Poets And Poetry Quotes

1. "I hit on something I believe when I wrote that I meant to be a Poet and a Poem. It may be that this is the desire of all reading women, as opposed to reading men, who wish to be poets and heroes, but might see the inditing of poetry in our peaceful age, as a sufficiently heroic act. No one wishes a man to be a Poem. That young girl in her muslin was a poem; cousin Ned wrote an execrable sonnet about the chaste sweetness of her face and the intuitive goodness shining in her walk. But now I think -- it might have been better, might it not, to have held on to the desire to be a Poet?"
Author: A.S. Byatt

2. "I gathered poets around me and we all wrote beautiful erotica. As we were condemned to focus only on sensuality, we had violent explosions of poetry. Writing erotica became a road to sainthood rather than to debauchery."
Author: Anaïs Nin

3. "All myth is an enriched pattern,a two-faced proposition,allowing its operator to say one thing and mean another, to lead a double life.Hence the notion found early in ancient thought that all poets are liars.And from the true lies of poetrytrickled out a question.What really connects words and things?"
Author: Anne Carson

4. "Poets should ignore most criticism and get on with making poetry."
Author: Anne Stevenson

5. "How are you supposed to know what to read next? This is the question that keeps us up at night, so at Day One our mission is to feed an audience of literature-hungry, time-constrained readers like you with a weekly lineup of talented authors, poets, and artists that we believe you will love. And if we can identify some of the next generation of literary stars, and cultivate an appreciation for transformative poetry and fiction, then frankly we will sleep better at night."
Author: Carmen Johnson

6. "Poets are excellent students of blizzards and salt and broken statuary, but they are always elsewhere for the test. Any intention in the writing of poetry besides the aim to make a poem, of engaging the materials, SHOULD be disappointed. If the poet does not have the chutzpah to jeopardize habituated assumptions and practices, what will be produced will be sleep without dream, a copy of a copy of a copy."
Author: Dean Young

7. "Young poets are too apt to consider themselves "children of the mist" – they must dwell apart from men and contemn their kind, or they fear they shall be only taken for common-place characters. They forget that poetry is the language which speaks to all hearts—and that instead of cherishing the sacred fire as a lonely light, as one that burns in a charnel house, they should bring it forth in its beauty and brightness as a guide to the pleasant places and sparkling waters of earth's happiness and the radiant messenger of heaven's exalted hopes. And they should rejoice and be glad that to them the kindling of such high imagination is given. ~ Sarah Josepha Hale Ladies Magazine, November 1830From the Introduction to Cherishing the Sacred Fire"
Author: Deborah L. Halliday

8. "I love Sylvia Plath and Anne Sexton. I also love more cerebral poets like H.D. and Emily Dickinson. My parents subscribed to a monthly poetry periodical, and as a teenager I was introduced to Denise Levertov, who was an influence."
Author: Francesca Lia Block

9. "Too many poets act like a middle-aged mother trying to get her kids to eat too much cooked meat, and potatoes with drippings (tears). I don't give a damn whether they eat or not. Forced feeding leads to excessive thinness (effete). Nobody should experience anything they don't need to, if they don't need poetry bully for them. I like the movies too. And after all, only Whitman and Crane and Williams, of the American poets, are better than the movies."
Author: Frank O'Hara

10. "The reader reads aloud, with a sing-song up … then down … then down again cadence. My mood shifts from merely reluctant to derisive. It's a tired reading style. I'm sick of it. It attaches more importance to the words than the words themselves—as they've been arranged—could possibly sustain, and it gives poets and poetry a bad name."
Author: Gabrielle Hamilton

11. "We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost."
Author: Gaston Bachelard

12. "Hardy's astonishing technical versatility has won the admiration of major poets from Ezra Pound and Cecil Day Lewis to Philip Larkin. Among other genres he employs the lyric, narrative, ballads, and the sonnet. He also moves easily between the amplitude of dramatic monologue and the compression of imagism. He experiments continually with an ingenious variety of stanza forms and rhyme schemes, rejecting the fluidity of contemporary poetry for his own idiosyncratic style, based on a real understanding of the variety of speech rhythms and registers. Each individual poem is designed to express in its language and form, and with utter honesty, Hardy's impressions of life."
Author: Geoffrey Harvey

13. "Many of the poets writing today are hung up on language and symbolism. If the poem does not have depth of meaning or fit a certain academic styles and standards, then it is not poetry. Poetry should relate to the man on the street who has to work for a living. Until poetry connects with the working man, it's not going to sell; it's not going to be of value."
Author: Harley King

14. "English literature, from the days of the minstrels to the Lake Poets—Chaucer and Spenser and Milton, and even Shakespeare, included—breathes no quite fresh and, in this sense, wild strain. It is an essentially tame and civilized literature, reflecting Greece and Rome. … Where is the literature which gives expression to Nature?...I do not know of any poetry to quote which adequately expresses this yearning for the Wild....The West is preparing to add its fables to those of the East. The valleys of the Ganges, the Nile, and the Rhine having yielded their crop, it remains to be seen what the valleys of the Amazon, the Plate, the Orinoco, the St. Lawrence, and the Mississippi will produce."
Author: Henry David Thoreau

15. "Concrete poets continue to turn out beautiful things, but to me they're more visual than oral, and they almost really belong on the wall rather than in a book. I haven't the least idea of where poetry is going."
Author: James Laughlin

16. "Summer in the trees! "It is time to strangle several bad poets." /The yellow hobbyhorse rocks to and fro, and from the chimney / Drops the Strangler! The white and pink roses are slightly agitated by the struggle, / But afterwards beside the dead "poet" they cuddle up comfortingly against their vase. They are safer now, no one will compare them to the sea. / Here on the railroad train, one more time, is the Strangler. / He is going to get that one there, who is on his way to a poetry reading. / Agh! Biff! A body falls to the moving floor."
Author: Kenneth Koch

17. "My memory often seems like a city of exiled poets afire with the astonishment of language, each believing in the integrity of his own witness, each with a separate version of culture and history, and the divine essential fire that is poetry itself."
Author: Pat Conroy

18. "And yet it fills me with wonder, that, in almost all countries, the most ancient poets are considered as the best: whether it be that every other kind of knowledge is an acquisition gradually attained, and poetry is a gift conferred at once; or that the first poetry of every nation surprised them as a novelty, and retained the credit by consent which it received by accident at first; or whether, as the province of poetry is to describe Nature and Passion, which are always the same, the first writers took possession of the most striking objects for description, and the most probable occurrences for fiction, and left nothing to those that followed them, but transcription of the same events, and new combinations of the same images. Whatever be the reason, it is commonly observed that the early writers are in possession of nature, and their followers of art: that the first excel in strength and innovation, and the latter in elegance and refinement."
Author: Samuel Johnson

19. "Although Poets are vain and ambitious, their vanity and ambition are of the purest kind attainable in this world. They are ambitious to be accepted for what they altimately are as revealed in their poetry."
Author: Stephen Spender

20. "My anthology continues to sell & the critics get more & more angry. When I excluded Wilfred Owen, whom I consider unworthy of the poets' corner of a country newspaper, I did not know I was excluding a revered sandwich-board Man of the revolution & that some body has put his worst & most famous poem in a glass-case in the British Museum-- however if I had known it I would have excluded him just the same. He is all blood, dirt & sucked sugar stick (look at the selection in Faber's Anthology-- he calls poets 'bards,' a girl a 'maid,' & talks about 'Titanic wars'). There is every excuse for him but none for those who like him. . . .(from a letter of December 26, 1936, in Letters on Poetry from W. B. Yeats to Dorothy Wellesley, p. 124)."
Author: W.B. Yeats

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