Top Outline Quotes
Browse top 229 famous quotes and sayings about Outline by most favorite authors.
Favorite Outline Quotes
1. "The issue is: how do you engage the audience? And one of the things I talk to our communicators about is: The outline is great; the stories are great. But how do you engage them? How do you make it feel like we are on a journey, not you are just up there giving me information."
Author: Andy Stanley
Author: Andy Stanley
2. "She'd cried over a broken heart before. She knew what that felt like, and it didn't feel like this. Her heart felt not so much broken as just ... empty. It felt like she was an outline empty in the middle. The outline cried senselessly for the absent middle. The past cried for the present that was nothing."
Author: Ann Brashares
Author: Ann Brashares
3. "I do outlines when I'm writing with someone, but they also need to have a certain amount of freedom."
Author: Anne McCaffrey
Author: Anne McCaffrey
4. "Slavery is such an atrocious debasement of human nature, that its very extirpation, if not performed with solicitous care, may sometimes open a source of serious evils. The unhappy man who has been treated as a brute animal, too frequently sinks beneath the common standard of the human species. The galling chains, that bind his body, do also fetter his intellectual faculties, and impair the social affections of his heart… To instruct, to advise, to qualify those, who have been restored to freedom, for the exercise and enjoyment of civil liberty… and to procure for their children an education calculated for their future situation in life; these are the great outlines of the annexed plan, which we have adopted.[For the Pennsylvania Society for Promoting the Abolition of Slavery, 1789]"
Author: Benjamin Franklin
Author: Benjamin Franklin
5. "Time had ceased to feel linear. She looked up through the crisscrossing branches, thick with buds, into the night sky. The stars tugged at her gaze, trying to pull her up among them, or she was pulling them down to her. She was on the verge of some great discovery, she realized, but she had no idea what it was, what it related to, whether it even had anything to do with her at all. Was she a participant, or an observer? Did the world center around her, or could it carry on quite easily without her input? Looking up at those stars, feeling the embrace of their light as it enfolded her, she felt both small and large, as though everything mattered and nothing did. When someone crouched down beside her it took years for her to turn her head to see who it was. All she could make out was a dark shape, a vague outline of head and shoulders silhouetted against the stars, the rest of the body lost in the shadows of the rose bushes."
Author: Charles De Lint
Author: Charles De Lint
6. "Nobody would know me from my own description of myself; which is why, when called upon (rarely, I grant) to provide an account, I tailor it, I adapt, I try to provide an outline that can, in some way, correlate to the outline that people understand me to have -- that, I suppose, I actually have, at this point. But who I am in my head, very few people really get to see that. Almost none. It's the most precious gift I can give, to bring her out of hiding."
Author: Claire Messud
Author: Claire Messud
7. "The car drives through, stops while the man closes and fastens the prickly gate behind it. The bell shuts off; the stillness is deafening by contrast. The car goes on until the outline of a house suddenly uptilts the searching headlight-beams, log-built, sprawling, resembling a hunting-lodge. But there's no friendliness to it. There is something ominous and forbidding about its look, so dark, so forgotten, so secretive-looking. The kind of a house that has a maw to swallow with - a one-way house, that you feel will never disgorge any living thing that enters it. Leprous in the moonlight festering on its roof. And the two round sworls of light played by the heads of the car against its side, intersecting, form a pear-shaped oval that resembles a gleaming skull. ("Jane Brown's Body")"
Author: Cornell Woolrich
Author: Cornell Woolrich
8. "The world deprived of clear-cut outlines, of the up and the down, of good and evil, succumbs to a peculiar nihilization, that is, it loses its colors, so that grayness covers not only things of this earth and of space, but also the very flow of time, its minutes, days and years. Abstract considerations will be of little help, even if they are intended to bring relief. Poetry is quite different. By its very nature it says: All those theories are untrue. Since poetry deals with the singular, not hte general, it can't - if it is good poetry - look at things of this earth other than as colorful, variegated, and exciting, and so, it cannot reduce life, with all its pain, horror, suffering, and ecstasy, to a unified tonality of boredom or complaint. By necessity poetry is therefore on the side of being and against nothingness."
Author: Czeslaw Milosz
Author: Czeslaw Milosz
9. "Livia reached out to touch Blake's lower back. She outlined a heart with her finger. I'm proud of you, no matter what happens here."
Author: Debra Anastasia
Author: Debra Anastasia
10. "She watched with a crashing surge of pride as he reached up and pulled the mask off—he was in full sunlight. The orangey red light of the setting sun outlined him. Poughkeepsie's dusk set the mood. No matter how much Blake healed, Livia had a feeling nighttime would always be their favorite. He disappeared from view, but she knew he was strong. So much stronger so much sooner than she could ever have hoped."
Author: Debra Anastasia
Author: Debra Anastasia
11. "President Reagan was a leader at a time when the American people most needed leadership. He outlined a vision that captured the imagination of the free world, a vision that toppled the Communist empire and freed countless millions."
Author: Dennis Hastert
Author: Dennis Hastert
12. "After I outlined 'Catering to Nobody,' I went and worked for a caterer. And the other thing I had to do was to talk to the Jefferson County Sheriff's Department about how they investigated a crime."
Author: Diane Mott Davidson
Author: Diane Mott Davidson
13. "There are metaphors more real than the people who walk in the street. There are images tucked away in books that live more vividly than many men and women. There are phrases from literary works that have a positively human personality. There are passages from my own writing that chill me with fright, so distinctly do I feel them as people, so sharply outlined do they appear against the walls of my room, at night, in shadows... I've written sentences whose sound, read out loud or silently (impossible to hide their sound), can only be of something that acquired absolute exteriority and a full-fledged soul."
Author: Fernando Pessoa
Author: Fernando Pessoa
14. "I must tell you how I work. I don't have my novel outlined and I have to write to discover what I am doing. Like the old lady, I don't know so well what I think until I see what I say; then I have to say it over again."
Author: Flannery O'Connor
Author: Flannery O'Connor
15. "Such are the limitations of the human mind, and so thoroughly engrossing are the cares of common life, that only the few among men can discern through the glitter and dazzle of present prosperity the dark outlines of approaching disasters, even though they may have come up to our very gates, and are already within striking distance. The yawning seam and corroded bolt conceal their defects from the mariner until the storm calls all hands to the pumps. Prophets, indeed, were abundant before the war; but who cares for prophets while their predictions remain unfulfilled, and the calamities of which they tell are masked behind a blinding blaze of national prosperity?"
Author: Frederick Douglass
Author: Frederick Douglass
16. "By my existence I am nothing more than an empty place, an outline,that is reserved within being in general. Given with it, though, is the duty to fill in this empty place. That is my life."
Author: Georg Simmel
Author: Georg Simmel
17. "She came forward, the outlines of her figure blurred in the half-light. She came forward like a film star, or rather like the ideal woman in an adolescent's dream."
Author: Georges Simenon
Author: Georges Simenon
18. "Now the various species of whales need some sort of popular comprehensive classification, if only an easy outline one for the present, hereafter to be filled in all its departments by subsequent laborers. As no better man advances to take this matter in hand, I hereupon offer my own poor endeavors. I promise nothing complete; because any human thing supposed to be complete, must for that very reason infallibly be faulty. I shall not pretend to a minute anatomical description of the various species, or - in this place at least - to much of any description. My object here is simply to project the draught of a systematization of cetology. I am the architect, not the builder. (moby dick chap 32 p131)"
Author: Herman Melville
Author: Herman Melville
19. "His muscles had wasted away to knotty strings, and the flesh pads had disappeared, so that each rib and every bone in his frame were outlined cleanly through the loose hide that was wrinkled in folds of emptiness. It was heartbreaking, only Buck's heart was unbreakable. The man in the red sweater had proved that."
Author: Jack London
Author: Jack London
20. "Once in the shower, I let the water run over my face, keeping my eyes closed. The delicate outlines of Abby's features were burned behind my eyelids. It wasn't the first time; I saw her every time my eyes closed. Now that she was gone, it was like being stuck in a nightmare."
Author: Jamie McGuire
Author: Jamie McGuire
21. "[...] a morass of despair violence death with a thin layer of glass spread upon the surface where Love, a tiny crab with pincers and rainbow shell, walked delicately ever sideways but getting nowhere, while the sun [...] rose higher in the sky its tassels dropping with flame threatening every moment to melt the precarious highway of glass. And the people: giant pathworks of colour with limbs missing and parts of their mind snipped off to fit them into the outline of the free pattern."
Author: Janet Frame
Author: Janet Frame
22. "As I got farther and farther along in the series I did less and less preparation. I didn't use outlines or sketches. I just had a vague idea of what I wanted to tell and then the dialogue just came to me as I was inking the page."
Author: Jhonen Vasquez
Author: Jhonen Vasquez
23. "...I remember your profile in darkness outlined by stars ..."
Author: John Geddes
Author: John Geddes
24. "I don't start a novel until I have lived with the story for awhile to the point of actually writing an outline and after a number of books I've learned that the more time I spend on the outline the easier the book is to write. And if I cheat on the outline I get in trouble with the book."
Author: John Grisham
Author: John Grisham
25. "Nathaniel Upchurch. Margaret couldn't believe it. Gone were the pale features, the thin frame, the hesitant posture, the spectacles. Now broad shoulders strained against his cutaway coat. Form-fitting leather breeches outlined muscular legs. The unfashionable dark beard emphasized his sharp cheekbones and long nose. His skin was golden brown. His hair unruly, some escaping its queue. Even his voice sounded different—lower, harsher, yet still familiar."
Author: Julie Klassen
Author: Julie Klassen
26. "She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and torturous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope."
Author: Kate Chopin
Author: Kate Chopin
27. "She felt like a fictional character who'd escaped the book in which her creator had carefully and kindly trapped her, taken a pair of scissors to her outline and leaped, free..."
Author: Kate Morton
Author: Kate Morton
28. "I went to this tattoo parlor in the East Village and I got an outline of a violin on my lower back. They call them tramp stamps now."
Author: Katherine Moennig
Author: Katherine Moennig
29. "Today, to him gazing south with a new-born need stirring in his heart, the clear sky over their long low outline seemed to pulsate with promise; today, the unseen was everything. the unknown the only real fact of life."
Author: Kenneth Grahame
Author: Kenneth Grahame
30. "The weight in my pocket nudges my thigh, suddenly becomes my knife. I put my hand to its unforgiving outline and can't stop crying years of tears because if I don't stab my father with my weapon, then he is going to stab me with his."
Author: Laura Wiess
Author: Laura Wiess
31. "My Templeton is to Cooperstown as a shadow is to the tree that spawned it; an outline that takes texture from the ground it falls on."
Author: Lauren Groff
Author: Lauren Groff
32. "There is no valid reason for the perennial Christian preference of biography, history, and the newspaper to fiction and poetry. The former tell us what happened, while literature tells us what happens. The example of the Bible, which is central to any attempt to formulate a Christian approach to literature, sanctions the imagination as a valid form of truth. The Bible is in large part a work of imagination. Its most customary way of expressing truth is not the sermon or the theological outline, but the story, the poem, and the vision--all of them literary forms and products of the imagination (though not necessarily the fictional imagination). Literary conventions are present in the Bible from start to finish, even in the most historically factual parts."
Author: Leland Ryken
Author: Leland Ryken
33. "And from the height of this perception all that had previously tormented and preoccupied him suddenly became illumined by a cold white light without shadows, without perspective, without distinction of outline. All life appeared to him like magic-lantern pictures at which he had long been gazing by artificial light through a glass. Now he suddenly saw those badly daubed pictures in clear daylight and without a glass."
Author: Leo Tolstoy
Author: Leo Tolstoy
34. "I was eleven when my father left, so neither of us really knew our fathers. I'd met mine of course, but then I only knew my dad as a child knows a parent, as a sort of crude outline filled in with one or two colors. I'd never seen my father scared or cry. I'd never heard him admit to any wrongdoing. I have no idea what he dreamed of. And once I'd seen a smile pinned to one cheek and darkness to the other when my mum had yelled at him. Now he was gone, and I was left with just an impression—one of male warmth, big arms, and loud laughter."
Author: Lloyd Jones
Author: Lloyd Jones
35. "At first he had appreciated only the material quality of the sounds which those instruments secreted. And it had been a source of keen pleasure when, below the narrow ribbon the violin part, delicate, unyielding, substantial and governing the whole, he had suddenly perceived, where it was trying to surge upwards in a flowing tide of sound, the mass of the piano-part, multiform, coherent, level, and breaking everywhere in melody like the deep blue tumult of the sea, silvered and charmed into a minor key by the moonlight. But at a given moment, without being able to distinguish any clear outline, or to give a name to what was pleasing him, suddenly enraptured, he had tried to collect, to treasure in his memory the phrase or harmony—he knew not which—that had just been played, and had opened and expanded his soul, just as the fragrance of certain roses, wafted upon the moist air of evening, has the power of dilating our nostrils."
Author: Marcel Proust
Author: Marcel Proust
36. "Old lovers go the way of old photographs, bleaching out gradually as in a slow bath of acid: first the moles and pimples, then the shadings. Then the faces themselves, until nothing remains but the general outlines."
Author: Margaret Atwood
Author: Margaret Atwood
37. "Behind him she saw something which by contrast with the alien incalculable figure before her, was close and real. It was something which she understood, something which she could never do without, or be without, for it seemed as though it were her own self, her own body, at which she gazed and which lay so intimately upon the skyline. Gormenghast. The long, notched outline of her home. It was now his background. It was a screen of walls and towers pocked with windows. He stood against it, an intruder, imposing himself so vividly, so solidly, against her world, his head overtopping the loftiest of its towers."
Author: Mervyn Peake
Author: Mervyn Peake
38. "There is no means of testing which decision is better, because there is no basis for comparison. We live everything as it comes, without warning, like an actor going on cold. And what can life be worth if the first rehearsal for life is life itself? That is why life is always like a sketch. No, "sketch" is not quite a word, because a sketch is an outline of something, the groundwork for a picture, whereas the sketch that is our life is a sketch for nothing, an outline with no picture."
Author: Milan Kundera
Author: Milan Kundera
39. "Draw a line; draw a line that pleases you. And remember that it is not the artist's role to copy the outlines of things but to create a world of his own lines on paper." (pp.28-29)"
Author: Milan Kundera
Author: Milan Kundera
40. "We propose in the following Treatise to give an outline of the Science which treats of the Nature, the Production, and the Distribution of Wealth. To that Science we give the name of Political Economy."
Author: Nassau William Senior
Author: Nassau William Senior
41. "The matted straw cover of the latrine was yanked away. The sun blinded me as I looked up at the dark outline of two young soldiers in tattered camouflage, their uniforms made for men bigger than they were. They each held an automatic weapon, an AK-47, and were leering down at me. I could see the two gold teeth of one of them as he grinned.Gold-tooth reached down and grabbed my hair, yanking me up by it until he could get the other hand under my arm and pull me the rest of the way. I screamed in terror. He pulled me away from the pit as he and the others held their noses and laughed hysterically. One held each arm and dragged me to the river's edge. They tore off my loose cotton dress; I had no underwear on. After howling with laughter and firing guns in the air, they crudely touched my body."
Author: Nick Hahn
Author: Nick Hahn
42. "I shall now explain my plan. You may then speak, but only to amend the detail. The broad outline is not subject to negotiation. Are you ready? Good … I propose to have sex with you. I believe it will be excellent sex. Your obedience on one particular issue of timing it will be required to make it unforgettable sex. I will explain that issue as we go. At the moment, I wish to hear your inevitable objection to the general sex part of this plan."
Author: Nick Harkaway
Author: Nick Harkaway
43. "I love you," he said.She looked up at him, her eyes shiny and black, then looked away. "I know," she said.He pulled one of his arms out from under her and traced her outline against the couch. He could spend all day like this, running his hand down her ribs, into her waist, out to her hips and back again.... If he had all day, he would. If she weren't made of so many other miracles."You know?" he repeated. She smiled, so he kissed her. "You're not the Han Solo in this relationship, you know.""I'm totally the Han Solo," she whispered. It was good to hear her. It was good to remember it was Eleanor under all this new flesh."Well, I'm not the Princess Leia," he said."Don't get so hung up on gender roles," Eleanor said."
Author: Rainbow Rowell
Author: Rainbow Rowell
44. "Animals outline their territories with their excretions, humans outline their territories by ink excretions on paper."
Author: Robert Anton Wilson
Author: Robert Anton Wilson
45. "I suppose the best way to tell the story is simply to narrate it, without an effort to carry belief. The thing did not require belief. It was not a feeling of horror in one's bones, or a misty outline, or anything that needed to be given actuality by an act of faith. It was as solid as a wardrobe. You don't have to believe in wardrobes. They are there, with corners. (The Troll)"
Author: T.H. White
Author: T.H. White
46. "I probably reread novels more often than I read new ones. The novel form is made for rereading. Novels are by their nature too long, too baggy, too full of things – you can't hold them completely in your mind. This isn't a flaw – it's part of the novel's richness: its length, multiplicity of aspects, and shapelessness resemble the length and shapelessness of life itself. By the time you reach the end of the novel you will have forgotten the beginning and much of what happens in between: not the main outlines but the fine work, the detail and the music of the sentences – the particular words, through which the novel has its life. You think you know a novel so well that there must be nothing left in it to discover but the last time I reread Emma I found a little shepherd boy, brought into the parlour to sing for Harriet when she's staying with the Martin family. I'm sure he was never in the book before.http://www.guardian.co.uk/books/2012/..."
Author: Tessa Hadley
Author: Tessa Hadley
47. "People differ in their proficiency at tracing the outlines of another self, and thus their ability to love also varies. (207)"
Author: Thomas Lewis
Author: Thomas Lewis
48. "What Jessica said—hair much shorter, wearing a darker mouth of different outline, harder lipstick, her typewriter banking in a phalanx of letters between them—was: "We're going to be married. We're trying very hard to have a baby." All at once there is nothing but his asshole between Gravity and Roger. "I don't care. Have his baby. I'll love you both—just come with me Jess, please... I need you...." She flips a red lever on her intercom. Far away a buzzer goes off. "Security." Her voice is perfectly hard, the word still clap-echoing in the air as in through the screen door of the Quonset office wth a smell of tide flats come the coppers, looking grim. Security. Her magic word, her spell against demons."
Author: Thomas Pynchon
Author: Thomas Pynchon
49. "And somehow, somewhere along the track, I went numb. I couldn't say what it was & didn't dare try. How do you explain the sense of being made to feel improper ? I withdrew into a watchful rectitude, anxious to please, risking nothing. I followed the outline of my life, carefully rehearsing form without conviction, like a bishop who can't see that his faith has become an act."
Author: Tim Winton
Author: Tim Winton
50. "Hope was always out ahead of fact, possibility obscured the outlines of reality."
Author: Wallace Stegner
Author: Wallace Stegner
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