically romantic."
Author: Gillian Flynn
21. "I sit here before my computer, Amiguita, my altar on top of the monitor with the Virgen de Coatlalopeuh candle and copal incense burning. My companion, a wooden serpent staff with feathers, is to my right while I ponder the ways metaphor and symbol concretize the spirit and etherealize the body. The Writing is my whole life, it is my obsession. This vampire which is my talent does not suffer other suitors. Daily I court it, offer my neck to its teeth. This is the sacrifice that the act of creation requires, a blood sacrifice. For only through the body, through the pulling of flesh, can the human soul be transformed. And for images, words, stories to have this transformative power, they must arise from the human body--flesh and bone--and from the Earth's body--stone, sky, liquid, soil. This work, these images, piercing tongue or ear lobes with cactus needle, are my offerings, are my Aztecan blood sacrifices."
Author: Gloria E. Anzaldúa
22. "Is this all you want, Anna?" He brought his arms around her and urged her to lean into him. "Merely an embrace? I'll understand it, if you do." "It isn't merely an embrace," she replied, loving the feel of his lean muscles and long bones against her body. "It is your embrace, and your scent, and the cadence of your breathing, and the warmth of your hands. To me, there is nothing mere about it."
Author: Grace Burrowes
23. "The moose will perhaps one day become extinct; but how naturally then, when it exists only as a fossil relic, and unseen as that, may the poet or sculptor invent a fabulous animal with similar branching and leafy horns, — a sort of fucus or lichen in bone, — to be the inhabitant of such a forest as this!"
Author: Henry David Thoreau
24. "Fabre stood up. He placed his fingertips on d‘Anton's temples. "Put your fingers here," he said. "Feel the resonance. Put them here, and here." He jabbed at d'Anton's face: below the cheekbones, at the side of his jaw. "I'll teach you like an actor," he said. "This city is our stage."Camille said: "Book of Ezekiel. ‘This city is the cauldron, and we the flesh' ..."Fabre turned. "This stutter," he said. "You don't have to do it." Camille put his hands over his eyes. "Leave me alone," he said. "Even you." Fabre's face was incandescent. "Even you, I am going to teach." He leapt forward, wrenched Camille upright in his chair. He took him by the shoulders and shook him. "You're going to talk properly," Fabre said. "Even if it kills one of us." Camille put his hands protectively over his head. Fabre continued to perpetrate violence; d'Anton was too tired to intervene."
Author: Hilary Mantel
25. "I found my first dinosaur bone when I was 6, growing up in Montana. Ever since then I've been interested in dinosaurs."
Author: Jack Horner
26. "Don't care for her tongue, do you? How strange. I find it one of my favorite parts.Bones to Gregor"
Author: Jeaniene Frost
27. "For within your flesh, deep within the center of your being, is the undaunted, waiting, longing, all-knowing. Is the ready, able, perfect. Within you, waiting its turn to emerge, piece by piece, with the dawn of every former test of trial and blackness, is the next unfolding, the great unfurling of wings, the re-forged backbone of a true Child of Light."
Author: Jennifer DeLucy
28. "I could never leave,' Pine Sap said. 'Why?' she asked.Pine Sap shrugged, and gestured in the direction of the village. 'Because I think people must be the same everywhere. Only these people are my bones."
Author: Jodi Lynn Anderson
29. "Sometimes I can hear my bones straining under the weight of all the lives I'm not living."
Author: Jonathan Safran Foer
30. "We wanted more. We knocked the butt ends of our forks against the table, tapped our spoons against our empty bowls; we were hungry. We wanted more volume, more riots. We turned up the knob on the TV until our ears ached with the shouts of angry men. We wanted more music on the radio; we wanted beats, we wanted rock. We wanted muscles on our skinny arms. We had bird bones, hollow and light, and we wanted more density, more weight. We were six snatching hands, six stomping feet; we were brothers, boys, three little kings locked in a feud for more."
Author: Justin Torres
31. "Good new songs are the backbone of the music industry. There isn't an artist out there who could survive without hit songs."
Author: Kara DioGuardi
32. "Never mind that to me, the face of Afghanistan is that of a boy with a thin-boned frame, a shaved head, and low-set ears, a boy with a Chinese doll face perpetually lit by a harelipped smile. Never mind any of those things. Because history isn't easy to overcome. Neither is religion. In the end, I was a Pashtun and he was a Hazara, I was Sunni and he was Shi'a, and nothing was ever going to change that. Nothing."
Author: Khaled Hosseini
33. "Brooke, I'm already gone. The only reason I tried to get away from you boneheads earlier was because I wanted a couple of hours to see the sights before I headed home. Crooked Street maybe. Or Treasure Island. That sweet little bridge you're all so fond of. I can't say I like the Alcatraz tour, though. It's a little too realistic."
Author: Kim Harrison
34. "She knew, too, that love didn't evaporate. It faded, perhaps, lost its weight like bones left out in the sun, but it didn't go away."
Author: Kristin Hannah
35. "How come we've got these bodies? They are frail supports for what we feel. There are times I get so hemmed in by my arms and legs I look forward to getting past them. As though death will set me free like a traveling cloud... I'll be out there as a piece of the endless body of the world feeling pleasures so much larger than skin and bones and blood."
Author: Louise Erdrich
36. "Among some tossed-out books of my daughter's which I rescued...was one too awful to live. I returned it to the trash, resisting the urge to say a few parting words. All day long the thought of its mingling with chicken bones and olive pits nagged at me. Half a dozen times I removed it and replaced it, like an executioner with scruples about capital punishment. Finally I put it on a high shelf where I wouldn't have to see it. Life imprisonment."
Author: Lynne Sharon Schwartz
37. "Grace. I held on to that name. If I kept that in my head, I would be OK.Grace.I was shaking, shaking; my skin peeling away.Grace.My bones squeezed, pinched, pressed against my muscles.Grace.Her eyes held me even after I stopped feeling her fingers gripping my arms.Sam," she said. "Don't go."
Author: Maggie Stiefvater
38. "I hooked up with director Jacques Audiard for this film called 'Rust & Bone' with Marion Cotillard. I loved that experience so much I'm truly sad that it's over!"
Author: Matthias Schoenaerts
39. "Later that evening I lay down in Min's empty bed upstairs and pulled her white sheet up over my head. I felt for my kneecaps and hip bones. I lay perfectly still, arms down, palms up. I closed my eyes and pretended I was floating in space, then at sea, then not floating at all.I hummed an old Beach Boys tune. In my room... Min had taught me how to play it on her guitar when we were kids."
Author: Miriam Toews
40. "In time I could move, though my body wasn't thrilled about it. I moved from the floor to the sofa I had fallen off of, which was all the progress I was going to demand from myself right then. Karish was much more ambitious, moving from the floor by the table to the sofa. He sat beside me and without the slightest hesitation or diffidence wrapped his arms around me and pulled me close, and I bonelessly complied. Pain eased, muscles loosened, and the beating of his heart helped to drive disturbing images from my mind. For the moment not giving a damn about how it looked or whether it was a bad idea, I curled around him and flattened my palm against his chest so I could feel the blood pulsing around him."
Author: Moira J. Moore
41. "I like you too, Zack," I said, leaning my head against his shoulder, so I could look up at him. "You've sort of had me . . . enamored, I guess is the right word . . . since we met."He laughed. "You were enamored with me?"I nodded. "Yeah, I was. It's sad, but I was completely enamored with you. I blame your eyes, and your stupid guitar playing. I'm a sucker for a guy with a guitar.""Don't forget my kissable lips," he said, as he kissed my neck, trailing his lips down to my collarbone. I sighed, a long, deep, satisfied sigh."
Author: Monica Alexander
42. "I thought of the new stone, of my new wife, and of the newly buried white bones beneath us, and I felt that fate had made sport of us all."
Author: Natsume Sōseki
43. "But after dealing with Roy for a while I just wanted to get through the time I'd signed on for, to prove to myself that I couldn't be beaten by a girly-faced, chicken-boned, racist cat."
Author: Peter Allison
44. "Everything in physiology follows the rule that too much can be as bad as too little. There are optimal points of allostatic balance. For example, while a moderate amount of exercise generally increases bone mass, thirty-year-old athletes who run 40 to 50 miles a week can wind up with decalcified bones, decreased bone mass, increased risk of stress fractures and scoliosis (sideways curvature of the spine)—their skeletons look like those of seventy-year-olds. To put exercise in perspective, imagine this: sit with a group of hunter-gatherers from the African grasslands and explain to them that in our world we have so much food and so much free time that some of us run 26 miles in a day, simply for the sheer pleasure of it. They are likely to say, "Are you crazy? That's stressful." Throughout hominid history, if you're running 26 miles in a day, you're either very intent on eating someone or someone's very intent on eating you."
Author: Robert M. Sapolsky
45. "By the way, I have a bone to pick with you." Esperetta"Only one?" Velkan"At the moment." Esperetta"Then I can't wait to hear it." Velkan"'Bram' and 'Stoker'?" Esperetta"It was fitting, I thought." Velkan"
Author: Sherrilyn Kenyon
46. "The brittle bones beneath my chest cracked, piercing my heart. It was you who breathed new life into my lungs and it was you who would later syphon the life you had given so as to feed your selfish desires"
Author: Sonya Watson
47. "I sit in the top of the wood, my eyes closed.Inaction, no falsifying dreamBetween my hooked head and hooked feet:Or in sleep rehearse perfect kills and eat.The convenience of the high trees!The air's buoyancy and the sun's rayAre of advantage to me;And the earth's face upward for my inspection.My feet are locked upon the rough bark.It took the whole of CreationTo produce my foot, my each feather:Now I hold Creation in my footOr fly up, and revolve it all slowly -I kill where I please because it is all mine.There is no sophistry in my body:My manners are tearing off heads -The allotment of death.For the one path of my flight is directThrough the bones of the living.No arguments assert my right:The sun is behind me.Nothing has changed since I began.My eye has permitted no change.I am going to keep things like this."
Author: Ted Hughes
48. "The pain of love does not break hearts, it merely seasons them. The disappointed heart revives itself and grows meaty and piquant. Sorrow expands it and makes it pithy. The spirit, on the other hand, can snap like a bone and may never fully knit"
Author: Tom Robbins
49. "My honey child, them housing projects Cannot contain her multitudes A sunbeam, hard upon her Just a fly strugglin' through her braid loops Watch me prove to ‘em I'm more than nothin' But a ragamuffin with homesick eyes Yes, when it gets to be the same old thing Shorty you ought to come and see about me My love, she is a drummer Than industrial steel, her backbone tougher The eloping night and the honey moon that trails Just dirt ‘neath her finger nails I'll be down on them crossroads ‘Til daybreak winks a bright eye And if it gets to be the same old thing Shorty you ought to come and see about me She's heard all the right things And they did not persuade her She has no use for your words What she wants is your labor ‘Cause when gringos speak of minorities They tend to keep their voices low Ah, but when that gets to be the same old thing Shorty you ought to come and see about me"
Author: Valentine Xavier
50. "Her eyes are pure stars, and her fingers, if they touch you, freeze you to the bone."
Author: Virginia Woolf

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Before familiarity can turn into awareness the familiar must be stripped of its inconspicuousness; we must give up assuming that the object in question needs no explanation. However frequently recurrent, modest, vulgar it may be it will now be be labeled as something unusual."
Author: Bertolt Brecht

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