Mages Quotes

1. "Nowhere was the airport's charm more concentrated than on the screens placed at intervals across the terminal which announced, in deliberately workmanlike fonts, the itineraries of aircraft about to take to the skies. These screens implied a feeling of infinite and immediate possibility: they suggested the ease with which we might impulsively approach a ticket desk and, within a few hours, embark for a country where the call to prayer rang out over shuttered whitewashed houses, where we understood nothing of the language and where no one knew our identities. The lack of detail about the destinations served only to stir unfocused images of nostalgia and longing: Tel Aviv, Tripoli, St Petersburg, Miami, Muscat via Abu Dhabi, Algiers, Grand Cayman via Nassau … all of these promises of alternative lives, to which we might appeal at moments of claustrophobia and stagnation."
Author: Alain De Botton

2. "We are certainly influenced by role models, and if we are surrounded by images of beautiful rich people, we will start to think that to be beautiful and rich is very important - just as in the Middle Ages, people were surrounded by images of religious piety."
Author: Alain De Botton

3. "Child abuse damages a person for life and that damage is in no way diminished by the ignorance of the perpetrator. It is only with the uncovering of the complete truth as it affects all those involved that a genuinely viable solution can be found to the dangers of child abuse."
Author: Alice Miller

4. "The carved images on the early Minoan sealstones are tantalising, inscrutable. The Nature Goddess is yanked from the soil like a snake or a sheaf of barley; the Mistress of the Animals suckles goats and gazelles. There are male Adorants certainly - up on tiptoe, their outstretched arms hoisted in a kind of heil, their bodies arched suggestively, pelvis forward, before the Goddess - but there are no masculine deities, not a single one in sight. No woman worth her salt, one might think, could fail to be intrigued."
Author: Alison Fell

5. "I will not be just a tourist in the world of images, just watching images passing by which I cannot live in, make love to, possess as permanent sources of joy and ecstasy."
Author: Anaïs Nin

6. "We would never have met," he explained, voice dropping to a husky note. "I would have gone about my life and not thought I was missing anything. You would have – you would have painted obsessively, all those transformative images, and I would be someone unimagined and unknown, and I cannot decide whether it would be trite to call that a tragedy or if I should resent you for making this – all this death – somehow bearable, tolerable for the tenuous joy I have gained. You steal my anger and leave me dazed."He stopped, took a shaking breath, then laughed."I sound like Pan's understudy, failing to channel Shakespeare. There's no way to do more than guess what would have happened if Fisher Charteris and Madeleine Cost met one day in a world which had never feared dust, any more than we can be certain of surviving two years, or two days. I can't speak to what-ifs, but I know I will always be glad to have been here in this moment with you."
Author: Andrea K. Höst

7. "History speaks to artists. It changes the artist's thinking and is constantly reshaping it into different and unexpected images."
Author: Anselm Kiefer

8. "The fundamental aspect of video is not the image, even though you can stand in amazement at what can be done electronically, how images can be manipulated and the really extraordinary creative possibilities. For me the essential basis of video is the movement - something that exists at the moment and changes in the next moment."
Author: Bill Viola

9. "There was a song i heard when i was in los angeles by a local group. the song was called "los angeles" and the words and images were so harsh and bitter that the song would reverberate in my mind for days. the images, i later found out, were personal and no one i knew shared them. the images i had were of people being driven mad by living in the city. images of parents who were so hungry and unfulfilled that they ate their own children. images of people, teenagers my own age, looking up from the asphalt and being blinded by the sun. these images stayed with me even after i left the city. images so violent and malicious that they seemed to be my only point of reference for a long time afterwards. after i left."
Author: Bret Easton Ellis

10. "War is big and there are only so many reporters and only so many places for their words and images to appear. Choices are made constantly."
Author: Bruce Jackson

11. "It is my mind, with its store of images, that gives the world color and sound; and that supremely real and rational certainty which I can "experience" is, in its most simple form, an exceedingly complicated structure of mental images. Thus there is, in a certain sense, nothing that is directly experienced except the mind itself. Everything is mediated through the mind, translated, filtered, allegorized, twisted, even falsified by it. We are . . . enveloped in a cloud of changing and endlessly shifting images."
Author: C.G. Jung

12. "Once, in my father's bookshop, I heard a regular customer say that few things leave a deeper mark on a reader than the first book that finds its way into his heart. Those first images, the echo of words we think we have left behind, accompany us throughout our lives and sculpt a palace in our memory to which, sooner or later—no matter how many books we read, how many worlds we discover, or how much we learn or forget—we will return."
Author: Carlos Ruiz Zafón

13. "Anorexia is a response to cultural images of the female body - waiflike, angular - that both capitulates to the ideal and also mocks it, strips away all the ancillary signs of sexuality, strips away breasts and hips and butt and leaves in their place a garish caricature, a cruel cartoon of flesh and bone."
Author: Caroline Knapp

14. "It is now recognised that dissociation is a way of forgetting, for a time. The mind siphons off the bad memories into a separate part, and reclaiming those hidden-away memories us a complex process. So, when the memories resurface it does not feel as though they belong to you, it feels alien, more as if someone had told them to you, or you had seen the images in a film."
Author: Carolyn Bramhall

15. "Radio, which was a much better medium than television will ever be, was easy and pleasant to listen to. Your mind filled automatically with images."
Author: Dick Cavett

16. "Though we may choose to view them symbolically, dreams are actually no more or less symbolic than everyday waking reality. When the images and events don't conform to our view of reality, we call them symbols. When they do, we call them facts."
Author: Eric Micha'el Leventhal

17. "I just think music is so intrinsically linked with images in the culture that we live in that you'll be hard-pressed to have an experience with the music without a preconceived notion."
Author: Esperanza Spalding

18. "If originality is a "sense of novelty and freshness" then, in the act of constructing ourselves, originality is not the goal. We construct a self-portrait, relying on existing objects – books, quotes from authors and artists, images, art – that we are more than happy to show off to others for them to use as masturbation material or for the material by which they align themselves. This is the new action painting – the curational archive. The referential self portrait. The portrait of any other artist could be readily used to explain yourself, just reblog it and caption it with "same." The past consistently becomes the present, not through linear time, but through the constant reconstruction and relabeling of it."
Author: Gabby Bess

19. "Ideas are refined and multiplied in the commerce of minds. In their splendor, images effect a very simple communion of souls."
Author: Gaston Bachelard

20. "Why do many believers insist on repeatedly pointing to the crimes of 20th century dictators who led officially atheistic societies as some sort of evidence of their god's existence? It makes no sense.If the rivers of blood on Stalin's hands and Mao's hands, for example, are supposed to prove there is a god, then what do the oceans of blood on the hands of several thousand years' worth of religious kings, queens, presidents, popes, priests, generals, Crusadersm jihadists and tribal chiefs prove? It's not, of course, but if bodycount is somehow the measure of a god's likelihood of existence, then believers lose.It is clear that humans are quite capable of killing with or without images of gods bouncing around in their heads. If anything, however, history suggests that the concept of gods makes the idea of massacring your fellow man (and women and children, too, of course) a lot easier to act upon."
Author: Guy P. Harrison

21. "That was why, later on, he began to lose interest in photography: first when colour took over, then when it became plain that the old magic of light-sensitive emulsions was waning, that to the rising generation the enchantment lay in a techne of images without substance, images that could flash through the ether without residing anywhere, that could be sucked into a machine and emerge from it doctored, untrue. He gave up recording the world in photographs then, and transferred his energies to saving the past."
Author: J.M. Coetzee

22. "My poems were just kind of all over the place. They had no focus, no location, nothing. Kind of a series of images that could have been set anywhere. A lot of the poems were just exercises for myself."
Author: James Welch

23. "The point isn't knowing what will happen, it's being aware that everything we do affects the whole. All of us - mages, vampires, humans, and the rest - affect the balance of life.""If you start singing 'Kum Ba Yah' I'm out of here."
Author: Jaye Wells

24. "I had lines inside me, a string of guiding lights. I had language. Fiction and poetry are doses, medicines. What they heal is the rupture reality makes on the imagination. I had been damaged, and a very important part of me had been destroyed - that was my reality, the facts of my life. But on the other side of the facts was who I could be, how I could feel. And as long as I had words for that, images for that, stories for that, then I wasn't lost."
Author: Jeanette Winterson

25. "Dissociated trauma memories don't reveal themselves like ordinary memories. Like pieces of a puzzle, they escape the primitive part of our brain where the trauma has been stored without words.These starkly vivid and detailed images are defined by our five senses and emotions, but there is no 'story'. So we are left trying to comprehend the incomprehensible while trying to describe what doesn't make sense.Healing is about collecting as many pieces as possible. It's finding words for what we are seeing and feeling - even when it sounds crazy. It's daring to speak our truth until it makes sense."
Author: Jeanne McElvaney

26. "...a book is actually a place, a place where we, as adults, still have the chance to engage in active imagining, translating word into image, connecting these images to memories, dreams and larger ideas. Television, film, even the stage play, have already been imagined for us, but the book, in whatever form we choose to interact with it, forces us to complete it... The fact that books provide us the place to imagine is critically important, as it is there, in the imagination, that all sense of possibility rests."
Author: Joe Meno

27. "Clearly, mythology is no toy for children. Nor is it a matter of archaic, merely scholarly concern, of no moment to modern men of action. For its symbols (whether in the tangible form of images or in the abstract form of ideas) touch and release the deepest centers of motivation, moving literate and illiterate alike, moving mobs, moving civilizations."
Author: Joseph Campbell

28. "As Hume expressed it. The mind is 'a kind of theater, where several perceptions successively make their appearance; pass, re-pass, slide away, and mingle in an infinite variety of postures and situations.' Hume pointed out that we have no underlying 'personal identity' beneath or behind these perceptions and feelings which come and go. It is just like the images on a movie screen. They change so rapidly we do not register that the film is made up of single pictures. In reality the pictures are not connected. The film is a collection of instants"
Author: Jostein Gaarder

29. "Whether I like it or not, most of my images of what various historical periods feel, smell, or sound like were acquired well before I set foot in any history class. They came from Margaret Mitchell, from Anya Seton, from M.M. Kaye, and a host of other authors, in their crackly plastic library bindings. Whether historians acknowledge it or not, scholarly history's illegitimate cousin, the historical novel, plays a profound role in shaping widely held conceptions of historical realities."
Author: Lauren Willig

30. "Every film starts with two or three images. Then I try to edit these images."
Author: Leos Carax

31. "We're all looking glasses, we girls, existing only to reflect their images back to them as they'd like to be seen."
Author: Libba Bray

32. "You see that stones are worn away by time,Rocks rot, and twoers topple, even the shrinesAnd images of the gods grow very tired,Develop crack or wrinkles, their holy willsUnable to extend their fated term,To litigate against the Laws of Nature.And don't we see the monuments of menCollapse, as if to ask us, "Are not weAs frail as those whom we commemorate?"?Boulders come plunging down from the mountain heights,Poor weaklings with no power to resistThe thrust that says to them, Your time has come!But they would be rooted in steadfastnessHad they endured from time beyond all time,As far back as infinity. Look about you!Whatever it is that holds in its embraceAll earth, if it projects, as some men say,All things out of itself, and takes them backWhen they have perished, must itself consistOf mortal elements. The parts must addUp to the sum. Whatever gives awayMust lose in the procedure, and gain againWhenever it takes back."
Author: Lucretius

33. "I wish I could leave you certain of the images in my mind, because they are so beautiful that I hate to think they will be extinguished when I am. Well, but again, this life has its own mortal loveliness. And memory is not strictly mortal in its nature, either. It is a strange thing, after all, to be able to return to a moment, when it can hardly be said to have any reality at all, even in its passing. A moment is such a slight thing. I mean, that its abiding is a most gracious reprieve."
Author: Marilynne Robinson

34. "The point is that no matter what you choose to do with your body when you die, it won't, ultimately, be very appealing. If you are inclined to donate yourself to science, you should not let images of dissection or dismemberment put you off. They are no more or less gruesome, in my opinion, than ordinary decay or the sewing shut of your jaws via your nostrils for a funeral viewing."
Author: Mary Roach

35. "If I have an unusual gift, it's not that I draw particularly better than other people — I've never fooled myself about that. Rather it's that I remember things other people don't recall: the sounds and feelings and images — the emotional quality — of particular moments in childhood. Happily an essential part of myself — my dreaming life — still lives in the light of childhood."
Author: Maurice Sendak

36. "IMAGES : THEY EITHER GUIDE/MISGUIDE YOU . IT IS THE ORIENTATION / ALIGNMENT OF MIND THAT NEEDS TO BE TUNED TO FRAME THE TRUE IMAGES."
Author: MITESH

37. "Prime numbers are divisible only by 1 and by themselves. They hold their place in the infinite series of natural numbers, squashed, like all numbers, between two others, but one step further than the rest. They are suspicious, solitary numbers, which is why Mattia thought they were wonderful. Sometimes he thought that they had ended up in that sequence by mistake, that they'd been trapped, like pearls strung on a necklace. Other times he suspected that they too would have preferred to be like all others, just ordinary numbers, but for some reason they couldn't do it. this second thought struck him mostly at night, in the chaotic interweaving of images that comes before sleep, when the mind is too weak to tell itself lies."
Author: Paolo Giordano

38. "All our language is composed of brief little dreams; and the wonderful thing is that we sometimes make of them strangely accurate and marvelously reasonable thoughts. What should we be without the help of that which does not exist? Very little. And our unoccupied minds would languish if fables, mistaken notions, abstractions, beliefs, and monsters, hypotheses, and the so-called problems of metaphysics did not people with beings and objectless images our natural depths and darkness. Myths are the souls of our actions and our loves. We cannot act without moving towards a phantom. We can love only what we create."
Author: Paul Valéry

39. "Images contaminate us like viruses."
Author: Paul Virilio

40. "I never told her the other story, in which she stars, in which she is always the heroine – a romanticized story full of cliché images in which I am telling her all the things there has not been enough time for, in which we are doing all the things there has not been time for…"
Author: Penelope Lively

41. "No one can command over the images of your mind but an Author can and if you won't believe on me then read my book."
Author: Prakhar Srivastav

42. "After all the damages that had been done, there would be a lot of things I want to be gone.Life's not easy before, but I never thought it could get any harder or even more."
Author: Rea Erika Paraz Ebate

43. "Censorship of ideas or images or words is wrong."
Author: Richard King

44. "Images are not quite ideas, they are stiller than that, with less implication outside themselves. And they are not myth, they do not have the explanatory power; they are nearer to pure story. Nor are they always metaphors; they do not say this is that, they say this is."
Author: Robert Hass Twentieth Century Pleasures Prose On Poetry

45. "...The editors of (i)Life(i) rejected Kerész'a photographs when he arrived in the United States in 1937 because, they said, his images 'spoke too much'; they made us reflect, suggested a meaning — a different meaning from the literal one. Ultimately, Photography is subversive not when it frightens, repels, or even stigmatizes, but when it is (i)pensive(i), when it thinks."
Author: Roland Barthes

46. "And yet it fills me with wonder, that, in almost all countries, the most ancient poets are considered as the best: whether it be that every other kind of knowledge is an acquisition gradually attained, and poetry is a gift conferred at once; or that the first poetry of every nation surprised them as a novelty, and retained the credit by consent which it received by accident at first; or whether, as the province of poetry is to describe Nature and Passion, which are always the same, the first writers took possession of the most striking objects for description, and the most probable occurrences for fiction, and left nothing to those that followed them, but transcription of the same events, and new combinations of the same images. Whatever be the reason, it is commonly observed that the early writers are in possession of nature, and their followers of art: that the first excel in strength and innovation, and the latter in elegance and refinement."
Author: Samuel Johnson

47. "Books are not holy relics,' Trefusis had said. 'Words may be my religion, but when it comes to worship, I am very low church. The temples and the graven images are of no interest to me. The superstitious mammetry of a bourgeois obsession for books is severely annoying. Think how many children are put off reading by prissy little people ticking them off whenever they turn a page carelessly. The world is so fond of saying that book s should be "treated with respect". But when are we told that _words_ should be treated with respect? From our earliest years we are taught to revere only the outward and visible. Ghastly literary types maundering on about books as "objects"..."
Author: Stephen Fry

48. "Why are men afraid of women?"If your strength is only the other's weakness, you live in fear," Ged said."Yes; but women seem to fear their own strength, to be afraid of themselves.""Are they ever taught to trust themselves?" Ged asked, and as he spoke Therru came in on her work again. His eyes and Tenar's met."No," she said. "Trust is not what we're taught." She watched the child stack the wood in the box. "If power were trust," she said. "I like that word. If it weren't all these arrangements - one above the other - kings and masters and mages and owners - It all seems so unnecessary. Real power, real freedom, would lie in trust, not force.""As children trust their parents," he said."
Author: Ursula K. Le Guin

49. "Images adorn our inner life and carry great power there."
Author: William Shirley

50. "But theater, because of its nature, both text, images, multimedia effects, has a wider base of communication with an audience. That's why I call it the most social of the various art forms."
Author: Wole Soyinka

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