Top Kipling Quotes

Browse top 14 famous quotes and sayings about Kipling by most favorite authors.

Favorite Kipling Quotes

1. "When I was a schoolboy in England, the old bound volumes of Kipling in the library had gilt swastikas embossed on their covers. The symbol's 'hooks' were left-handed, as opposed to the right-handed ones of the Nazi hakenkreuz, but for a boy growing up after 1945 the shock of encountering the emblem at all was a memorable one. I later learned that in the mid-1930s Kipling had caused this 'signature' to be removed from all his future editions. Having initially sympathized with some of the early European fascist movements, he wanted to express his repudiation of Hitlerism (or 'the Hun,' as he would perhaps have preferred to say), and wanted no part in tainting the ancient Indian rune by association. In its origin it is a Hindu and Jainas symbol for light, and well worth rescuing."
Author: Christopher Hitchens
2. "The firstsign of greatness is when a man does not attempt to look and actgreat. Before you can call yourself a man at all, Kipling assuresus, you must "not look too good nor talk too wise."
Author: Dale Breckenridge Carnegie
3. "I feel like I'm in a film about a struggling artist who keeps getting up at all hours of the night to look at his big, blank empty canvas. And in a way I am. Except that i'm not struggling. I'm Hector Kipling. I might be getting up at all hours of the night to look at my big, blank, empty canvas, but I am not fucking struggling."
Author: David Thewlis
4. "My office walls are covered with autographs of famous writers - it's what my children call my 'dead author wall.' I have signatures from Mark Twain, Earnest Hemingway, Jack London, Harriett Beecher Stowe, Pearl Buck, Charles Dickens, Rudyard Kipling, Alfred, Lord Tennyson, to name a few."
Author: Debbie Macomber
5. "First, there must be talent, much talent. Talent such as Kipling had. Then there must be discipline. The discipline of Flaubert. Then there must be the conception of what it can be and an absolute conscience as unchanging as the standard meter in Paris, to prevent faking. Then the writer must be intelligent and disinterested and above all he must survive. Try to get all these things in one person and have him come through all the influences that press on a writer. The hardest thing, because time is so short, is for him to survive and get his work done."
Author: Ernest Hemingway
6. "Wish to deal with my most distinguished contemporaries, not personally or in a merely literary manner, but in relation to the real body of doctrine which they teach. I am not concerned with Mr. Rudyard Kipling as a vivid artist or a vigorous personality; I am concerned with him as a Heretic — that is to say, a man whose view of things has the hardihood to differ from mine. I am not concerned with Mr. Bernard Shaw as one of the most brilliant and one of the most honest men alive; I am concerned with him as a Heretic — that is to say, a man whose philosophy is quite solid, quite coherent, and quite wrong."
Author: G.K. Chesterton
7. "Kipling: Where's your sense of humor?Rebis: We're working on reconstructing it..."
Author: Grant Morrison
8. "Is your dad Mr. Kipling? Because you're a tart!"
Author: Kirkland Ciccone
9. "Read him slowly, dear girl, you must read Kipling slowly. Watch carefully where the commas fall so you can discover the natural pauses. He is a writer who used pen and ink. He looked up from the page a lot, I believe, stared through his window and listened to birds, as most writers who are alone do. Some do not know the names of birds, though he did. Your eye is too quick and North American. Think about the speed of his pen. What an appalling, barnacled old first paragraph it is otherwise."
Author: Michael Ondaatje
10. "The critic said that once a year he read Kim; and he read Kim, it was plain, at whim: not to teach, not to criticize, just for love—he read it, as Kipling wrote it, just because he liked to, wanted to, couldn't help himself. To him it wasn't a means to a lecture or article, it was an end; he read it not for anything he could get out of it, but for itself. And isn't this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means—that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives; but duringthe contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence, Read at whim! read at whim!"
Author: Randall Jarrell
11. "The books transported her into new worlds and introduced her to amazing people who lived exciting lives. She went on olden-day sailing ships with Joseph Conrad. She went to Africa with Ernest Hemingway and to India with Rudyard Kipling. She travelled all over the world while sitting in her little room in an English village."
Author: Roald Dahl
12. "The deepwood is vanished in these islands -- much, indeed, had vanished before history began -- but we are still haunted by the idea of it. The deepwood flourishes in our architecture, art and above all in our literature. Unnumbered quests and voyages have taken place through and over the deepwood, and fairy tales and dream-plays have been staged in its glades and copses. Woods have been a place of inbetweenness, somewhere one might slip from one world to another, or one time to a former: in Kipling's story 'Puck of Pook's Hill,' it is by right of 'Oak and Ash and Thorn' that the children are granted their ability to voyage back into English history."
Author: Robert Macfarlane
13. "Quoting Kipling, "I never got over the wonder of a people who, having extirpated the aboriginals of their continent more completely than any modern race had ever done, honestly believed they were a godly little New England community, setting examples to mankind."
Author: Sarah Vowell
14. "What the proprietorship of these papers is aiming at is power, and power without responsibility — the prerogative of the harlot through the ages.[Baldwin was attacking the leading press barons of his day (Lord Beaverbrook and Lord Rothermere); the phrase was suggested by Baldwin's cousin Rudyard Kipling (17 March 1931)]"
Author: Stanley Baldwin

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I've spent half my night lugging a three-ton slab of asshole up a gazillion stairs."
Author: Benjamin R. Smith

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