Painting The Sky Quotes

1. "I always start a painting with the sky."
Author: Alfred Sisley

2. "Life's kind of like a painting. A really bizarre, abstract painting. You could look at it and think that all it is, is a blur. And you could continue living your life thinking that all it is, is just a blur. But if you really look at it, really see it, focus on it, and use your imagination, life can become so much more. The painting could be of the sea, the sky, people,buildings, a butterfly on a flower, or anything except the blur you were once convinced it was."
Author: Cecelia Ahern

3. "I was too tired to think. I merely felt the town as a unique unreality. What was it? I knew -- the moon's picture of a town. These streets with their houses did not exist, they were but a ludicrous projection of the moon's sumptuous personality. This was a city of Pretend, created by the hypnotism of moonnight. -- Yet when I examined the moon she too seemed but a painting of a moon and the sky in which she lived a fragile echo of color. If I blew hard the whole shy mechanism would collapse gently with a neat soundless crash. I must not, or lose all."
Author: E.E. Cummings

4. "Grandma sees these things when she talks about them and gestures with her hands like she's painting brush strokes in the air. The way Grandma paints her dreams for me, there's a low sky."
Author: Heidi W. Durrow

5. "The forms of the central and surrounding deities... should not be protruding like a clay statue or cast image, yet neither should they be flat like a painting. In contrast, they should be apparent, yet not truly existent, like a rainbow in the sky or the reflection of the moon in a lake. They should appear as though conjured up by a magician. Clear appearance involves fixing the mind one-pointedly on these forms with a sense of vividness, nakedness, lucidity, and clarity."
Author: Jigme Lingpa

6. "Nevertheless, we react to one a bit differently than we do to Rothko's hovering panels or Barnett Newman's stripes, though Whistler does approach their extremity of abstraction; part of our pleasure lies in recognizing bridges and buildings in the mist, and in sensing the damp riverine silence, the glimmering metropolitan presence. … The painting - a single blurred stripe of urban shore - is additionally daring in that the sky and sea are no shade of blue, but, instead, an improbable, pervasive cobalt green. Human vision is here taken to its limits, and modern painting, as a set of sensations realized in paint, is achieved."
Author: John Updike

7. "He knew that Vronsky could not be prevented from amusing himself with painting; he knew that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to him. A man could not be prevented from making himself a big wax doll, and kissing it. But if the man were to come with the doll and sit before a man in love, and began caressing his doll as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a distasteful sensation was what Mihailov felt at the sight of Vronsky's painting: he felt it both ludicrous and irritating, both pitiable and offensive."
Author: Leo Tolstoy

8. "Nothing is clear now. Something must be the matter with my way of viewing things. I have no middle view. Either I fix on a detail and see it as thought it were magnified -- a leaf with all its veins perceived, the fine hairs on a man's hands -- or else the world recedes and becomes blurred, artificial, indefinite, an abstract painting of a world. The darkening sky is hugely blue, gashed with rose, blood, flame from the volcano or wound or flower of the lowering sun. The wavering green, the sea of grass, piercingly bright. Black tree trunks, contorted, arching over the river."
Author: Margaret Laurence

9. "Here, in this painting, in these (hopefully) creative meditations, you will see teh same sky and the same sun, the same story of struggle, of fall and grace, of descent and ascent, of death and resurrection. The same God. The same gifts. If He's not tired of it, why should I be? If His brush is still in His hand, if His words still roll, what can I do but stick my tongue out the cornder of my mouth and diligently (but pitifully) rip Him off? What can I do but meditate on His meditations? (xii)"
Author: N.D. Wilson

10. "A Klee painting named 'Angelus Novus' shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress."
Author: Walter Benjamin

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