Imagination And Art Quotes

1. "Novels aren't pedagogical instruments, or instructions in law or physics or any other discipline. A novel has to be an emotional experience, a trip of the imagination, and because science has raised so many issues that concern and affect humans, it's a good starting place for me."
Author: Alan Lightman

2. "Invention has ever imagination and poetry at its heart."
Author: Algernon Blackwood

3. "The secret message communicated to most young people today by the society around them is that they are not needed, that the society will run itself quite nicely until they - at some distant point in the future - will take over the reigns. Yet the fact is that the society is not running itself nicely... because the rest of us need all the energy, brains, imagination and talent that young people can bring to bear down on our difficulties. For society to attempt to solve its desperate problems without the full participation of even very young people is imbecile."
Author: Alvin Toffler

4. "Monday ushers in a particularly impressive clientele of red-eyed people properly pressed into dry-cleaned suits in neutral tones. They leave their equally well-buttoned children idling in SUVs while dashing to grab double-Americanos and foamy sweet lattes, before click-clacking hasty escapes in ass-sculpting heels and polished loafers with bowl-shaped haircuts that age every face to 40. My imagination speed evolves their unfortunate offspring from car seat-strapped oxygen-starved fast-blooming locusts, to the knuckle-drag harried downtown troglodytes they'll inevitably become. One by one I capture their flat-formed heads between index finger and thumb for a little crush-crush-crushing, ever aware that if I'm lucky one day their charitable contributions will fund my frown-faced found art project to baffle someone's hallway."
Author: Amanda Sledz

5. "NOVEL, n. A short story padded. A species of composition bearing the same relation to literature that the panorama bears to art. As it is too long to be read at a sitting the impressions made by its successive parts are successively effaced, as in the panorama. Unity, totality of effect, is impossible; for besides the few pages last read all that is carried in mind is the mere plot of what has gone before. To the romance the novel is what photography is to painting. Its distinguishing principle, probability, corresponds to the literal actuality of the photograph and puts it distinctly into the category of reporting; whereas the free wing of the romancer enables him to mount to such altitudes of imagination as he may be fitted to attain; and the first three essentials of the literary art are imagination, imagination and imagination. The art of writing novels, such as it was, is long dead everywhere except in Russia, where it is new. Peace to its ashes — some of which have a large sale."
Author: Ambrose Bierce

6. "Green heard her voice, murmuring,and Adrian's, murmuring back. Something inside of him made an actualglass-cracking noise—and before he could convince himself that that it washis imagination, Blissa and three of the other nymphs danced through thehallway and into the living room."We heard that." Blissa said, sweetly."Heard what?" He asked, genuinely surprised."Heard your heart breaking." Said Grace."
Author: Amy Lane

7. "Thanks to my mother, I was raised to have a morbid imagination. When I was a child, she often talked about death as warning, as an unavoidable matter of fact. Little Debbie's mom down the block might say, 'Honey, look both ways before crossing the street.' My mother's version: 'You don't look, you get smash flat like sand dab.' (Sand dabs were the cheap fish we bought live in the market, distinguished in my mind by their two eyes affixed on one side of their woebegone cartoon faces.)The warnings grew worse, depending on the danger at hand. Sex education, for example, consisted of the following advice: 'Don't ever let boy kiss you. You do, you can't stop. Then you have baby. You put baby in garbage can. Police find you, put you in jail, then you life over, better just kill youself."
Author: Amy Tan

8. "Because," explained Mary Rommely simply, "the child must have a valuable thing which is called imagination. The child must have a secret world in which live things that never were. It is necessary that she believe. She must start out by believing in things not of this world. Then when the world becomes too ugly for living in, the child can reach back and live in her imagination. I, myself, even in this day and at my age, have great need of recalling the miraculous lives of the Saints and the great miracles that have come to pass on earth. Only by having these things in my mind can I live beyond what I have to live for."
Author: Betty Smith

9. "A work of (whatever) art can either be 'received' or 'used'. When we 'receive' it we expert our senses and imagination and various other powers according the the pattern set by the artist. When we 'use' it, we treat it as assistance for our own activities. The one, to use an old-fashioned image, is like being taken for a bicycle ride by a man who may know roads we have not yet explored. The other is like adding one of those little motor attachments to our own bicycle and then going for one of our familiar rides."
Author: C.S. Lewis

10. "The Tower of Babel"...The undersigned citizens, being artists, painters, sculptors, architects, and others devoted to and desirous preserving the amenities of Paris, wish to protest, in the name of our national good taste, against such an erection in the very heart of our city, as the monstrous and useless Eiffel Tower, already christened... " The Tower of Babel"...How much longer is the City of Paris to be a play-ground for these barbarous and sordid imaginations which disfigure and dishonor her? For the Eiffel Tower, which even commercially minded America rejected, is a public dishonor to our city. All our historic buildings, our monuments of rare and appealing beauty, are dwarfed and humiliated by this monstrous apotheosis of the factory chimney whose odious shadow will lie over the city...--Plea to the Exposition Director in opposition to the Eiffel Tower, signed by artists and writers and published in Le Temps, 1887"
Author: Carol McCleary

11. "The human erotic imagination is a vast wilderness of sexual possibilities. We are each capable of enjoying a pleasurable, satisfying and potentially ecstatic sex life. Yet our culture encourages us to keep the window of possibility very narrow, limiting our erotic expression to a short list of approved activities and energies. To truly experience sexual freedom, you must reclaim your erotic imagination and allow yourself to make your sex life a work of art, your very own creation designed to fulfill your unique needs and desires."
Author: Chris Maxwell Rose

12. "Her mother said that three great powers kept the universe going. The first and the strongest was God. Each of the two additional powers was as strong as the other: love and imagination. OF the three, God and love were always good. Imagination, however, could be good or bad. Mozart imagined great music into existence. Hitler imagined death camps and built them. Imagination was so powerful that you had to be careful because you could imagine things into existence that you might regret, Everything in the universe was an idea before it was real."
Author: Dean Koontz

13. "But in a few years more perhaps there may be; for, deep within us as the ghost instinct lurks, I seem to see it being gradually atrophied by those two world-wide enemies of the imagination, the wireless and the cinema. To a generation for whom everything which used to nourish the imagination because it had to be won by an effort, and then slowly assimilated, is now served up cooked, seasoned, and chopped into little bits, the creative faculty (for reading should be a creative act as well as writing) is rapidly withering, together with the power of sustained attention; and the world which used to be so grand à la charté des lampes is diminishing in inverse ratio to the new means of spanning it; so that the more we add to its surface the smaller it becomes."
Author: Edith Wharton

14. "This insight, which expresses itself by what is called Imagination, is a very high sort of seeing, which does not come by study, but by the intellect being where and what it sees, by sharing the path, or circuit of things through forms, and making them translucid to others. The path of things is silent. Will they suffer a speaker to go with them? A spy they will not suffer; a lover, a poet, is the transcendency of their own nature,—him they will suffer. The condition of true naming, on the poet's part, is his resigning himself to the divine aura which breathes through forms, and accompanying that."
Author: Emerson

15. "This myth he'd made out of intricate movements and imagination, out of moonlight and love, out of prayers older than Adam, and gray cliffs and crimson shadows, laments and rivers of martyrs - what had it come to at last? When the waves receded, the shores of Time would spread out there clean, empty, shining with infinite grains of memory and little else."
Author: Frank Herbert

16. "Ages of happiness. - An age of happiness is quite impossible, because men want only to desire it but not to have it, and every individual who experiences good times learns to downright pray for misery and disquietude. The destiny of man is designed for happy moments - every life has them - but not for happy ages. Nonetheless they will remain fixed in the imagination of man as 'the other side of the hill' because they have been inherited from ages past: for the concepts of the age of happiness was no doubt acquired in primeval times from that condition of which, after violent exertion in hunting and warfare, man gives himself up to repose, stretches his limbs and hears the pinions of sleep rustling about him. It is a false conclusion if, in accordance with that ancient familiar experience, man imagines that, after whole ages of toil and deprivation, he can then partake of that condition of happiness correspondingly enhanced and protracted."
Author: Friedrich Nietzsche

17. "I know that, like many other writers, I have many faults, for I am the first to be dissatisfied with myself . . . At the moment when I am trying to review my life's work, I often realize with pain that I have literally failed to express one-twentieth part of what I had wanted to, and perhaps could have expressed. The thing that comforts me is the constant hope that one day God will grant me so much inspiration . . . that I shall be able to express myself more fully, that, in short, I shall express all that is locked in my heart and in my imagination . . . I cannot help feeling that there is much more hidden in me than I have hitherto been able to express as a writer. And yet, speaking without false modesty, there is a great deal that is true and that came from my heart in what I have expressed already."
Author: Fyodor Dostoyevsky

18. "Gaston was not only a fierce lover, with endless wisdom and imagination, but he was also, perhaps, the first man in the history of the species who had made an emergency landing and had come close to killing himself and his sweetheart simply to make love in a field of violets."
Author: Gabriel Garcí­a Márquez

19. "So, regarding that tidbit about your having a fertile imagination when it comes to private activities," she said, fighting off anxiety. "Was it another lie?""Depends on how you look at it. It's not exactly a lie, and if you come with me to the Weird, you'll find that rumors of my 'creativity' when it comes to bed games with the opposite sex do exist. I started them myself and managed them very carefully. The trick with rumors is to feed them once in a while, so they don't die."
Author: Ilona Andrews

20. "How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers."
Author: Isaac Asimov

21. "Who am I? I am who I say I am and tomorrow someone else entirely. You are too nostalgic, you want memory to secure you, console you. The past is a bore. What matters is only oneself and what one creates from what one has learned. Imagination uses what it needs and discards the rest— where you want to erect a museum. Don't hoard the past, Astrid. Don't cherish anything. Burn it. The artist is the phoenix who burns to emerge."
Author: Janet Fitch

22. "They whisper: no little man from Customs and Immigration stands at the doors of memory or imagination demanding to see your passport. No arts bureaucrat or ComLit satrap can stamp OzLit, CanLit, FemLit, MigrantLit, or Displaced Person on your visa."
Author: Janette Turner Hospital

23. "I must have wondered if the police were right, if the entire story was a figment of my imagination. This is the worst impact of severe trauma: the victim loses faith in the evidence of her own senses. And this is the great gift Paul Macone gave to me. He believed what I told the police back then. He believed me enough to try to solve the case, and he did.Perhaps because I've sought out evil in this world, attempting to understand and tame it, I am particularly moved by goodness. There is a light that animates an act of generosity, when a person is kind - not to call attention to his own goodness, or to make a pact with God, but just because he feels it's right. I see this light in Paul Macone. Still, his kindness is almost too much to bear. I feel shy around him, despite this conversation. I even feel shy writing this down. (184)"
Author: Jessica Stern

24. "This author has nothing but imagination…there are people who claim that imagination has clearer and keener eyes than a wise, old mind."Translated from: Und Friede auf Erden, (1904) (And Peace on Earth)"
Author: Karl May

25. "In imagination she sailed over storied seas that wash the distant shining shores of "faëry lands forlorn," where lost Atlantis and Elysium lie, with the evening star for pilot, to the land of Heart's Desire. And she was richer in those dreams than in realities; for things seen pass away, but the things that are unseen are eternal."
Author: L.M. Montgomery

26. "Quite a number of writers comment on the decidedly human character of the fairies, but it must be obvious that practically all supernaturals partake of human traits, more usually unpleasant ones, being as they are the projections of man's fear and imagination and created by him, psychologically, in his own image. Fairies are frequently described as being peevish, irritable, and revengeful to a degree. Grant Stewart says rather unmercifully of the Scottish fairies that "their appetites are as keen as their inclinations are corrupt and wicked."
Author: Lewis Spence

27. "Perhaps in the margins of darkness, I could create a son who is not missing; who lives beyond even my own imagination and invention; whose lusts, stupidities, and strengths carry him farther than even he or I can anticipate; who sees the world for what it is; and consequently bears the burden of everyone's tomorrow with unprecedented wisdom and honor because he is one of the very few who has successfully interrogated his own nature. His shields are instantly available though seldom used. And those who value him shall prosper while those who would destroy him shall perish. He will fulfill a promise I made years ago but failed to keep."
Author: Mark Z. Danielewski

28. "How thin the air felt at the forest's edge, how ghostly the trees that guarded their realm.... The whole world seemed as delicate as a dandelion seed, and as fleeting.... How sad to know that the figment village of my imagination would not vanish when I ended, to understand that it was not I who had invented the moon the first time I realized how lovely it was. To admit that it was not my breath that made the winds blow.... [M]y heart, my heart knew that when I closed my eyes I invented the night sky and the stars too. Wasn't the whole dome of the sky the same shape as the inside of my skull? Didn't I create the sun and the day when I raised my eyelids every morning?"
Author: Martine Leavitt

29. "The qualities that make for excellence in children's literature can be summed up in a single word: imagination. And imagination as it relates to the child is, to my mind, synonymous with fantasy. Contrary to most of the propaganda in books for the young, childhood is only partly a time of innocence. It is, in my opinion, a time of seriousness, bewilderment, and a good deal of suffering. It's also possibly the best of all times. Imagination for the child is the miraculous, freewheeling device he uses to course his way through the problems of every day....It's through fantasy that children achieve catharsis."
Author: Maurice Sendak

30. "Never blame circumstances for your condition, you yourself are responsible for what you go through. If someone's treating you bad, its your fault not theirs. If you are not satisfied with your life, its time you take a step and change it. Nobody will stand for you, nobody will help you, its you who has to ultimately do something for yourself. Doesn't matters if you're hurting yourself for a small time, imagine when things will change and your life will change, how happy you'll be... Let that imagination drive you and help you in your betterment. God is watching everything, always think that, as long as, there's someone in the sky to watch over me, nobody on earth can hurt me..."
Author: Mehek Bassi

31. "Even now, all possible feelings do not yet exist, there are still those that lie beyond our capacity and our imagination. From time to time, when a piece of music no one has ever written or a painting no one has ever painted, or something else impossible to predict, fathom or yet describe takes place, a new feeling enters the world. And then, for the millionth time in the history of feeling, the heart surges and absorbs the impact."
Author: Nicole Krauss

32. "So, you may ask, what is the use of studying the world of imagination where anything is possible and anything can be assumed, where there are no rights or wrongs and all arguments are equally good? One of the most obvious uses, I think, is its encouragement of tolerance. In the imagination our own beliefs are also only possibilities, but we can also see the possibilities in the beliefs of others. Bigots and fanatics seldom have any use for the arts, because they're so preoccupied with their beliefs and actions that they can't see them as also possibilities. It's possible to go to the other extreme, to be a dilettante so bemused by possibilities that one has no convictions or power to act at all. But such people are much less common than bigots, and in our world much less dangerous."
Author: Northrop Frye

33. "Phidias and the achievements of Greek art are foreshadowed in Homer: Dante prefigures for us the passion and colour and intensity of Italian painting: the modern love of landscape dates from Rousseau, and it is in Keats that one discerns the beginning of the artistic renaissance of England. Byron was a rebel and Shelley a dreamer; but in the calmness and clearness of his vision, his perfect self-control, his unerring sense of beauty and his recognition of a separate realm for the imagination, Keats was the pure and serene artist, the forerunner of the pre-Raphaelite school, and so of the great romantic movement of which I am to speak."
Author: Oscar Wilde

34. "Pre-Raphaelites they called themselves; not that they imitated the early Italian masters at all, but that in their work, as opposed to the facile abstractions of Raphael, they found a stronger realism of imagination, a more careful realism of technique, a vision at once more fervent and more vivid, an individuality more intimate and more intense. For it is not enough that a work of art should conform to the aesthetic demands of its age: there must be also about it, if it is to affect us with any permanent delight, the impress of a distinct individuality, an individuality remote from that of ordinary men, and coming near to us only by virtue of a certain newness and wonder in the work, and through channels whose very strangeness makes us more ready to give them welcome."
Author: Oscar Wilde

35. "For the various spiritual forms of the imagination have a natural affinity with certain sensuous forms of art - and to discern the qualities of each art, to intensify as well its limitations as its powers of expression, is one of the aims that culture sets before us. It is not an increased moral sense, an increased moral supervision that your literature needs. Indeed, one should never talk of a moral or an immoral poem - poems are either well written or badly written, that is all. And, indeed, any element of morals or implied reference to a standard of good or evil in art is often a sign of a certain incompleteness of vision, often a note of discord in the harmony of an imaginative creation; for all good work aims at a purely artistic effect. ‘We must be careful,' said Goethe, ‘not to be always looking for culture merely in what is obviously moral. Everything that is great promotes civilisation as soon as we are aware of it."
Author: Oscar Wilde

36. "Tell someone a story, and you capture their imagination. Make someone laugh, and you capture their friendship. Bring a tear to their eye with poignant grace, and you capture their heart. But never, never attempt to capture someone's spirit. That is theirs, and theirs alone."
Author: Pen

37. "But if you didn't have more urgent things to do after supper [in boot camp], you could write a letter, loaf, gossip, discuss the myriad mental shortcomings of sergeants and, dearest of all, talk about the female of the species (we became convinced that there was no such creatures, just mythology created by inflamed imaginations - one boy in our company claimed to have seen a girl, over at regimental headquarters; he was unanimously judged a liar and a braggart)."
Author: Robert A. Heinlein

38. "But in my imagination this whole thing developed and I started mixing up old folk songs with the Beatles beat and taking them down to Greenwich Village and playing them for the people there."
Author: Roger McGuinn

39. "He was learning that to win a fight like this, it was not enough to know what one was fighting against. That was easy. He was fighting against the view that people could be killed for their ideas, and against the ability of any religion to place a limiting point on thought. But he needed, now, to be clear of what he was fighting for. Freedom of speech, freedom of the imagination, freedom from fear, and the beautiful, ancient art of which he was privileged to be a practitioner. Also skepticism, irreverence, doubt, satire, comedy, and unholy glee. He would never again flinch from the defense of these things. p. 285"
Author: Salman Rushdie

40. "He could not fit in my imagination and I was not fit for his Real and the conflict between imagination and real sadly made us apart"
Author: Seema Gupta

41. "She was always daydreaming. She never wanted to live in the real world; she always seemed to be separated from other children her age. They couldn't understand her or her imagination. She was always thinking outside of the box, breaking rules, and only following what her heart told her was right."
Author: Shannon A. Thompson

42. "I responded (and with rather touching wholeheartedness) to the sweep of Tolkien's imagination-to the ambition of his story-but I wanted to write my own kind of story, and had I started then, I would have written his... Thanks to Mr. Tolkien, the twentieth century had all the elves and wizards it needed."
Author: Stephen King

43. "In a rehearsal room, your real resource as an actor aren't the things around you; your resources are your imagination and your director and the other actors. In those close quarters, your imagination and your skills are what you turn to."
Author: Stephen Lang

44. "There is the inner life of thought which is our world of final reality. The world of memory, emotion, feeling, imagination, intelligence and natural common sense, and which goes on all the time consciously or unconsciously like the heartbeat.There is also the thinking process by which we break into that inner life and capture answers and evidence to support the answers out of it.And that process of raid, or persuasion, or ambush, or dogged hunting, or surrender, is the kind of thinking we have to learn, and if we don't somehow learn it, then our minds line us like the fish in the pond of a man who can't fish."
Author: Ted Hughes

45. "A miracle to confound natural law, a baffling reversal of the inevitable consequences . . . a miracle. . . . An act of high imagination -- daring and lurid and impossible. Yes, a cartoon of the mind."
Author: Tim O'Brien

46. "Skill without imagination is craftsmanship and gives us many useful objects such as wickerwork picnic baskets. Imagination without skill gives us modern art."
Author: Tom Stoppard

47. "The lesson I have learned is that a failure to cultivate the imagination leads to an unintended neglect of the imaginative literature of Scripture, and this in turn leads to some degree of spiritual atrophy. For Christians, the stories of Revelation are not optional reading. Nor are they child's play. Imaginative literature--the kind of literature that invites us to see in our imaginations what we cannot see with our eyes--is an important part of the Christian's literary diet. It challenges our idols. It challenges what is false and trivial in our lives."
Author: Tony Reinke

48. "Literature is, to my mind, the great teaching power of the world, the ultimate creator of all values, and it is this, not only in the sacred books whose power everybody acknowledges, but by every movement of imagination in song or story or drama that height of intensity and sincerity has made literature at all. Literature must take the responsibility of its power, and keep all its freedom: it must be like the spirit and like the wind that blows where it listeth; it must claim its right to pierce through every crevice of human nature, and to descrive the relation of the soul and the heart to the facts of life and of law, and to describe that relation as it is, not as we would have it be..."
Author: W.B. Yeats

49. "He is indeed the true enchanter, whose spell operates, not upon the senses, but upon the imagination and the heart."
Author: Washington Irving

50. "One must recently have lived on or close to a college campus to have a vivid intimation of what has happened. It is there that we see how a number of energetic social innovators, plugging their grand designs, succeeded over the years in capturing the liberal intellectual imagination. And since ideas rule the world, the ideologues, having won over the intellectual class, simply walked in and started to run things. Run just about everything. There never was an age of conformity quite like this one, or a camaraderie quite like the Liberals'."
Author: William F. Buckley Jr.

Imagination And Art Quotes Pictures