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Top Forms Of Art Quotes

Browse top 135 famous quotes and sayings about Forms Of Art by most favorite authors.

Favorite Forms Of Art Quotes

1. "This rose of pearl-coated infinity transformsthe diseased slums of a broken heartinto a palace made of psalms and gold."
Author: Aberjhani
2. "It is this idea 'decency' should be attached to wealth -and 'indecency'' to poverty - that forms the core of one strand of skeptical complaint against the modern status-ideal. Why should failure to make money be taken as a sign of an unconditionally flawed human being rather than of a fiasco in one particular area if the far larger, more multifaceted, project of leading a good life?Why should both wealth and poverty be read as the predominant guides to an individual's morals ?"
Author: Alain De Botton
3. "On the way from the Renaissance to our days we have enriched our experience, but we have lost the concept of a Supreme Complete Entity which used to restrain our passions and our irresponsibility. We have placed too much hope in political and social reforms, only to find out that we were being deprived of our most precious possession: our spiritual life. In the East, it is destroyed by the dealings and machinations of the ruling party. In the West, commercial interests tend to suffocate it. This is the real crisis."
Author: Aleksandr Solzhenitsyn
4. "Man must be an emptiness, a nothingness, which is not a pure nothingness (reines Nichts), but something that is to the extent that it annihilates Being, in order to realize itself at the expense of Being and to nihilate in being. Man is negating Action, which transforms given Being and, by transforming it, transforms itself. Man is what he is only to the extent that he becomes what he is; his true Being (Sein) is Becoming (Werden), Time, History; and he becomes, he is History only in and by Action that negates the given, the Action of Fighting and of Work — of the Work that finally produces the table on which Hegel writes his Phenomenology, and of the Fight that is finally that Battle at Jena whose sounds he hearts while writing the Phenomenology. And that is why, in answering the "What am I?" Hegel had to take account of both that table and those sounds."
Author: Alexandre Kojève
5. "All artforms are in the service of the greatest of all arts: the art of living."
Author: Bertolt Brecht
6. "If the two meanings of 'heart' are 'center' and 'part,' then the word 'art' also forms a perplexing doubleness: it is something human-made with materials; that is, it is made of us. Art is life. And yet it is distinct from 'life.' Art is life's counterpoint. We make it, and in that making, art is pointedly not life. It is just made of us."
Author: Brenda Shaughnessy
7. "In any case, the fewer boundaries that exist hindering free movement between all forms of articulate human cognition, the better."
Author: Brian Ferneyhough
8. "If an Elder shall give us a lecture upon astronomy, chemistry, or geology, our religion embraces it all. It matters not what the subject be, if it tends to improve the mind, exalt the feelings, and enlarge the capacity. The truth that is in all the arts and sciences forms part of our religion. Faith is no more a part of it than any other true principle of philosophy."
Author: Brigham Young
9. "Many people don't fear a hell after this life and that's because hell is on this earth, in this life. In this life there are many forms of hell that people walk through, sometimes for a day, sometimes for years, sometimes it doesn't end. The kind of hell that doesn't burn your skin; but burns your soul. The kind of hell that people can't see; but the flames lap at your spirit. Heaven is a place on earth, too! It's where you feel freedom, where you're not afraid. No more chains. And you hear your soul laughing."
Author: C. JoyBell C.
10. "He prizes me as a soldier would a good weapon, and that is all. [...] Can I receive from him the bridal ring, endure all the forms of love [...] and know that the spirit was quite absent? Can I bear the consciousness that every endearment he bestows is a sacrifice made on principle? No: such a martyrdom would be monstrous. I will never undergo it."
Author: Charlotte Brontë
11. "The forms of art are inexhaustible; but all lead by the same road of aesthetic emotion to the same world of aesthetic ecstasy."
Author: Clive Bell
12. "To be a jazz freedom fighter is to attempt to galvanize and energize world-weary people into forms of organization with accountable leadership that promote critical exchange and broad reflection. The interplay of individuality and unity is not one of uniformity and unanimity imposed from above but rather of conflict among diverse groupings that reach a dynamic consensus subject to questioning and criticism. As with a soloist in a jazz quartet, quintet or band, individuality is promoted in order to sustain and increase the creative tension with the group--a tension that yields higher levels of performance to achieve the aim of the collective project."
Author: Cornel West
13. "In the case of Michel Angelo we have an artist who with brush and chisel portrayed literally thousands of human forms; but with this peculiarity, that while scores and scores of his male figures are obviously suffused and inspired by a romantic sentiment, there is hardly one of his female figures that is so,—the latter being mostly representative of woman in her part as mother, or sufferer, or prophetess or poetess, or in old age, or in any aspect of strength or tenderness, except that which associates itself especially with romantic love. Yet the cleanliness and dignity of Michel Angelo's male figures are incontestable, and bear striking witness to that nobility of the sentiment in him, which we have already seen illustrated in his sonnets."
Author: Edward Carpenter
14. "Then, O King! the God, so saying,Stood, to Pritha's Son displayingAll the splendour, wonder, dreadOf His vast Almighty-head.Out of countless eyes beholding,Out of countless mouths commanding,Countless mystic forms enfoldingIn one Form: supremely standingCountless radiant glories wearing,Countless heavenly weapons bearing,Crowned with garlands of star-clusters,Robed in garb of woven lustres,Breathing from His perfect PresenceBreaths of every subtle essenceOf all heavenly odours; sheddingBlinding brilliance; overspreading-Boundless, beautiful- all spacesWith His all-regarding faces;So He showed! If there should riseSuddenly within the skiesSunburst of a thousand sunsFlooding earth with beams undeemed-of,Then might be that Holy One'sMajesty and radiance dreamed of!"
Author: Edwin Arnold
15. "One of the more positive aspects of our existence in Oceania is that truth is flexible and negotiable, despite attempts by some of us to impose political, religious, and other forms of absolutionism. Versions of truth may be accepted for particular purposes and moments, only to be reversed when circumstances demand other versions; and we often accede to things just to stop being bombarded, and then go ahead and do what we want to do anyway."
Author: Epeli Hau?ofa
16. "ORGANIC LIFE beneath the shoreless wavesWas born and nurs'd in Ocean's pearly caves;First, forms minute, unseen by spheric glass,Move on the mud, or pierce the watery mass;These, as successive generations bloom,New powers acquire, and larger limbs assume;Whence countless groups of vegetation spring,And breathing realms of fin, and feet, and wing.Thus the tall Oak, the giant of the wood,Which bears Britannia's thunders on the flood;The Whale, unmeasured monster of the main,The lordly Lion, monarch of the plain,The Eagle soaring in the realms of air,Whose eye undazzled drinks the solar glare,Imperious man, who rules the bestial crowd,Of language, reason, and reflection proud,With brow erect, who scorns this earthy sod,And styles himself the image of his God;Arose from rudiments of form and sense,An embryon point, or microscopic ens!"
Author: Erasmus Darwin
17. "In Japan, a number of time-honored everyday activities (such as making tea, arranging flowers, and writing) have traditionally been deeply examined by their proponents. Students study how to make tea, perform martial arts, or write with a brush in the most skillful way possible to express themselves with maximum efficiency and minimum strain. Through this efficient, adroit, and creative performance, they arrive at art. But if they continue to delve even more deeply into their art, they discover principles that are truly universal, principles relating to life itself. Then, the art of brush writing becomes shodo—the "Way of the brush"—while the art of arranging flowers is elevated to the status of kado—the "Way of flowers." Through these Ways or Do forms, the Japanese have sought to realize the Way of living itself. They have approached the universal through the particular."
Author: H.E. Davey
18. "It has often been noted that three major revolutions in thought have threatened the idea of human centrality. First, Copernicus demonstrated that Earth was not the center about which all celestial bodies revolved. Next, Darwin showed us that we were not central in the chain of life but, like all other creatures, had evolved from other life-forms. Third, Freud demonstrated that we are not masters in our own house-that much of our behavior is governed by forced outside of our consciousness. There is no doubt that Freud's unacknowledged co-revolutionary was Arthur Schopenhauer, who, long before Freud's birth, had posited that we are governed by deep biological forced and then delude ourselves into thinking that we consciously choose our activities."
Author: Irvin D. Yalom
19. "A nutritive centre, anatomically considered, is merely a cell, the nucleus of which is the permanent source of successive broods of young cells, which from time to time fill the cavity of their parent, and carrying with them the cell wall of the parent, pass off in certain directions, and under various forms, according to the texture or organ of which their parent forms a part."
Author: John Goodsir
20. "In a society so estranged from animals as ours, we often fail to credit them with any form of language. If we do, it comes under the heading of communication rather than speech. And yet, the great silence we have imposed on the rest of life contains innumerable forms of expression. Where does our own language come from but this unfathomed store that characterizes innumerable species? We are now more than halfway removed from what the unwritten word meant to our ancestors, who believed in the original, primal word behind all manifestations of the spirit. You sang because you were answered. The answers come from life around you. Prayers, chants, and songs were also responses to the elements, to the wind, the sun and stars, the Great Mystery behind them. Life on earth springs from a collateral magic that we rarely consult. We avoid the unknown as if we were afraid that contact would lower our sense of self-esteem."
Author: John Hay
21. "Part of what we pick up in looking at Jesus in the gospel is a way of viewing the whole world. That worldview informs all our values and deeply shapes our thinking and decision-making. Another part of what we absorb is greater confidence in Jesus' counsel and his promises. This has its own powerful effect on what we fear and desire and choose. Another part of what we take up from beholding the glory of Christ is greater delight in his fellowship and deeper longing to see him in heaven. This has its own liberating effect from the temptations of this world. All these have their own peculiar way of changing us into the likeness of Christ. Therefore, we should not think that pursuing likeness to Christ has no other components than just looking at Jesus. Looking at Jesus produces holiness along many different paths."
Author: John Piper
22. "To evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then by means of movements, lines, colors, sounds, or forms expressed in words, so to transmit that feeling that others may experience the same feeling - this is the activity of art."
Author: Leo Tolstoy
23. "All women on earth-- and men, too for that matter-- hope for the kind of love that transforms us, raises us up out of the everyday, & gives us the courage to survive our little deaths: the heartache of unfulfilled dreams, of career and personal disappointments, of broken love affairs."
Author: Lisa See
24. "My son, all my life I have loved this science so deeply that I can now hear my heart beat for joy.{Commenting about Louis Pasteur's accomplishment of separating two asymmetric forms of tartaric acid crystals.}"
Author: Louis Pasteur
25. "Dancing is surely the most basic and relevant of all forms of expression. Nothing else can so effectively give outward form to an inner experience. Poetry and music exist in time. Painting and architecture are a part of space. But only the dance lives at once in both space and time. In it the creator and the thing created, the artist and the expression, are one. Each participates completely in the other. There could be no better metaphor for an understanding of the mechanics of the cosmos."
Author: Lyall Watson
26. "The spoken word has come to dominate many Protestant forms of worship: the words of prayers, responsive readings, Scripture, the sermon, and so forth. Yet the spoken word is perhaps the least effective way of reaching the heart; one must constantly pay attention with one's mind. The spoken word tends to go to our heads, not our hearts."
Author: Marcus J. Borg
27. "If capitalist realism is so seamless, and if current forms of resistance are so hopeless and impotent, where can an effective challenge come from? A moral critique of capitalism, emphasizing the ways in which it leads to suffering, only reinforces capitalist realism. Poverty, famine and war can be presented as an inevitable part of reality, while the hope that these forms of suffering could be eliminated easily painted as naive utopianism. Capitalist realism can only be threatened if it is shown to be in some way inconsistent or untenable; if, that is to say, capitalism's ostensible 'realism' turns out to be nothing of the sort."
Author: Mark Fisher
28. "In a sense, I am a moralist, insofar as I believe that one of the tasks, one of the meanings of human existence - the source of human freedom - is never to accept anything as definitive, untouchable, obvious, or immobile. No aspect of reality should be allowed to become a definitive and inhuman law for us. We have to rise up against all forms of power - but not just power in the narrow sense of the word, referring to the power of a government or of one social group over another: these are only a few particular instances of power. Power is anything that tends to render immobile and untouchable those things that are offered to us as real, as true, as good."
Author: Michel Foucault
29. "The bond between book reader and book writer has always been a tightly symbiotic one, a means of intellectual and artistic cross-fertilization. The words of the writer act as a catalyst in the mind of the reader, inspiriting new insights, associations, and perceptions, sometimes even epiphanies. And the very existence of the attentive, critical reader provides the spur for the writer's work. It gives the author confidence to explore new forms of expression, to blaze difficult and demanding paths of thought, to venture into uncharted and sometimes hazardous territory. "All great men have written proudly, nor cared to explain," said Emerson. "They knew that the intelligent reader would come at last, and would thank them."
Author: Nicholas Carr
30. "For the various spiritual forms of the imagination have a natural affinity with certain sensuous forms of art - and to discern the qualities of each art, to intensify as well its limitations as its powers of expression, is one of the aims that culture sets before us. It is not an increased moral sense, an increased moral supervision that your literature needs. Indeed, one should never talk of a moral or an immoral poem - poems are either well written or badly written, that is all. And, indeed, any element of morals or implied reference to a standard of good or evil in art is often a sign of a certain incompleteness of vision, often a note of discord in the harmony of an imaginative creation; for all good work aims at a purely artistic effect. ‘We must be careful,' said Goethe, ‘not to be always looking for culture merely in what is obviously moral. Everything that is great promotes civilisation as soon as we are aware of it."
Author: Oscar Wilde
31. "When he, whoever of the gods it was, had thus arranged in order and resolved that chaotic mass, and reduced it, thus resolved, to cosmic parts, he first moulded the Earth into the form of a mighty ball so that it might be of like form on every side  …   And, that no region might be without its own forms of animate life, the stars and divine forms occupied the floor of heaven, the sea fell to the shining fishes for their home, Earth received the beasts, and the mobile air the birds  …   Then Man was born:…   though all other animals are prone, and fix their gaze upon the earth, he gave to Man an uplifted face and bade him stand erect and turn his eyes to heaven."
Author: Ovid
32. "And in fact the artist's experience lies so unbelievably close to the sexual, to its pain and its pleasure, that the two phenomena are really just different forms of one and the same longing and bliss. And if instead of "heat" one could say "sex";- sex in the great, pure sense of the word, free of any sin attached to it by the Church, - then his art would be very great and infinitely important. His poetic power is great and as strong as a primal instinct; it has its own relentless rhythms in itself and explodes from him like a volcano."
Author: Rainer Maria Rilke
33. "There are no vital and significant forms of art; there is only art, and precious little of that."
Author: Raymond Chandler
34. "Globally, as the nation-state becomes increasingly less meaningful - a provider of positive goods and more and more just an army and some domestic enforcement - people are withdrawing to shape and support more localised forms of organisation and power. To the extent that it's part of that civilised and localising world, the same is true of the U.S."
Author: Rebecca Solnit
35. "But opposites attract, as they say, and that's certainly true when it comes to Emma Marchetta and me. She's the beauty and I'm the brains. She loves all forms of reality television, would donate a kidney if it meant she could pash Andrew G, is constantly being invited out to parties and other schools' semi formals, and likes any movie featuring Lindsay Lohan. I, on the other hand, have shoulder-length blonde hair, too many freckles and - thanks to years of swimming the fifty-metre butterfly event - swimmer's shoulders and no boobs. In other words, I look like an ironing board with a blonde wig.- Cat"
Author: Rebecca Sparrow
36. "More people are exposed to movies than to most other forms of art."
Author: Richard King
37. "The 2016 presidential election is ripe for the emergence of a game-changing political leader who either dramatically reforms one of the existing parties or mounts an independent bid."
Author: Ron Fournier
38. "SIMPLICITY is practicing a lifestyle that is increasingly free of excess, greed, covetousness, and other forms of dependence on the things of this world. The Holy Spirit works through simplicity to release spiritual gifts such as hospitality, mercy, and giving... to live free of anxiety, and to better take care of this Earth."
Author: Siang Yang Tan
39. "The key experiential approach I now use to induce non-ordinary states of consciousness and gain access to the unconscious and superconscious psyche is Holotropic Breathwork, which I have developed jointly with Christina over the last fifteen years. This seemingly simple process, combining breathing, evocative music and other forms of sound, body work, and artistic expression, has an extraordinary potential for opening the way for exploring the entire spectrum of the inner world."
Author: Stanislav Grof
40. "Arendt, as we have seen, is committed to understanding totalitarianism in its complete novelty, as an unprecedented phenomenon. It is unprecedented in the strict sense that it does not just represent a novel variation with respect to the categories defining forms of government that we have long held… historically, mankind ‘even in its darkest periods, granted the slain enemy the right to be remembered, as a self-evident acknowledgment of the fact that we are all men' (Arendt 1968a: 452). What was attempted in the camps was neither punishment nor persecution but obliteration, such that even death was robbed of its meaning, ‘making martyrdom, for the first time in history, impossible."
Author: Steve Buckler
41. "The dread of a permanently wicked human nature takes two forms. One is a practical fear: that social reform is a waste of time because human nature is unchangeable. The other is a deeper concern, which grows out of the Romantic belief that what is natural is good. According to the worry, if scientists suggest it is "natural" - part of human nature - to be adulterous, violent, ethnocentric, and selfish, they would be implying that these traits are good, not just unavoidable."
Author: Steven Pinker
42. "There is indeed good and there is indeed evil, and both walk the earth. But good has little to do with the forms of religion, and evil has as little to do with so much behavior condemned by religion. Both good and evil vie for the passions of the heart. For love!"
Author: Ted Dekker
43. "For some young artists, it can take a bit of time to discover which tools (which medium, or genre, or career pathway) will truly suit them best. For me, although many different art forms attract me, the tools that I find most natural and comfortable are language and oil paint; I've also learned that as someone with a limited number of spoons it's best to keep my toolbox clean and simple. My husband, by contrast, thrives with a toolbox absolutely crowded to bursting, working with language, voice, musical instruments, puppets, masks animated on a theater stage, computer and video imagery, and half a dozen other things besides, no one of these tools more important than the others, and all somehow working together. For other artists, the tools at hand might be needles and thread; or a jeweller's torch; or a rack of cooking spices; or the time to shape a young child's day....To me, it's all art, inside the studio and out. At least it is if we approach our lives that way."
Author: Terri Windling
44. "What is magic?Then there is the witches' explanation, which comes in two forms, depending on the age of the witch. Older witches hardly put words to it at all, but may suspect in their hearts that the universe really doesn't know what the hell is going on and consists of a zillion trillion billion possibilities, and could become any one of them if a trained mind rigid with quantum certainty was inserted into the crack and twisted; that, if you really had to make someone's hat explode, all you needed to do was twist into that universe where a large number of hat molecules all decide at the same time to bounce off in different directions.Younger witches, on the other hand, talk about it all the time and believe it involves crystals, mystic forces, and dancing about without yer drawers on.Everyone may be right, all at the same time. That's the thing about quantum."
Author: Terry Pratchett
45. "No other life forms know they are alive, and neither do they know they will die. This is our curse alone. Without this hex upon our heads, we would never have withdrawn as far as we have from the natural—so far and for such a time that it is a relief to say what we have been trying with our all not to say: We have long since been denizens of the natural world. Everywhere around us are natural habitats, but within us is the shiver of startling and dreadful things. Simply put: We are not from here. If we vanished tomorrow, no organism on this planet would miss us. Nothing in nature needs us."
Author: Thomas Ligotti
46. "But it is not only at these outward forms that we must look to find the evidence of a nation's hurt. We must look as well at the heart of guilt that beats in each of us, for there the cause lies. We must look, and with our own eyes see, the central core of defeat and shame and failure which we have wrought in the lives of even the least of these, our brothers. And why must we look? Because we must probe to the bottom of our collective wound. As men, as Americans, we can no longer cringe away and lie. Are we not all warmed by the same sun, frozen by the same cold, shone on by the same lights of time and terror here in America? Yes, and if we do not look and see it, we shall all be damned together."
Author: Thomas Wolfe
47. "All forms of love are necessary, and none are to be ignored, but all of us find some forms of love to be more emotionally valuable to us. They are a currency that we find particularly precious, a language that delivers the message of love to our hearts with the most power. Some types of love are more thrilling and fulfilling to us when we receive them.."
Author: Timothy Keller
48. "I've realized that I love all forms of music and get excited when any artist goes crazy and creates something that is an experience."
Author: Tom DeLonge
49. "Almost all of our relationships begin and most of them continue as forms of mutual exploitation, a mental or physical barter, to be terminated when one or both parties run out of goods."
Author: W. H. Auden
50. "The various forms of intellectual activity which together make up the culture of an age, move for the most part from different starting-points, and by unconnected roads."
Author: Walter Pater
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It's not good, is it?"Galen's reply was convincingly nonchalant. "I've seen worse.""Yes-on a dead man."Galen averted his eyes for a moment before giving a reply. "Don't talk like that.""Sorry.""Don't apologize, either."Steldor gave a wry laugh. "Would you mind telling me what I am allowed to do?"Galen couldn't suppress a smirk, thought it was laced with sadness, as he recognized the beginning of one of their classic bickering contests."Sure-you can shut your trap."Steldor was smirking, too, then he grimaced, arching his back as unexpected pain shot through him, and new drops of sweat materialized on his forehead."Steldor-" Galen started, humor lost, reaching toward him with undetermined intent. Steldor smacked his hand away with as much vigor as he could muster."No," he growled, gritting his teeth. "Ignore it.I don't want to think about it."Galen nodded, thought he looked uneasy. "Just tell me what to do," he said in a small voice. "Tell me to shut my trap again."
Author: Cayla Kluver

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