Character And Success Quotes

1. "Despite the characterization of some that teaching is an easy job, with short hours and summers off, the fact is that successful, dedicated teachers in the U.S. work long hours for little pay and, in many cases, insufficient support from their leadership."
Author: Andreas Schleicher

2. "The theory I'm putting forward here is that storytelling is a genetic characteristic in the sense that early human hunters who were able to organize events into stories were more successful than hunters who weren't—and this success translated directly into reproductive success. In other words, hunters who were storytellers tended to be better represented in the gene pool than hunters who weren't, which (incidentally) accounts for the fact that storytelling isn't just found here and there among human cultures, it's found universally."
Author: Daniel Quinn

3. "All trademarks, company names, registered names, products, characters, mottos, logos, jingles and catchphrases used or cited in this work are the property of their respective owners and have only been mentioned and or used as cultural references to enhance the narrative and in no way were used to disparage or harm the owners and their companies. It is the author's sincerest wish the owners of the cited trademarks, company names, etc. appreciate the success they have achieved in making their products household names and appreciate the free plug."
Author: E.A. Bucchianeri

4. "Groom yourself into a character that God will trust with power and success."
Author: Esther Thomas

5. "Her first really great role, the one that cemented the "Jean Arthur character," was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra's Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra's rendition of Kaufman and Hart's You Can't Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). "Jean Arthur is my favorite actress," said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. ". . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress." Capra obviously recognized that Jean was often frustrated in her career choice."
Author: Eve Golden

6. "Character cannot be developed in ease and quiet. Only through experience of trial and suffering can the soul be strengthened, ambition inspired, and success achieved."
Author: Helen Keller

7. "May I ask you what these questions tend?''Merely to the illustration of your character,' said she, endeavouring to shake off her gravity. 'I am trying to make it out.''And what is your success?'She shook her head. 'I do not get on at all. I hear such different accounts of you as puzzle me exceedingly."
Author: Jane Austen

8. "Dr. Ofshe characterizes plaintiff's memories as progress toward ritual, satanic cult images,which he states fits a pattern he has observed of false memories. It appears to the Court,however, that in this regard, he is engaging in the same exercise for which he criticizes therapists dealing with repressed memory. Just as he accuses them of resolving at the outset defining repressed memories of abuse and then constructing them, he has resolved at the outset to find a macabre scheme of memories progressing toward a satanic cult ritual and then creates them. (p. 27)Proceedings before the HONORABLE DENNIS D.YULE, Superior Court Judge, in and for the County of Benton, on the 4th day of March 1994,at Kennewick, Washington(commenting on Lynn S. Crook's and her sister's successful case against their father, after successfully suing for incest)."
Author: Judge Dennis D. Yule

9. "The whole crazy business seemed to pull out of my guts the very worst in me—my worst fears—the worst aspects of my character—my worst insecurities and feelings of shame and guilt. I didn't know it at the time, but that was exactly what was supposed to be happening. That's what Solomonic magick is all about. The worst in me was my problem. The worst in me was the demon. When it finally dawned on me that I had successfully evoked the demon, and I had the worst of me trapped in that magick Triangle, I had no alternative but to harness and redirect its monstrous power and give it new marching orders. From then on, that particular demon would be working for me rather than against me."
Author: Lon Milo DuQuette

10. "I pick my actors primarily based on my gut-feel. They could be rank newcomers or established stars, but if I feel they'll do justice to my characters, they are on. I think Bollywood is now looking towards Kollywood for new faces, and, to my mind, Suriya will be a very successful crossover star because he's very versatile."
Author: Madhur Bhandarkar

11. "I was not doing what I was told to do. And they sued me for making music "uncharacteristic of Neil Young." That was Geffen Rocords' biggeest mistake, I think. The mistakes all started when I caved and didn't give them Island in the Sun. They wanted me to be commercially successful, and I wanted to be an artist expressing myself-those two goals are not always compatible. I was expecting to have the same artistic freedom that I had at Asylum Records, but Geffen Records wanted me to be a smash, selling millions of records. Most important, Geffen was not a hands-on at Geffen Records. He had other people doing that. It showed."
Author: Neil Young

12. "I think it was Alfred Hitchcock who said 90 percent of successful moviemaking is in the casting. The same is true in life. Who you are exposed to, who you choose to surround yourself with, is a unique variable in all of our experiences and it is hugely important in making us who we are. Seek out interesting characters, tough adversaries and strong mentors and your life can be rich, textured, highly entertaining and successful, like a Best Picture winner. Surround yourself with dullards, people of vanilla safety and unextraordinary ease, and you may find your life going straight to DVD."
Author: Rob Lowe

13. "…. by the time they have reached the middle of their life's journey, few people remember how they have managed to arrive at themselves, at their amusements, their point of view, their wife, character, occupation and successes, but they cannot help feeling that not much is likely to change anymore. It might even be asserted that they have been cheated, for one can nowhere discover any sufficient reason for everything's coming about as it has. It might just have well as turned out differently. The events of people's lives have, after all, only to the last degree originated in them, having generally depended on all sorts of circumstances such as the moods, the life or death of quite different people, and have, as it were, only at the given point of time come hurrying towards them"
Author: Robert Musil

14. "If there is one ruler that can harmonize and unify the mob of characters [in our astral body], it is the Ego (the Higher Ego, or Self, or Spirit). The more the Ego shines like a sun at the center of gravity of the astral body, the more the different characters start orbiting around it. Instead of working only to satisfy their own selfish desires, the characters start manifesting the purposes of the light and of the Spirit. Instead of plotting for the success of their own ambitions, they start accomplishing the works of the Higher Self... The unveiling of the Self begins a process of unification--a new astral body slowly develops. In this new, or transformed, astral body, the different parts are penetrated by the light of the Self. Therefore they are not only united around the Self, but are also cemented to it... [Before this process], one is nothing more than an appearance: it is the illusion of being one person..."
Author: Samuel Sagan

15. "The Character Ethic taught that there are basic principles of effective living, and that people can only experience true success and enduring happiness as they learn and integrate these principles into their basic character."
Author: Stephen R. Covey

16. "If I try to use human influence strategies and tactics of how to get other people to do what I want, to work better, to be more motivated, to like me and each other—while my character is fundamentally flawed, marked by duplicity and insincerity—then, in the long run, I cannot be successful. My duplicity will breed distrust, and everything I do—even using so-called good human relations techniques—will be perceived as manipulative."
Author: Stephen R. Covey

17. "He showed, in a few words, that it is not sufficient to throw together a few incidents that are to be met with in every romance, and that to dazzle the spectator the thought should be new, without being farfetched; frequently sublime, but always natural; the author should have a thorough knowledge of the human heart and make it speak properly; he should be a complete poet, without showing an affectation of it in any of the characters of his piece; he should be a perfect master of his language, speak it with all its pruity and with the utmost harmony, and yet so as not to make the sense a slave to the rhyme. Whoever, added he, neglects any one of these rules, though he may write two or three tragedies with tolerable success, will never be reckoned in the number of good authors."
Author: Voltaire

18. "Character? I should have thought it needed a good deal of character to throw up a career after half an hour's meditation, because you saw in another way of living a more intense significance. And it required still more character never to regret the sudden step. I wondered if Abraham really had made a hash of life. Is to do what you most want, to live under the conditions that please you, in peace with yourself, to make a hash of life; and is it successto be an eminent surgeon with ten thousand a year and a beautiful wife? I suppose it depends on what meaning you attach to life, the claim which you acknowledge to society, and the claimof the individual. But again I held my tongue, for who am I to argue with a knight?"
Author: W. Somerset Maugham

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