Top Moving Out Quotes

Browse top 356 famous quotes and sayings about Moving Out by most favorite authors.

Favorite Moving Out Quotes

1. "Moving to New York made all the difference in my creating this new series with Ellie Hatcher. I love Portland, and it's always going to be one of my favorite cities, but it was getting to the point where, after I'd moved to New York, I couldn't write as specifically about Portland any more."
Author: Alafair Burke
2. "His action of joining them, which would have been rude in a restaurant that was not moving at three hundred kilometers an hour, was perfectly acceptable on a train, which mimicked the entirely random joinings of life but revealed their true nature by making them last only hours or days, rather than years and decades. People on a train form an alliance, as if the world that surrounded the parallel rails were hostile and and they refugees from it. The dining car, humming and rocking gently in the night, annihilated past and future and made all associations outside of itself seem vaguely unreal. So they welcomed him at their table, for he was one of them, a traveler, not one of those wraiths through whose night-lit cities they passed."
Author: Alexander Jablokov
3. "It was the touch that made him realize he loved her. Warmth from her scalp. Grease from her locks. He entwined his hand in her hair. It shrank through his moving fingers like sand. They lay together for a long time. Somewhere outside, a dog barked. He could barely believe he had lived so long without wanting to touch. Photography had made him forget the necessity of this feeling."
Author: Ali Shaw
4. "Every hour, Robert thinks, all over the globe, an infinite number of memories disappear, whole glowing atlases dragged into graves. But during that same hour children are moving about, surveying territory that seems to them entirely new. They push back the darkness; they scatter memories behind them like bread crumbs. The world is remade."
Author: Anthony Doerr
5. "Augustine taught that true freedom is not choice or lack of constraint, but being what you are meant to be. Humans were created in the image of God. True freedom, then, is not found in moving away from that image but only in living it out."
Author: Augustine Of Hippo
6. "Eli: They say the war tore a hole in the sky,you've probably heard the stories.Solara: Yeah.Eli: The war tore a hole in the sky, the sun came down, burnt everything, everyone, I wandered, I didn't really know what I should do or where I was going. I was just moving from place to place,trying to stay alive.And then one day I heard this voice.I don't know how to explain it, it's like it was coming from inside me. But I could hear it clear as day. Clear as I can hear you talking to me now. It told me to carry the book west, it told me that a path would be laid out before me, that I'd be led to a place where the book would be safe it told me I'd be protected,against anyone or anything that tried to stand in my way. If only I would have faith. That was thirty years ago and I've been walking ever sinceSolara: And you did all this because a voice told you to?Eli: I know what I hear, I know what I heard, I know I'm not crazy, I didn't imagine it"
Author: Book Of Eli Movie
7. "Nor would I even begin to try to describe what she looks like as she's telling the story, reliving it, she's naked, hair spilling all down her back, sitting meditatively cross-legged amid the wrecked bedding and smoking ultralight Merits from which she keeps removing the filters because she claims they're full of additives and unsafe—unsafe as she's sitting there chain-smoking, which was so patently irrational that I couldn't even bring—yes and some kind of blister on her Achilles tendon, from the sandals, leaning with her upper body to follow the oscillation of the fan so she's moving in and out of a wash of moon from the window whose angle of incidence itself alters as the moon moves up and across the window—all I can tell you is she was lovely. The bottoms of her feet dirty, almost black. The moon so full it looks engorged."
Author: David Foster Wallace
8. "Spring is like a perhaps handSpring is like a perhaps hand (which comes carefully out of Nowhere)arranging a window,into which people look(while people starearranging and changing placing carefully there a strange thing and a known thing here)andchanging everything carefullyspring is like a perhaps Hand in a window (carefully to and fro moving New and Old things,while people stare carefully moving a perhaps fraction of flower here placing an inch of air there)andwithout breaking anything."
Author: E.E. Cummings
9. "I have seen it over and over, the same sea, the same,slightly, indifferently swinging above the stones,icily free above the stones,above the stones and then the world.If you should dip your hand in,your wrist would ache immediately,your bones would begin to ache and your hand would burnas if the water were a transmutation of firethat feeds on stones and burns with a dark gray flame.If you tasted it, it would first taste bitter,then briny, then surely burn your tongue.It is like what we imagine knowledge to be:dark, salt, clear, moving, utterly free,drawn form the cold hard mouthof the world, derived from the rocky breastsforever, flowing and drawn, and sinceour knowledge is historical, flowing, and flown."
Author: Elizabeth Bishop
10. "Her lips are moving. I know she's trying to tell me something.What it is? No clue."I don't even know what that means!"She points her finger at me. And hops up and down. "Yes, you do! You're just purposely not seeing my point to drive me crazy."No, I'm really not. Because judging from this conversation? She's already there.And then a thought occurs to me. "Are you on the rag?"Her mouth opens wide. And you might want to take a step back, because I think her head might actually explode."
Author: Emma Chase
11. "Get down! Get down!"The people in front had already done so, swept down by the wave of bullets. The survivors, instead of getting down, tried to go back to the small square, and the panic became a dragon's tail as one compact wave ran against another which was moving in the opposite direction, towards the other dragon's tail in the street across the way, where the machine guns were firing without cease. They were penned in, swirling about in a gigantic whirlwind that little by little was being reduced to its epicenter as the edges were systematically being cut off all around like an onion being peeled by the insatiable and methodical shears of the machine guns."
Author: Gabriel Garcí­a Márquez
12. "About midnight excited hails were heard from a boat about a couple of miles out at sea to the southeast of Sidmouth, and a lantern was seen waving in a strange manner to and fro and up and down. The nearer boats at once hurried towards the alarm. The adventuresome occupants of the boat, a seaman, a curate, and two schoolboys, had actually seen the monsters passing under their boat. The creatures, it seems, like most deep-sea organisms, were phosphorescent, and they had been floating, five fathoms deep or so, like creatures of moonshine through the blackness of the water, their tentacles retracted and as if asleep, rolling over and over, and moving slowly in a wedge-like formation towards the southeast.("The Sea Raiders")"
Author: H.G. Wells
13. "We clutter the earth with our inventions, never dreaming that possibly they are unnecessary — or disadvantageous. We devise astounding means of communication, but do we communicate with one another? We move our bodies to and fro and incredible speeds, but do we really leave the spot we started from? Mentally, morally, spiritually, we are fettered. What have we achieved in mowing down mountain ranges, harnessing the energy of mighty rivers, or moving whole populations about like chess pieces, if we ourselves remain the same restless, miserable, frustrated creatures we were before? To call such activity progress is utter delusion. We may succeed in altering the face of the earth until it is unrecognizable even to the Creator, but if we are unaffected wherein lies the meaning?"
Author: Henry Miller
14. "Hot." The last word, barely a whisper, lost itself in my hair as he pressed his lips to that spot just below my ear that can, apparently, flip the off switch in my brain. Before I realized it my hands were inside that jacket, stroking the hard planes of his chest and stomach. And then, as if moving without any prompting from me they reached down, undid his belt, pulled it loose, and…"Ahhh, that feels great," I moaned."I am completely grossed out over here!" Cassandra informed us.Vayl, who'd been peering down at me with an expression of utter disbelief, stared at Cassandra over the top of my head. "It is not what you think," he assured her."As if I'd do something that disgusting," I said, pulling away from him, but keeping the belt, because the buckle relieved the itching so much better than fingernails. I continued using it to scratch the inflamed skin across my stomach as I sat down by Cassandra."You are pathetic," she told me."I'd get all offended, but I'm pretty sure you're right."
Author: Jennifer Rardin
15. "We want to make life permanent, but in doing so we go against nature, and there lies our pain. Only the mind which is always moving, without resting places and fixed ideas, can be in tune with life and therefore joyful."
Author: Jiddu Krishnamurti
16. "You can argue that it's a different world now than the one when Matthew Shepard was killed, but there is a subtle difference between tolerance and acceptance. It's the distance between moving into the cul-de-sac and having your next door neighbor trust you to keep an eye on her preschool daughter for a few minutes while she runs out to the post office. It's the chasm between being invited to a colleague's wedding with your same-sex partner and being able to slow-dance without the other guests whispering."
Author: Jodi Picoult
17. "I try to see the whole woman,' Eddie said to Hannah. 'Of course I recognize that she's old, but there are photographs - or the equivalent of photographs in one's imagination of anyone's life. A whole life, I mean. I can picture her when she was much younger than I am - because there are always gestures and expressions that are ingrained, ageless. An old woman doesn't see herself as an old woman, and neither do I. I try to see her her whole life in her. There's something so moving about someone's whole life."
Author: John Irving
18. "Even as a young man, Sawtooth had a hard time talking to women. Since moving to Out-to-Sea, he's become tight-lipped as an oyster. But he can feel the worlds pearling on his tongue: Girl, you are my moon. You are the tidal pull that keeps time marching forward."
Author: Karen Russell
19. "Tori joined us for dinner --in body, at least. She spent the meal practicing for a role in the next zombie movie, expressionless, methodically moving fork to mouth, sometimes even with food on it."
Author: Kelley Armstrong
20. "Outside my bike, never has anything important in my life been just mine." My body stilled, so did my heart, and my eyes locked with his. He started moving again, slowly, deeply and he kept talking. "Always castoffs, leftovers, used, sometimes even food from the dumpsters." My heart started beating again, only to trip over itself; my breath came fast, not only from what was happening to my body but what he was saying. "Vance-" His lips came to mine, his hands moved out of my hair and went to the side of my face and he stared in my eyes, pressing deep inside. "Mine," he muttered, his deep voice hoarse, that fierce undercurrent there. His tone caused a shiver to run through me, straight through to my soul. Then he kissed me."
Author: Kristen Ashley
21. "One must try to make one's life as pleasant as possible. I'm alive and it's not my fault, which means I must somehow go on living the best I can, without bothering anybody, until I die.''But what makes you live? With such thoughts, you'll sit without moving, without undertaking anything...''Life won't leave one alone as it is."
Author: Leo Tolstoy
22. "Come on. Keep moving. Your lips are turning blue." "Keep my lips out of this."
Author: Lili St. Crow
23. "Do not the most moving moments of our lives find us without words?"
Author: Marcel Marceau
24. "In time I could move, though my body wasn't thrilled about it. I moved from the floor to the sofa I had fallen off of, which was all the progress I was going to demand from myself right then. Karish was much more ambitious, moving from the floor by the table to the sofa. He sat beside me and without the slightest hesitation or diffidence wrapped his arms around me and pulled me close, and I bonelessly complied. Pain eased, muscles loosened, and the beating of his heart helped to drive disturbing images from my mind. For the moment not giving a damn about how it looked or whether it was a bad idea, I curled around him and flattened my palm against his chest so I could feel the blood pulsing around him."
Author: Moira J. Moore
25. "It's Salvation. When Jen told me I had a vision. A vision Rena. I think I saw the blessed mother smiling and she was hold ing a loofa.[In regards to moving out of dorms and having three bathrooms between 4 roomates]"
Author: Nora Roberts
26. "...why can't I stop all the moving and look out over the vast arrangements and find by the contours and colors and qualities of light where my father is, not to solve anything but just simply even to see it again one last time, before what, before it ends, before it stops. But it doesn't stop; it simply ends. It is a final pattern scattered without so much as a pause at the end, at the end of what, at the end of this."
Author: P. Harding
27. "Building a museum case and filling it with types of mussels is one way of knowing mussels; but on the shore, a mussel leads to a crab or a curious stone, which leads to another thing and eventually leads back to mussels, which is another and perhaps a more far-reaching way to know mussels. The sea that always seems like a metaphor, but one that is always moving, cannot be fixed, like a heart that is a like a tongue that is like a mystery that is like a story that is like a border that is like something altogether different and like everything at once. One thing leads to another, and this is the treasure that always runs through your fingers and never runs out."
Author: Rebecca Solnit
28. "Truly, more than removing the partition between vectors and values, we would have needed to talk about strengthening crisscrossed lacings: an intertwined kind of understanding that would de-ideologize 'ideologies,' desanctify sanctities, but also mentalize the material bases of systems of inscription, and psychoanalyze not souls but tools. That is, in one and the same gesture, make our mnemo-technic equipment intelligible as mentality and our mental equipment intelligible as technology."
Author: Régis Debray
29. "And now, while he didn't particularly think any of these stories was a bit truer, he did realize that he didn't really know his wife at all; and that in fact the entire conception of knowing another person--of trust, of closeness, of marriage itself--while not exactly a lie since it existed someplace if only as an idea (in his parents' life, at least marginally) was still completely out-of-date, defunct, was something typifying another era, now unfortunately gone. Meeting a girl, falling in love, marrying her, moving to Connecticut, buying a fucking house, starting a life with her and thinking you really knew anything about her--the last part was a complete fiction, which made all the rest a joke."
Author: Richard Ford
30. "Pip winds his arms up around Lindsay's neck and kisses him back, and this timehe's the one to close his eyes and escape into darkness so there's nothing in the world except the soft curls under hisfingers and the touch of Lindsay's breath on his mouth and the slow, sliding friction."Lindsay, do you still hate me?""I do when I remember to," Lindsay says quietly, but he doesn't stop moving and he doesn't stop kissing him for a long time, on his trembling mouth and his sweaty forehead and his wet, closed eyes."
Author: Richard Rider
31. "Words are the oldest information storage and retrieval system ever devised. Words are probably older than the cave paintings in France, words have been here for tens of thousands of years longer than film, moving pictures, video, and digital video, and words will likely be here after those media too. When the electromagnetic pulse comes in the wake of the nuclear blast? Those computers and digital video cameras and videotape recorders that are not melted outright will be plastic and metal husks used to prop open doors. Not so with the utterances of tongues. Words will remain, and the highly complicated and idiosyncratic accounts assembled from them will provide us with the dark news about the blast. The written word will remain, scribbled on collapsed highway overpasses, as a testament to love and rage, as evidence of the wanderers in the ruin."
Author: Rick Moody
32. "You'll have to forgive me," Dad said. His mouth was moving very little, a sign that he was tense. "I'm not...familiar with...the protocol. For boys like you. But I..."I felt my face turning red. No, no, no. Quit while you're ahead, Dad. Please."I'm sure you have...urges," Dad went on. "All teenage boys have...urges. I don't know whether you've...tried anything--"I said please!"Just as long as you're safe. That's very important. You still have to be safe, even if you're both boys. I don't know what really...um, entails. You know. How you...do things. I could look it up for you--"I clapped my hand over Dad's mouth. I took him by his arm, my face burning, and dragged him back to the field."
Author: Rose Christo
33. "Andrius turned. His eyes found mine. I'll see you he said. My face didn't wrinkle. I didn't utter a sound. But for the first time in months I cried. Tears popped from their dry sockets and sailed down my cheeks in one quick stream. I looked away. The NKVD called the bald man's name. Look at me wispered Andrius moving close. I'll see you he said. Just think about that. Just think about me bringing you your drawings. Picture it because I'll be there."
Author: Ruta Sepetys
34. "Do Engineers have stories, Jack?" he asked. "What?" Jack said, without moving."Stories. Myths. Things to keep the boredom out on a long shift.""I think they play cards, mostly," Jack answered. It was a lie, but he told it with surprising deftness; not a waver in his voice or a hesitation in his words. Only the tightening of his shoulders told Ellis he was lying."
Author: Sam Starbuck
35. "If you're ever short on cash, you could set up a booth and charge the ladies to massage your bod.""Oh yeah?" His voice was wary."Sure. Say, fifteen bucks for a two minute fondle. Strictly PG-13, above the waist, of course. I'll sell the tickets, if you give me a cut."His hands stopped moving. She babbled on, dazed and thoughtless. "The gay guys would go for it, too. We'd rake in the dough.""I'd let you do it for free," he said.His voice was devoid of irony. Her eyes popped open in alarm.She looked back over her shoulder. The hot glow in his eyes brought her feminine instincts to high alert. She pulled away.She and her big dumb mouth. Sexy banter with a guy she barely knew, but no nerve to back it up."
Author: Shannon McKenna
36. "They had gathered at Eastcheap to wait. At this time of day, the marketplace ought to have been thronged with people looking for bargains, moving from stall to stall, examining the fresh fish, choosing the plumpest hens, buying candles and pepper and needles. The stalls were open, but the fishmongers and cordwainers and butchers were doing no business, despite the growing crowd. The sun was hot, flies were thick, and the odors pungent; no one complained, though. They talked and gossiped among themselves, strangers soon becoming friends, for the normally fractious and outspoken Londoners had forgotten their differences, at least for a day, united in a common purpose and determined to revel in their triumph, for they were pragmatic enough to understand this might be their only one. Now they joked and swapped rumors and waited with uncommon patience, and at last they heard a cry, swiftly picked up and echoed across the marketplace: "She is coming!"
Author: Sharon Kay Penman
37. "TV is just such a fast-moving medium that you do what you can do, and what you can't do, you don't worry about too much."
Author: Shawn Ryan
38. "The guilt of moving on seeps into my life every time I do something I thought I couldn't do without you. Every time I make a financial decision, I take over your job. Every time I fix the washing machine, choose a wallpaper without consulting you, I feel guilty. How dare I function without you! What could you have possibly meant to me if I can function without you? Much less, function well. Every so often I'm overwhelmed with the decisions. In those moments I hate you for leaving me. But I am stronger now, and I like being strong. And for this, I feel guilty. When can I stop proving that I loved you? When will I stop believing that loving you better might have saved you?"
Author: Stephanie Ericsson
39. "The cuff was moving because the skin it rested on was moving, sliding the way a heavy object on a rug will slide if someone pulls the rug. The ragged, circular cut she had inscribed about her wrist widened, pulling wet strands of tendon across the gap and creating a red bracelet. The skin on the back of her hand began to wrinkle and bunch ahead of the cuff, and now what she thought of was how the coverlet had looked when she had pushed it down to the bottom of the bed with her pedaling feet."
Author: Stephen King
40. "He'd missed dogs. Dogs added something that even people didn't, and one of the dogs was sitting by his feet, here in the darkness and the gentle rain. It wasn't bothered much about the rain or what might be out there on the unseen sea, but Mau was a warm body moving about in a sleeping world and might at any moment do something that called for runnung around and barking. Occasionally it looked up at him adoringly and made a slobbery gulping noise which possibly meant "Anything you say, boss!"
Author: Terry Pratchett
41. "When the earliest Vikings started moving into the northern oceans, there's one story about finding this huge fuckin opening at the top of the world, this deep whirlpool that'd take you down and in, like a black hole, no way to escape. These days you look at the surface Web, all that yakking, all the goods for sale, the spammers and spielers and idle fingers, all in the same desperate scramble they like to call an economy. Meantime, down here, sooner or later someplace deep, there has to be a horizon between coded and codeless. An abyss.""That's what you're looking for?""Some of us are." Avatars do not do wistful, but Maxine catches something. "Others are trying to avoid it. Depends what you're into."
Author: Thomas Pynchon
42. "I think we're probably only about halfway through the number of revelations. I'm pretty certain there will be quite detailed stuff on other uses of covert surveillance. I suspect that emails will be the next scandal. And devices that track people moving around. That's just starting to come out."
Author: Tom A. Watson
43. "As we watched seaward-moving ships pass between the cliffs of burning skyline, she said: 'years from now, years and years, one of those ships will bring me back, me and my nine Brazillian brats, because yes, they must see this, these lights, the river-- I love New York, even though it isn't mine, the way something has to be, a tree or a street or a house, something anyway, that belongs to me because I belong to it.' And I said: 'Do shut up,' for I felt infuriatingly left out-- a tugboat in a dry-dock while she, glittery voyager of secure destination steamed down the harbor with whistles whistling and confetti in the air."
Author: Truman Capote
44. "Ahead in the distance we could see the main gate, but there was a sea of cars, none moving, people standing, milling around, waiting nervously, perhaps fearfully, as heavily armed MPs and military working dogs searched every square inch of every vehicle, searched every bag on every person, all the while keeping a vigilant eye on the long alley we were stuck in, and on the hundreds of rooftops that overlooked that alley, wary but aware that there were people out there who would gladly hurt us again if given the chance."
Author: Tucker Elliot
45. "In the warmer months of the year one or other of those nocturnal insects quite often strays indoors from the small garden behind my house. When I get up early in the morning, I find them clinging to the wall, motionless. I believe, said Austerlitz, they know they have lost their way, since if you do not put them out again carefully they will stay where they are, never moving, until the last breath is out of their bodies, and indeed they will remain in the place where they came to grief even after death, held fast by the tiny claws that stiffened in their last agony, until a draft of air detaches them and blows them into a dusty corner. Sometimes, seeing one of these moths that have met their end in my house, I wonder what kind of fear and pain they feel while they are lost."
Author: W.G. Sebald
46. "Maybe we should go by tube', he said.A taxi'll come', she said. 'I'm in no hurry'.She remembered something a woman in Paris had told her once. A woman in her forties, much married, elegant, a little world-weary. There is nothing easier in this world, this woman had claimed, than getting a man to kiss you. Oh really? Eva had said, so how do you do that? Just stand close to a man, the woman has said, very close, as close as you can without touching - he will kiss you in one minute or two. It's inevitable. For them it's like an instinct - they can't resist. Infaillible.So Eva stood close to Romer in the doorway of the shop on Frith Street as he shooted and waved at the passing cars moving down the dark street, hoping one of them might be a taxi.We're out of luck', he said, turning, to find Eva standing very close to him, her face lifted.I'm in no hurry', she said.He reached for her and kissed her."
Author: William Boyd
47. "I saw a moving sight the other morning before breakfast in a little hotel where I slept in the dusty fields. The young man of the house shot a little wolf called coyote in the early morning. The little heroic animal lay on the ground, with his big furry ears, and his clean white teeth, and his little cheerful body, but his little brave life was gone. It made me think how brave all living things are. Here little coyote was, without any clothes or house or books or anything, with nothing to pay his way with, and risking his life so cheerfully — and losing it — just to see if he could pick up a meal near the hotel. He was doing his coyote-business like a hero, and you must do your boy-business, and I my man-business bravely, too, or else we won't be worth as much as a little coyote."
Author: William James
48. "A car whipped past, the driver eating and a passenger clicking a camera. Moving without going anywhere, taking a trip instead of making one. I laughed at the absurdity of the photographs and then realized I, too, was rolling effortlessly along, turning the windshield into a movie screen in which I, the viewer, did the moving while the subject held still. That was the temptation of the American highway, of the American vacation (from the Latin vacare, "to be empty")."
Author: William Least Heat Moon
49. "Tony stood up and began pacing the room. "Jack," heconfessed, "my life that I defined as a success is actually a totalshambles, and yet you're suggesting that underneath it all, thereis an unimaginable beauty? Are you telling me that I matter?That even though I am this ugly, ordinary-looking root, that I wasdesigned and intended to express a unique and extraordinaryflower? That's what you are telling me… right?"Jack nodded, again removing his pipe for a puff."And I assume," Tony continued, "this is true about everyhuman being, each person born—""Conceived!" interrupted Jack."Each person ‘conceived' on the planet, each one living inlife-before, each one is a root in which a flower is waiting?Right?"Again Jack nodded"
Author: Wm. Paul Young
50. "I think this is why Ellis took so many moving pictures of us. Because he knew that people come in and out of your life, and a picture fixes them in the moment they reach out to you."
Author: Zu Vincent

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Well did you call the hypothetical hardware store and buy a theoretical chainsaw?-- Pam to Jessica, True Blood"
Author: Alan Ball

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