Less Drama Quotes

1. "It was in Spain that [my generation] learned that one can be right and yet be beaten, that force can vanquish spirit, that there are times when courage is not its own recompense. It is this, doubtless, which explains why so many, the world over, feel the Spanish drama as a personal tragedy."
Author: Albert Camus

2. "A little rudeness and disrespect can elevate a meaningless interaction to a battle of wills and add drama to an otherwise dull day."
Author: Bill Watterson

3. "Character isn't something that magically appears simply by virtue of having a birthday and a describable physical identity; it is something that is built by action and error, out of anxiety and a longing that compels great efforts in the face of eternal hopelessness. A character in a story fights to get what s/he wants, just as the dramatic writer must fight to penetrate his or her own stubborn habits, prejudices and expectations, to get to the heart of the story. Drama builds character - that's why it exists, both inside and outside the screenplay."
Author: Billy Marshall Stoneking

4. "Mental pain is less dramatic than physical pain, but it is more common and also more hard to bear. The frequent attempt to conceal mental pain increases the burden: it is easier to say "My tooth is aching" than to say "My heart is broken."
Author: C.S. Lewis

5. "I wish I could break this window. Step through it. But I can't break this window. I can't even find some less dramatic way to die inside of this school, like hanging myself or slitting my wrists, because what would they do with my body? It might put everyone at risk. I won't let myself do that.I'm not selfish like Lily.I hate her. I hate her so much my heart tries to crawl out of my throat but it gets stuck there and beats crazily in the too narrow space. I bring my hands to my neck and try to massage it back down. I pres so heard against the skin, my eyes sting, and then I'm hurrying back down the stairs, back to the first floor. I think of Trace running laps, something he can control."
Author: Courtney Summers

6. "I'm at least getting my foot in the door as far as doing straight dramatic parts, which no one would have ever considered me for in the '80s. I never objected to that because I love doing comedy, and I'm not the kind of actor that insists that unless you're doing a serious dramatic role, you're not acting."
Author: Curtis Armstrong

7. "I just wouldn't want to hook up with a guy unless I really, really like him, and in myexperience all boys can be classified as either assholes or bores, unless they're both.Maybe it's a blessing, because the last thing I need is relationship drama to sidetrack me from my grades."
Author: Daria Snadowsky

8. "The basis of drama is ... is the struggle of the hero towards a specific goal at the end of which he realizes that what kept him from it was, in the lesser drama, civilization and, in the great drama, the discovery of something that he did not set out to discover but which can be seen retrospectively as inevitable. The example Aristotle uses, of course, is Oedipus."
Author: David Mamet

9. "I like stories with a collision of disparate tones. Look at 'Shameless' or 'House of Lies'. They go from big, silly, and comedic to very real dramatic moments in the wink of an eye."
Author: David Nevins

10. "I don't work on a project unless I believe that it will dramatically improve life for a bunch of people."
Author: Dean Kamen

11. "The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance."
Author: E. M. Forster

12. "I cannot get you close enough, I said to him, pitiful as a child, and never can and never will. We cannot get from anyone else the things we need to fill the endless terrible need, not to be dissolved, not to sink back into sand, heat, broom, air, thinnest air. And so we revolve around each other and our dreams collide. It is embarrassing that it should be so hard. Look out the window in any weather. We are part of all that glamour, drama, change, and should not be ashamed."
Author: Ellen Gilchrist

13. "Barbara Stanwyck, in particular, was peerless in everything from high and low comedy to drama to musicals to film noir. She never took a false step."
Author: Eve Golden

14. "BUT TRANSFORMERS ROTF(L) SUCKS BECAUSE IT IS A TERRIBLY TOLD STORY WITH ENDLESS BLOAT, NO MOMENTUM, PAPER THIN CHARACTERIZATION, NO CHARACTER CONSISTENCY, NO ACTUAL RELATIONSHIPS, POORLY ARTICULATED CONFLICTS, ZERO SENSE OF DRAMA, A WEIRD-AS-HELL TONE, AND A WHOLE LOT OF SEXISM AND RACISM TO BOOT."
Author: FILM CRIT HULK

15. "[Referring to passage by Alice Munro] Finally, the passage contradicts a form of bad advice often given young writers -- namely, that the job of the author is to show, not tell. Needless to say, many great novelists combine "dramatic" showing with long sections of the flat-out authorial narration that is, I guess, what is meant by telling. And the warning against telling leads to a confusion that causes novice writers to think that everything should be acted out -- don't tell us a character is happy, show us how she screams "yay" and jumps up and down for joy -- when in fact the responsibility of showing should be assumed by the energetic and specific use of language."
Author: Francine Prose

16. "The rest of the family tree had a root system soggy with alcohol... One aunt had fallen asleep with her face in the mashed potatoes at Thanksgiving dinner; another's fondness for Coors was so unwavering that I can still remember the musky smell of the beer and the coldness of the cans. Most of the men drank the way all Texas men drank, or so I believed, which meant that they were tough guys who could hold their liquor until they couldn't anymore--a capacity that often led to some cloudy version of doom, be it financial ruin or suicide or the lesser betrayal of simple estrangement. Both social drinkers, my parents had eluded these tragic endings; in the postwar Texas of suburbs and cocktails, their drinking was routine but undramatic."
Author: Gail Caldwell

17. "I feel very blessed in my career to have been able to bounce back and forth between different things, television and film, comedies and some dramas, but I am, um, as long as the script inspires me and there good people, that's it. I'm in."
Author: Geoff Stults

18. "The computer focuses ruthlessly on things that can be represented in numbers. In so doing, it seduces people into thinking that other aspects of knowledge are either unreal or unimportant. The computer treats reason as an instrument for achieving things, not for contemplating things. It narrows dramatically what we know and intended by reason."
Author: George Friedman

19. "[On Chopin's Preludes:]"His genius was filled with the mysterious sounds of nature, but transformed into sublime equivalents in musical thought, and not through slavish imitation of the actual external sounds. His composition of that night was surely filled with raindrops, resounding clearly on the tiles of the Charterhouse, but it had been transformed in his imagination and in his song into tears falling upon his heart from the sky. ... The gift of Chopin is [the expression of] the deepest and fullest feelings and emotions that have ever existed. He made a single instrument speak a language of infinity. He could often sum up, in ten lines that a child could play, poems of a boundless exaltation, dramas of unequalled power."
Author: George Sand

20. "I certainly do all sorts of work. I'm very, very blessed to do drama and other types of television, and things like that, but I always go back to sci-fi, whenever possible, because that's really exciting for me."
Author: Gina Holden

21. "I had a mind to make a body of more or less connected legend, ranging from the large and cosmogonic, to the level of romantic fairy-story - the larger founded on the lesser in contact with the earth, the lesser drawing splendour from the vast backcloths - which I could dedicate simply to: to England; to my country. ... I would draw some of the great tales in fullness, and leave many only placed in the scheme, and sketched. The cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama."
Author: J.R.R. Tolkien

22. "Laura's gossip was redeemed by its lack of spite. She was warmly objective about every event, taking endless delight in action and complexity, as if she had been bed-ridden in a small windowless room for years and was just now discovering the dramatic possibilities of daily life. She sang Alice through the day."
Author: Jane Smiley

23. "My change from girl to boy was far less dramatic than the distance anybody travels from infancy to adulthood."
Author: Jeffrey Eugenides

24. "In real life, events seem much less dramatic."
Author: Jessica Savitch

25. "The courage of life is often a less dramatic spectacle than the courage of a final moment; but it is no less a magnificent mixture of triumph and tragedy. A man does what he must - in spite of personal consequences, in spite of obstacles and dangers and pressures - and that is the basis of all morality."
Author: John F. Kennedy

26. "The idea of luxury, even the word "luxury," was important to Arabella. Luxury meant something that was by definition overpriced, but was so nice, so lovely, in itself that you did not mind, in fact was so lovely that the expensiveness became part of the point, part of the distinction between the people who could not afford a thing and the select few who not only could, but also understood the desirability of paying so much for it. Arabella knew that there were thoughtlessly rich people who could afford everything; she didn't see herself as one of them but instead as one of an elite who both knew what money meant and could afford the things they wanted; and the knowledge of what money meant gave the drama of high prices a special piquancy. She loved expensive things because she knew what their expensiveness meant. She had a complete understanding of the signifiers."
Author: John Lanchester

27. "[W]hile the use of non-lethal weapons such as tasers and LEDIs may not necessarily reduce the number of civilian casualties, they have been largely accepted as the humane alternative to deadly force because they make the use of force appear far less dramatic and violent than it has in the past.Contrast, for instance, the image of police officers beating Rodney King with billy clubs as opposed to police officers continually shocking a person with a taser. Both are severe forms of abuse. However, because the act of pushing a button is far less dramatic and visually arresting than swinging a billy club, it can come across as much more humane to the general public. This, of course, draws much less media coverage and, thus, less bad public relations for the police."
Author: John W. Whitehead

28. "People ask me all the time, 'Are you fed up with reality TV?' At the end of the day, it can affect my career in the sense that the more reality shows there are, the less scripted dramas out there, but I can't ever really knock them. I started on 'Popstars,' which was a reality talent show. I have respect for them."
Author: Josh Henderson

29. "'Shameless' is going to shake up television. Any drama is good drama. Bring it."
Author: Justin Chatwin

30. "It was the gift that every girl dreams of, to be dead long enough for your parents to realize how meaningless their lives were without you, how they were suddenly and at once deeply sorrowed at all of the horrible injustices they caused you, how they had truly never appreciated your natural gifts of beauty and grace, being that their beautiful angel would have such a short time on earth and should have spent that time driving the restored 1965 convertible Mustang she had openly AND PUBLICLY desired. But nope, she spent her last, short, fleeting moments driving a 1980 Chevy Citation, every so clearly a GRANDMA car, with fake red-velvet upholstery, a hatchback, and an interior that smelled like spoiled milk and sometimes meat. Being temporarily run over by a car was the best present I had ever received, and I didn't even have to do anything dramatic to get it, like write a note or buy some rope."
Author: Laurie Notaro

31. "Simply put, dramatic irony is when a person makes a harmless remark, and someone else who hears it knows something that makes the remark have a different, and usually unpleasant, meaning. For instance, if you were in a restaurant and said out loud, "I can't wait to eat the veal marsala I ordered," and there were people around who knew that the veal marsala was poisoned and that you would die as soon as you took a bite, your situation would be one of dramatic irony."
Author: Lemony Snicket

32. "Spring came late. For the children, shut in the dark, cold parsonage, adjusting to Aunt and getting over the death that brought her, the winter had seemed endless. But now the rough moor was flecked with racing cloud shadows; the maltreated holly tree had stopped weeping; the green mould on the graves had dried to an unsuggestive grey.The church could never look cheerful. It was too black, and its voice, the bell, always said 'Fu - ner -al... fu - ner- al...' even when it was only calling them to hear one of their Papa's dramatic sermons."
Author: Lynne Reid Banks

33. "Nevertheless, for all Cnut's determination to portray himself as a traditional Old English king, his reign had altered English society dramatically."
Author: Marc Morris

34. "It's a good excuse, though, orphanhood. It explains everything—every mistake and wrong turn. As Sherlock Holmes declared. She had no mother to advise her. How we long for it, that lack of advice! Imprudence could have been ours. Passionate affairs. Reckless adventures. Of course we're grateful for our stable upbringings, our hordes of informative relatives, our fleece-lined advantages, our lack of dramatic plots. But there's a corner of envy in us all the same. Why doesn't anything of interest happen to us, coddled as we are? Why do the orphans get all the good lines?"
Author: Margaret Atwood

35. "He would never be any different and now Scarlett realize the truth and accepted it without emotion - that until he died Gerald would always be waiting for Ellen, always listening for her. Her was in some dim borderline country where time was standing still and Ellen was always in the next room. The mainspring of his existence was taken away when she died and with it has gone his bounding assurance, his impudence and his restless vitality. Ellen was the audience before which the blustering drama of Gerald O'Hara had been played Now the curtain had been rung down forever, the footlights dimmed and the audience suddenly vanished, while the stunned old actor remained on his empty stage, waiting for his cues."
Author: Margaret Mitchell

36. "...another comber of far pleasure followed the first, for his books came suddenly before his eyes, row upon row of volumes, row upon priceless row of calf-bound Thought, of philosophy and fiction, of travel and fantasy; the stern and the ornate, the moods of gold or green, of sepia, rose, or black; the picaresque, the arabesque, the scientific - the essays, the poetry and the drama. All this, he felt, he would now re-enter. He could inhabit the world of words, with, at the back of his melancholy, a solace he had not known before."
Author: Mervyn Peake

37. "Graphomania (a mania for writing books) inevitably takes on epidemic proportions when a society develops to the point of creating three basic conditions: -(1) an elevated level of general well being which allows people to devote themselves to useless activities(2) a high degree of social atomization and , as a consequence, a general isolation of individuals;(3) the absence of dramatic social changes in the nation's internal life."
Author: Milan Kundera

38. "Something else emerges from this discussion about us as human individuals: we're not fixed, stable intellects riding along peering at the world through the lenses of our eyes like the pilots of people-shaped spacecraft. We are affected constantly by what's going on around us. Whether our flexibility is based in neuroplasticity or in less dramatic aspects of the brain, we have to start acknowledging that we are mutable, persuadable and vulnerable to clever distortions, and that very often what we want to be is a matter of constant effort rather than attaining a given state and then forgetting about it. Being human isn't like hanging your hat on a hook and leaving it there, it's like walking in a high wind: you have to keep paying attention. You have to be engaged with the world."
Author: Nick Harkaway

39. "They look so expectant, and then they look so depressed... that was the other great lesson that The Royal Hunt of the Sun taught me, it was the profundity that masked drama can achieve, that of course, the audience were not seeing masks moving at all."
Author: Peter Shaffer

40. "The key to entering into the Divine Exchange is never our worthiness but always God's graciousness. Any attempt to measure or increase our worthiness will always fall short, or it will force us into the position of denial and pretend, which produces the constant perception of hypocrisy in religious people.To switch to an "economy of grace" is a switch that is very hard for humans to make. We base almost everything in human culture on achievement, performance, accomplishment, an equal exchange value, or some kind of worthiness gauge. I call it meritocracy. Unless one personally experiences a dramatic and personal breaking of the rules of merit (forgiveness or undeserved goodness), it is almost impossible to disbelieve or operate outside of its rigid logic. This cannot happen theoretically or abstractly. It cannot happen "out there" but must be known personally "in here."
Author: Richard Rohr

41. "The way to solve the conflict between human values and technological needs is not to run away from technology. That's impossible. The way to resolve the conflict is to break down the barrier of dualistic thought that prevent a real understanding of what technology is – not an exploitation of nature, but a fusion of nature and the human spirit into a new kind of creation that transcends both. When this transcendence occurs in such events as the first airplane flight across the ocean or the first footsteps on the moon, a kind of public recognition of the transcendent nature of technology occurs. But this transcendence should also occur at the individual level, on a personal basis, in one's own life, in a less dramatic way."
Author: Robert M. Pirsig

42. "As a child growing up in a grey-skied Yorkshire village, I would occasionally happen upon a Bollywood movie on the television. After a few minutes watching a bunch of sari-clad dancers cavorting on a Swiss mountain to tuneless music, I would switch over to some proper drama about housing estates and single mothers."
Author: Simon Beaufoy

43. "-Hey. Do you know anything about exorcists?"Brian's eyebrows shot up. "I think if you want to break up with Greyson, you could find a less dramatic way to do it, don't you?"
Author: Stacia Kane

44. "Unless you're Jack Lemmon or Cary Grant, there are few guys who can do comedy and drama."
Author: Steve Guttenberg

45. "There are often great lessons to be learned at the roots of stress, drama, and heartache. Don't let the magnitude of the circumstance blind you to the value of the lesson."
Author: Steve Maraboli

46. "Her experience had been of a kind to teach her, rightly or wrongly, that the doubtful honor of a brief transit through a sorry world hardly called for effusiveness, even when the path was suddenly irradiated at some half-way point by daybeams rich as hers. But her strong sense that neither she nor any human being deserved less than was given, did not blind her to the fact that there were others receiving less who had deserved much more. And in being forced to class herself among the fortunate she did not cease to wonder at the persistence of the unforeseen, when the one to whom such unbroken tranquility had been accorded in the adult stage was she whose youth had seemed to teach that happiness was but the occasional episode in a general drama of pain."
Author: Thomas Hardy

47. "Ignorance nor enlighten is pointless drama"
Author: Usha Cosmico

48. "Horse Frightened by a Lion depicts a majestic stallion in a very different situation. Stubbs painted this magnetic masterpiece to illustrate the nature of the sublime, which was one of his era's most popular philosophical concepts,and its relation to a timelessly riveting feeling: fear. The magnificent horse galloping through a vast wilderness encounters the bottom-up stimulus of a crouching predator and responds with a dramatic display of what psychologists mildly call "negative emotion." The equine superstar's arched neck, dilated eyes, and flared nostrils are in fact the very picture of overwhelming dread. The painting's subject matter reflects he philosopher Edmund Burke's widely circulated Philosophical Enquiry into the Origins of Our Ideas of the Sublime and Beautiful, which asserts that because "terror" is unparalleled in commanding "astonishment," or total, single-pointed,--indeed, rapt--attention, it is "the ruling principle of the sublime."
Author: Winifred Gallagher

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