Conceptual Art Quotes

1. "I tried to fit it in with some previous broad conceptual understanding of some part of mathematics that would clarify the particular problem I was thinking about."
Author: Andrew Wiles

2. "Conceptual art might be, for better or worse, (definable as) the art most susceptible to lossy compression."
Author: Brian Christian

3. "That we are rational agents—that a great many of our actions are not merely the results of serial physiological urges but are instead dictated by coherent conceptual connections and private deliberations—is one of those primordial data I mentioned above that cannot be reduced to some set of purely mechanical functions without producing nonsense. That a number of cognitive scientists should be exerting themselves to tear down the Cartesian partition between body and soul, hoping to demonstrate that there is no Wonderful Wizard on the other side pulling the levers, is poignant proof that our mechanistic paradigms trap much of our thinking about mind and body within an absurd dilemma: we must believe either in a ghost mysteriously animating a machine or in a machine miraculously generating a ghost. Premodern thought allowed for a far less restricted range of conceptual possibilities."
Author: David Bentley Hart

4. "After a few months in my parents' basement, I took an apartment near the state university, where I discovered both crystal methamphetamine and conceptual art. Either one of these things are dangerous, but in combination they have the potential to destroy entire civilizations."
Author: David Sedaris

5. "It true, Bigfoot career been in hole lately. Bigfoot mania of the ‘70's and ‘80's but distant memory. I famous for ability to not be see but don't think I not notice you not notice. I blame music television and internet. People too lazy and stupid to appreciate conceptual artist like Bigfoot who appeal is absence."
Author: Graham Roumieu

6. "The real reality is there, but everything you KNOW about "it" is in your mind and yourto do with as you like. Conceptualization is art, and YOU ARE THE ARTIST"
Author: Gregory Hill

7. "[…] en esta totalidad apenas es ya posible la distinción conceptual entre los negocios y la política, el beneficio y el prestigio, las necesidades y la publicidad. Se exporta un "modo de vida", o se exporta a sí mismo en la dinámica de la totalidad. Con el capital, los ordenadores y el saber-vivir, llegan los restantes "valores": relaciones libidinosas con la mercancía, con los artefactos motorizados agresivos, con la estética falsa del supermercado."
Author: Herbert Marcuse

8. "Even those novelists most commonly deemed "philosophical" have sometimes answered with an emphatic no. Iris Murdoch, the longtime Oxford philosopher and author of some two dozen novels treating highbrow themes like consciousness and morality, argued that philosophy and literature were contrary pursuits. Philosophy calls on the analytical mind to solve conceptual problems in an "austere, unselfish, candid" prose, she said in a BBC interview broadcast in 1978, while literature looks to the imagination to show us something "mysterious, ambiguous, particular" about the world. Any appearance of philosophical ideas in her own novels was an inconsequential reflection of what she happened to know. "If I knew about sailing ships I would put in sailing ships," she said. "And in a way, as a novelist, I would rather know about sailing ships than about philosophy."
Author: Iris Murdoch

9. "John Baldessari, the 79-year-old conceptualist, has spent more than four decades making laconic, ironic conceptual art-about-art, both good and bad."
Author: Jerry Saltz

10. "Our visual cortexes are wired to quickly recognize faces and then quickly subtract massive amounts of detail from them, zeroing in on their essential message: Is this person happy? Angry? Fearful? Individual faces may vary greatly, but a smirk on one is a lot like a smirk on another. Smirks are conceptual, not pictorial. Our brains are like cartoonists - and cartoonists are like our brains, simplifying and exaggerating, subordinating facial detail to abstract comic concepts."
Author: Jonathan Franzen

11. "If I speak in the tongues of Reformers and of professional theologians, and I have not personal faith in Christ, my theology is nothing but the noisy beating of a snare drum. And if I have analytic powers and the gift of creating coherent conceptual systems of theology, so as to remove liberal objections, and have not personal hope in God, I am nothing. And if I give myself to resolving the debate between supra and infralapsarianism, and to defending inerrancy, and to learning the Westminster Catechism, yea, even the larger one, so as to recite it by heart backwards and forwards, and have not love, I have gained nothing."
Author: Kevin Vanhoozer

12. "In the particular dwells the tawdry. In the conceptual dwells the grand, the transcendent, the everlasting. Earthly countries and single malignant boys can go to hell; the idea of countries and the idea of sons triumph for eternity."
Author: Lionel Shriver

13. "I'm not knocking conceptual art; it's another department, but it doesn't move me like painting."
Author: Paul Simonon

14. "It would be obvious for me to do conceptual art, and I think I've done it already with smashing bass guitars and whatever - I consider that as conceptual."
Author: Paul Simonon

15. "I'm not trying to do conceptual art."
Author: Peter Sotos

16. "Human beings across every culture I know about require such stories, stories with cool winds and wood smoke. They speak to something deep within us, the capacity to conceptualize, objectify and find patterns, thereby to create the flow of events and perceptions that find perfect expression in fiction. We are built this way, we create stories by reflex, unstoppably. But this elegant system really works best when the elements of the emerging story, whether is is being written or being read, are taken as literal fact. Almost always, to respond to the particulars of the fantastic as if they were metaphorical or allegorical is to drain them of vitality."
Author: Peter Straub

17. "All of the significant art of today stems from Conceptual art. This includes the art of installation, political, feminist and socially directed art."
Author: Sol LeWitt

18. "Conceptual art became the liberating idea that gave the art of the next 40 years its real impetus."
Author: Sol LeWitt

19. "The other great development has been in photography, but that too was influenced by Conceptual art."
Author: Sol LeWitt

20. "David is purely a conceptual artist. He didn't play any instruments or paint or anything. We were painters."
Author: Tina Weymouth

21. "Helping teacher leaders come to understand their gifts is the first step in developing a specialty. Some leaders are great coaches and should focus on instructional leadership in a district or network where that is valued and supported. Great conceptual thinkers are good in startup mode but the daily grind of leading a school doesn't suit them. Other leaders thrive on the turnaround challenge. The dynamic blended future of education will allow more role specialization."
Author: Tom Vander Ark

22. "I've come up through art school, through painting, through graphic design, through advertising, through TV commercials and music video. I've designed books, built billboards, matchbooks, corporate identities. I continuously paint, I've done conceptual art pictures."
Author: Tony Kaye

23. "As an empiricist I continue to think of the conceptual scheme of science as a tool, ultimately, for predicting future experience in the light of past experience. Physical objects are conceptually imported into the situation as convenient intermediaries-not by definition in terms of experience, but simply as irreducible posits comparable, epistemologically, to the gods of Homer. For my part I do, qua lay physicist, believe in physical objects and not in Homer's gods; and I consider it a scientific error to believe otherwise. But in point of epistemological footing the physical objects and the gods differ only in degree and not in kind. Both sorts of entities enter our conception only as cultural posits. The myth of physical objects is epistemologically superior to most in that it has proved more efficacious than other myths as a device for working a manageable structure into the flux of experience."
Author: Willard Van Orman Quine

24. "Physical objects are conceptually imported into the situation as convenient intermediaries not by definition in terms of experience, but simply as irreducible posits comparable, epistemologically, to the gods of Homer . . . For my part I do, qua lay physicist, believe in physical objects and not in Homer's gods; and I consider it a scientific error to believe otherwise. But in point of epistemological footing, the physical objects and the gods differ only in degree and not in kind. Both sorts of entities enter our conceptions only as cultural posits."
Author: Willard Van Orman Quine

25. "Some scientists thrive on the conceptual; their minds can envision particles that the most powerful microscopes can't show us; processes that can't be directly observed, but only inferred, guessed at, by interpreting a stew of complex biochemical by-products. I am not one of these scientists; I need bones and teeth, things I can see with my eyes and grasp with my hands. Jason Eshleman, on the other hand, can see with his mind's eye, grasping the complex interactions of the most complex molecules in the body, DNA."
Author: William M. Bass

Conceptual Art Quotes Pictures