Byzantine Art Quotes

1. "The game's rules were Byzantine, and we had to work them out through trial and error. One rule, which had only gradually become apparent, was that one could only move into another character's head if the move did not involve too big a jump in social status. A peasant could not swap into the head of a king, even if the king knelt down to kiss the peasant. But the peasant could get there by jumping into the head of a blacksmith, and then an armourer, and then an officer in the king's guard, and so on - working their way up by discrete steps. Sometimes it would not be possible to change character between one session and the next, but that was all part of the game's richly involving texture. It was difficult and slow, but because at each step one had access to the memories and personality of the inhabited character, it was seldom boring."
Author: Alastair Reynolds

2. "Water splashes and runs in a film across the glass floor suspended above the mosaics. The Haci Kadin hamam is a typical post-Union fusion of architectures; Ottoman domes and niches built over some forgotten Byzantine palace, years and decades of trash blinding, gagging, burying the angel-eyed Greek faces in the mosaic floor; century upon century. That haunted face was only exposed to the light again when the builders tore down the cheap apartment blocks and discovered a wonder. But Istanbul is wonder upon wonder, sedimented wonder, metamorphic cross-bedded wonder. You can't plant a row of beans without turning up some saint or Sufi. At some point every country realizes it must eat its history. Romans ate Greeks, Byzantines ate Romans, Ottomans ate Byzantines, Turks ate Ottomans. The EU eats everything. Again, the splash and run as Ferid Bey scoops warm water in a bronze bowl from the marble basin and pours it over his head."
Author: Ian McDonald

3. "Many critics of the Crusades would seem to suppose that after the Muslims had overrun a major portion of Christendom, they should have been ignored or forgiven; suggestions have been made about turning the other cheek. This outlook is certainly unrealistic and probably insincere. Not only had the Byzantines lost most of their empire; the enemy was at their gates. And the loss of Spain, Sicily, and southern Italy, as well as a host of Mediterranean islands, was bitterly resented in Europe. Hence, as British historian Derek Lomax (1933-1992) explained, 'The popes, like most Christians, believed war against the Muslims to be justified partly because the latter had usurped by force lands which once belonged to Christians and partly because they abused the Christians over whom they ruled and such Christian lands as they could raid for slaves, plunder and the joys of destruction.' It was time to strike back."
Author: Rodney Stark

4. "Across the broken apses and shattered naves of a hundred ruined Byzantine churches, the same smooth, cold, neo-classical faces of the saints and apostles stare down like a gallery of deaf mutes; and through this thundering silence the everyday reality of life in the Byzantine provinces remains persistently difficult to visualise. The sacred and aristocratic nature of Byzantine art means that we have very little idea of what the early Byzantine peasant or shopkeeper looked like; we have even less idea of what he thought, what he longed for, what he loved or what he hated.Yet through the pages of The Spiritual Meadow one can come closer to the ordinary Byzantine than is possible through virtually any other single source.Dalrymple, William (2012-06-21). From the Holy Mountain: A Journey in the Shadow of Byzantium (Text Only) (Kindle Location 248). HarperCollins Publishers. Kindle Edition."
Author: William Dalrymple

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