Rimbaud Quotes

1. "Since they weren't sleepy and nothing had been left unsaid, they began to read poetry to each other, taking turns like children and enjoying it. Bachir had a lovely voice, one that was already that of a man. He knew many poems by heart. He lovingly recited Victor Hugo, with warmth Rimbaud's Le bateau ivre, and poems written by young people going into battle; he then moved on to the poets of liberty - Rimbaud again, Eluard, and Desnos."
Author: Assia Djebar

2. "Talent is everything. If you've got talent, nothing else matters. You can screw up your personal life something terrible. So what. If you've got talent, it's there in reserve. Anybody who has talent they know they have it and that's it. It's what makes you what you are. It tells you you're you. Talent is everything; sanity is nothing. I'm convinced of it. I think I had something once. I showed promise, didn't I? But I was too sane. I couldn't make the leap out of my own soul into the soul of the universe. That's the leap they all made. From Blake to Rimbaud. I don't write anything but checks. I read science fiction. I go on business trips to South Bend and Rochester. The one in Minnesota. Not Rochester, New York. Rochester, Minnesota. I couldn't make the leap."
Author: Don DeLillo

3. "If the mystery can be reduced to one solution, it lies in a simple coincidence: Rimbaud's interest in his own work had survived the realization that the world would not be changed by verbal innovation. It did not survive the failure of all his adult relationships. He had always treated poems as a form of private communication. He gave his songs to chansonniers, his satires to satirists. Without a constant companion, he was writing in a void."
Author: Graham Robb

4. "He will never be satisfied," writes one biographer...I know because I suffer from the same disease...I don't believe for a minute that the flowers ever faded or the stars were ever dimmed in Rimbaud's eyes...It was the world of men that his weary glance saw things pale and fade. He began by wanting to "see all, feel all, exhaust everything, explore everything, say everything." ...He had no choice of fighting for the rest of his life to hold the ground he had gained or to renounce the struggle utterly. Why could he not have compromised? Because compromise was not in his vocabulary. He was a fanatic from childhood, a person who had to go the whole hog or die. In this lied his purity, his innocence."
Author: Henry Miller

5. "The real renegade is the man who has lost faith in his fellowman. Today the loss of faith is universal. Here God himself is powerless. We have put our faith in the bomb, and it is the bomb, which will answer our prayers [...] it takes time for doom to spread throughout the corpus of civilization. But when Rimbaud walked out the back door, doom had already announced itself."
Author: Henry Miller

6. "Deserts possess a particular magic, since they have exhausted their own futures, and are thus free of time. Anything erected there, a city, a pyramid, a motel, stands outside time. It's no coincidence that religious leaders emerge from the desert. Modern shopping malls have much the same function. A future Rimbaud, Van Gogh or Adolf Hitler will emerge from their timeless wastes."
Author: J.G. Ballard

7. "I have finally taught Dean that he can do anything he wants, become mayor of Denver, marry a millionairess, or become the greatest poet since Rimbaud. But he keeps rushing out to see the midget auto races"
Author: Jack Kerouac

8. "It is true what Rimbaud said; If you think a book is strong enough, try it at the ocean, in the wind, at the waves. If the book can resist the ocean, then it exists. Otherwise, throw it away."
Author: Klaus Kinski

9. "Madness and passion have always been interchangeable. Throughout the entire western literary tradition. Madness is an abundance of existence. Madness is a way of asking difficult questions. What did he mean, the powerless tyrant king? O Fool, I shall go mad.Maybe madness is the excess of possibility,.... And writingis about reducing possibility to ne idea, one book, one sentence, one word. Madness is a form of self-expression. It is the opposite of creativity. You cannot make anything that can be separated from yourself if you are mad. And yet, look at Rimbaud -- and your wonderful Christopher Smart. But don't harbour any romantic ideas about what it means to be mad. My language was my protection, my guarantee against madness and when there was no one to listen my language vanished along with my reader."
Author: Patricia Duncker

10. "All writers are, somewhere or other, mad. Not les grands fous, like Rimbaud, but mad, yes, mad. Because we do not believe in the stability of reality. We know that it can fragment, like a sheet of glass or a car's windscreen. but we also know that reality can be invented, reordered, constructed, remade. Writing is, in itself, an act of violence perpetrated against reality."
Author: Patricia Duncker

11. "Avevo trovato conforto in Arthur Rimbaud, in cui mi ero imbattuta a sedici anni, su una bancarella di libri di fronte alla stazione degli autobus di Philadelphia; il suo sguardo borioso aveva incrociato il mio dalla copertina di Illuminazioni. Possedeva un'intelligenza insolente capace di infiammarmi, e l'avevo accolto come un compatriota, un parente, un amore segreto perfino. Non avendo i novantanove centesimi per comprare il libro me lo ero messo in tasca."
Author: Patti Smith

12. "El silencio de la muerte es el peor de los silencios, porque el silencio rulfiano es un silencio aceptado y el rimbaudiano es un silencio buscado, pero el silencio de la muerte es el que corta de tajo lo que pudo ser y nunca más va a poder ser, lo que no sabremos jamás."
Author: Roberto Bolaño

13. "What we have witnessed in our own time is the death of universities as centres of critique. Since Margaret Thatcher, the role of academia has been to service the status quo, not challenge it in the name of justice, tradition, imagination, human welfare, the free play of the mind or alternative visions of the future. We will not change this simply by increasing state funding of the humanities as opposed to slashing it to nothing. We will change it by insisting that a critical reflection on human values and principles should be central to everything that goes on in universities, not just to the study of Rembrandt or Rimbaud."
Author: Terry Eagleton

14. "We must change life,' the poet [Rimbaud] had written, and so the Situationists set out to transform everyday life in the modern world through a comprehensive program that included above all else the construction of 'situations' -- defined in 1958 as moments of life 'concretely and deliberately constructed by the collective organization of a unitary ambiance and a play of events' -- but that also necessary entailed the supersession of philosophy, the realization of art, the abolition of politics, and the fall of the 'spectacle-commodity economy."
Author: Tom McDonough

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