Quine Quotes

1. "I was drawn to horses as if they were magnets. It was in my blood. I must have inherited from my grandfather a genetic proclivity toward the equine species. Perhaps there's a quirk in the DNA that makes horse people different from everyone else, that instantly divides humanity into those who love horses and the others, who simply don't know."
Author: Allan J. Hamilton

2. "Adelante, adelante, al galope, por los caminos llenos de baches, por la verde hierba y los arbustos, por los charcos de plata, por la arena dorada y húmeda, por los alados helechos. El gamo asustado desaparece en el bosque, brilla al saltar la linterna blanquinegra de sus ancas. Se desprenden los pájaros de los árboles: los coloreados arrendajos y abejarucos, las chillonas y oscuras urracas de graciosas colas. El agua de los charcos y las grietas estalla en lluvia bajo los cascos del caballo.¡Adelante, aún más adelante! El caballo, que había pateado indolente demasiado tiempo detrás del carro, lleva una carrera alegre, rápida, feliz, trota ligero, los músculos se mueven en los muslos, el flequillo húmedo deja caer gotas sobre la cara. El caballo estira el cuello, Ciri le da cuerda. ¡Adelante, caballito, no sientas el bocado ni el freno, adelante, al galope, al galope, deprisa, deprisa! ¡Primavera!"
Author: Andrzej Sapkowski

3. "Los edificios y los adoquines y las escaleras y los callejones y las iglesias y los parques…, todo, la ciudad entera, nos perteneció por un precioso instante que era largo y ancho y, Stu, lo llenamos hasta el último resquicio.Aquello era vivir.Vivir de verdad"
Author: Annabel Pitcher

4. "What's left of what your body was —once the girl with bare shoulder blades , giggling, once the girl galloping an imaginary horse, once the girl sleeping in her sequined red dress— was now ash in a jar. Grains of bone. But then, I knew it wasn't you anymore. You were somewhere more."
Author: Ava Dellaira

5. "I kept asking myself if I felt different, if I was different. The answer was always yes. I was no longer nothing… How odd, I thought; it had taken my mother's death, Father Quinel's murder, and the desire of others to kill me to claim a life of my own."
Author: Avi

6. "I stood with my hands on the horses' necks, feeling the electricity of their thinking, the blood moving throughout their veins, and the history held neatly within the fabric of every organ of their equine anatomy, as if the body were a storage unit of memory. As I absorbed every nuance of the four-legged creatures, I touched my own stomach, lower back, liver, and spleen to see what the energies felt like. I compared one horse to another, then to myself, fascinated by the way each was so unique yet so the same."
Author: Bethanne Elion

7. "He killed, his sword shearing, shield and horse a ram, pushing in, and further in, opening a space by force alone for the momentum of the men behind him. Beside him a man fell to a spear in the throat. To his left, an equine scream as Rochert's horse went down.In front of him, methodically, men fell, and fell, and fell.He split his attention. He swept a sword cut aside with his shield, killed a helmed soldier, and all the while flung out his mind, waiting for the moment when Touar's lines split open. The most difficult part of commanding from the front was this--staying alive in the moment, while tracking in his mind, critically, the whole fight. Yet it was exhilarating, like fighting with two bodies, at two scales."
Author: C.S. Pacat

8. "You could dress it up with a sequined headband," Magnus suggested, offering his boyfriend something blue and sparkly. "Just a thought." "Resist the urge, Alec." Simon was sitting on the edge of a low wall with Maia beside him, though she appeared to be deep in conversation with Aline. "You'll look like Olivia Newton-John in Xanadu." "There are worse things," Magnus observed."
Author: Cassandra Clare

9. "For me, 'Lamb' started out as a further exploration of the phenomenon of faith and the responsibility of a messiah that I touched on in 'Coyote Blue' and 'Island of the Sequined Love Nun,' but it ended up being an exploration of the true meaning of sacrifice, loyalty, and friendship."
Author: Christopher Moore

10. "So I forcibly shove aside my prickles of pissed-off, which is easier than it sounds when millions of little sequined caffeine dancers are doing their big Broadway number on your internal stage. (Page 173)"
Author: Deb Caletti

11. "The magic of purpose and of love in its purest form. Not televison love, with its glare and hollow and sequined glint; not sex and allure, all high shoes and high drama, everything both too small and in too much excess, but just love. Love like rain, like the smell of a tangerine, like a surprise found in your pocket."
Author: Deb Caletti

12. "To hang out in a gay bar or put on a sequined halter top makes me feel like a total person."
Author: Dennis Rodman

13. "L'amour domestique - avec ses mélodrames adultères, ses compromis douillets, ses câlins asexués, ses prises de bec mesquines - me déplaisait précisément pare qu'il puait le possible, le faisable, ce que tout le monde faisait."
Author: Edmund White

14. "The big house... reminded me of the types of structures you can still see in places like Center City: gingerbread houses, two-story affairs built back in the nineteenth century when people didn't have televisions and were forced to build interesting things out of wood. I have a theory that the outrageous fashions you see in pre-twentieth century culture came about as a result of the lack of television. I'm talking wild hats on women with lots of feathers, pelts, sequined dresses with long trains, as well as top hats on the men, with long-tailed coats. I figure that life in those days was s dull that people themselves became televisions. I'm still working on the theory. I include European royalty in this construct, but let's move on."
Author: Gary Reilly

15. "Les persones vivim a base d'anar cremant records. I, a l'hora de mantenir-nos vius, tant és si aquests records són realment importants o no. Els records només són el combustible que cremem. Quan llences papers al foc, tant és que siguin anuncis de diari, llibres de filosofia, fotos de revistes pornogràfiques o bitllets de deu mil iens. Només són papers, oi? Mentre els crema, el foc no va pensant: "Oh, això és Kant", "Això és l'edició vespertina del Yomiuri" o "Renoi, quines tetes". Per al foc, només són retalls de paper. Doncs amb els records passa el mateix. Tant els que són importants, com els que no ho són tant, com els que no ho són gens... només són el combustible que cremem."
Author: Haruki Murakami

16. "Both [Quine and Feyerabend] want to revise a version of positivism. Quine started with the Vienna Circle, and Feyerabend with the Copenhagen school of quantum mechanics. Both the Circle and the school have been called children of Ernst Mach; if so, the philosophies of Feyerabend and Quine must be his grandchildren."
Author: Ian Hacking

17. "Olemnly he came forward and mounted the round gunrest. He faced about and blessed gravely thrice the tower, the surrounding land and the awaking mountains. Then, catching sight of Stephen Dedalus, he bent towards him and made rapid crosses in the air, gurgling in his throat and shaking his head. Stephen Dedalus, displeased and sleepy, leaned his arms on the top of the staircase and looked coldly at the shaking gurgling face that blessed him, equine in its length, and at the light untonsured hair, grained and hued like pale oak."
Author: James Joyce

18. "What exists beneath the sea?I'd always pictured it in colors of emerald and aquamarine, where black velvet fish with sequined eyes swim among plankton.But, when my eyes adjust, I see gray stones, lost anchors, wet wood, buttons, hooks, and eyes, the salem witches who wouldn't float, stars and stripes, missing vessels, windup toys, the souls of Romeo and Juliet, peaches, cream, pistons, screams, cages of ribs and birds, tunnels, nutcracker soldiers, satin bows, drugstore signs, Pandora box ripped open at its hinges."
Author: Kelly Easton

19. "I'll talk to him before I go," Carlos grumbled."And what about the girls?" Toni asked. "They need you, Carlos.""They need a mother!" Carlos yelled. "And I need a mate."Caitlyn gasped. Hes was looking for a mate? What kind of mate? His gaze shifted towards her, and his eyes glittered with a hard, angry look."You--what?" Toni stepped back, apparently stunned."You heard me," Carlos growled."Ye want to get married?" the Scotsman asked."Don't look so shocked, Ian. Didn't want you want to get married?""Aye, but--""You can't get married," Toni declared. "You're gay."Caitlyn snorted. Were they crazy?Carlos glared at her in the shadows, then shifted his gaze to Toni. "I never said I was gay.""Of course you're gay," she insisted. "I saw you dance the samba in a hot pink sequined thong."Carlos shrugged. "So? You said I was very sexy. You were practically drooling."Ian stiffened. "When was this?""Before I met you," Toni muttered."
Author: Kerrelyn Sparks

20. "Her honey-blonde hair is strewn across her face as she sways her head. She's working a red sequined bikini separated by a tan, flat stomach, and a butterfly tattoo resting on her left hip. Her legs are clad in black fishnets that run into a pair of white-heeled boots—still a knockout."
Author: Kevin James Moore

21. "Luke came to me and took the gun out of my hand. "I need to find a way to erase the last three minutes," he muttered, sounding aggrieved. "Why?" I asked. "I just watched my boy's sister strip. There's laws against that," he replied, not taking his eyes off Mace … but I had a feeling what Luke was doing was studiously avoiding seeing me in sequined undies and stripper shoes. "No there's not," I said to Luke and he finally looked at me. "Babe, there are. Trust me," he stated."
Author: Kristen Ashley

22. "You are truly Satan's sequined spawn."
Author: Libba Bray

23. "She had worn a sequined, strapless wedding gown, and left her bridesmaid to wear brightly flowered dresses to fit for a kind of pornographic milkmaid: low-cut and laced up the midriff with a sort of shoelace. "What Scarlet O'Hara might have done with a shower curtain, if she were trying to snag a plumber."
Author: Lorrie Moore

24. "His chief failing was a habit of cracking heavy pedantic jokes; he was unable to let a good idea drop, and remarked several times during the course of the film that the heroine looked like she ought to be playing the horse. The comment had some truth in it, in that the heroine did have an equine cast of feature, but he made it too often, and with too little variation; however, she was willing to forgive him, in view of his evident tolerance of her social errors, such as an inability to say whether or not she wanted an ice cream."
Author: Margaret Drabble

25. "Julian is bluff and sturdy, royal; he possesses a gracefully muscular, equine beauty so natural it suggests that beauty itself is a fundamental human condition and not a mutation in the general design."
Author: Michael Cunningham

26. "Let us be cautious in making assertions and critical in examining them, but tolerant in permitting linguistic forms.[Carnap's famous plea for tolerance to which W.V. Quine took exception.]"
Author: Rudolf Carnap

27. "If only we could dance on the sidewalk, look up at the sequined sky, and wish upon the same shooting star."
Author: Sarah Tregay

28. "Horse Frightened by a Lion depicts a majestic stallion in a very different situation. Stubbs painted this magnetic masterpiece to illustrate the nature of the sublime, which was one of his era's most popular philosophical concepts,and its relation to a timelessly riveting feeling: fear. The magnificent horse galloping through a vast wilderness encounters the bottom-up stimulus of a crouching predator and responds with a dramatic display of what psychologists mildly call "negative emotion." The equine superstar's arched neck, dilated eyes, and flared nostrils are in fact the very picture of overwhelming dread. The painting's subject matter reflects he philosopher Edmund Burke's widely circulated Philosophical Enquiry into the Origins of Our Ideas of the Sublime and Beautiful, which asserts that because "terror" is unparalleled in commanding "astonishment," or total, single-pointed,--indeed, rapt--attention, it is "the ruling principle of the sublime."
Author: Winifred Gallagher

Quine Quotes Pictures