Sculptures Quotes

1. "I'm showing some of my sculptures in Holland in the spring, so we'll see."
Author: Alan Vega

2. "All the sculptures of today, like those of the past, will end one day in pieces... So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life."
Author: Alberto Giacometti

3. "I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work."
Author: Andy Goldsworthy

4. "But you're dead inside to me, you're cold and beyond my reach! It is as if I'm not here, beside you. And, not being here with you, I have the dreadful feeling that I don't exist at all. And you are as cold and distant from me as those strange modern paintings of lines and hard forms that I cannot love or comprehend, as alien as those hard mechanical sculptures of this age which have no human form. I shudder when I'm near you. I look into your eyes and my reflection isn't there . . . ."
Author: Anne Rice

5. "Written works do not produce fast reactions as pictures and sculptures and music do. it takes no effort to see or hear. but to read - to grasp what the writer has done - requires commitment. engagement. as is the case with most art, the relationship between the maker and the audience is remote in time and space. the writer is nowhere to be seen when the reader takes up the book, or even dead. but most often, books go unread...thus the writer, knowing this as writers do, is even more alone...yet writers write. and knowing what they know makes their isolation almost a sacrament."
Author: Anneli Rufus

6. "The space that I can call mine.. is so small that my ideas have become small. I am like a caterpillar in a cocoon of paper; all around me are sketches for sculptures, small drawings that seem like moths fluttering against the windows, beating their wings to escape from this tiny space.. Every day the ideas come more reluctantly, as though they know I will starve them and stunt their growth."
Author: Audrey Niffenegger

7. "Because it is the triumph of a lack of planning –both for good and bad. It's chaos –and whether you say that with a gasp of despair or glee or both is up to you. Whereas Paris (certainly in the centre) is the success of a single overarching monomaniacal topographic vision, London is a chaotic patchwork of history, architecture, style, as disorganised as any dream, and like any dream possessing an underlying logic, but one that we can't quite make sense of, though we know it's there. A shoved-together city cobbled from centuries of distinct aesthetics disrespectfully clotted in a magnificent triumph of architectural philistinism. A city of jingoist sculptures, concrete caryatids, ugly ugly ugly financial bombast, reconfiguration. A city full of parks and gardens, which have always been magic places, one of the greenest cities in the world, though it's a very dirty shade of green –and what sort of grimy dryads does London throw up? You tell me."
Author: China Miéville

8. "Cars are the sculptures of our everyday lives."
Author: Chris Bangle

9. "Don't look for obscure formulas or mystery in my work. It is pure joy that I offer you. Look at my sculptures until you see them. Those closest to God have seen them."
Author: Constantin Brancusi

10. "Advice to explorers everywhere: if you would like to recieve due credit for your discoveries, keep a detailed account of your journeys as Columbus did. On Septemeber 28, 1492, after four weeks at sea, he writes: Dear diary...I means journal. Yes, dear journal. That's what I meant to say. Whew. Anyway, we have yet to discover America, and the crew has become increasingly rebellious. I have decided to turn back if we have not spotted it by Columbus Day. Will write again later if not killed by crew. P.S. Last night's buffet was fabulous, the ice sculptures magnificent."
Author: Cuthbert Soup

11. "The usual consolations of life, friendship and sex included, appealed to Newton hardly at all. Art, literature, and music had scarcely more allure. He dismissed the classical sculptures in the Earl of Pembroke's renowned collection as "stone dolls." He waved poetry aside as "a kind of ingenious nonsense." He rejected opera after a single encounter. "The first Act I heard with pleasure, the 2d stretch'd my patience, at the 3d I ran away."
Author: Edward Dolnick

12. "No, women like you don't write. They carve onion sculptures and potato statues. They sit in dark corners and braid their hair in new shapes and twists in order to control the stiffness, the unruliness, the rebelliousness."
Author: Edwidge Danticat

13. "Zalasiewicz is convinced that even a moderately competent stratigrapher will, at the distance of a hundred million years or so, be able to tell that something extraordinary happened at the moment in time that counts for us as today. This is the case even though a hundred million years from now, all that we consider to be the great works of man—the sculptures and the libraries, the monuments and the museums, the cities and the factories—will be compressed into a layer of sediment not much thicker than a cigarette paper."
Author: Elizabeth Kolbert

14. "Shape and color are my two strong things. And by doing this, drawing plants has always led me into my paintings and my sculptures."
Author: Ellsworth Kelly

15. "I used to know a sculptor... He always said that if you looked hard enough, you could see where each person carried his soul in his body. It sounds crazy, but when you saw his sculptures, it made sense. I think the same is true with those we love... Our bodies carry our memories of them, in our muscles, in our skin, in our bones. My children are right here." She pointed to the inside curve of her elbow. "Where I held them when they were babies. Even if there comes a time when I don't know who they are anymore. I believe I will feel them here."
Author: Erica Bauermeister

16. "Even though the museums guarding their precious property fence everything off, in my own studio, I made them so you and I could walk in and around, and among these sculptures."
Author: George Segal

17. "In our own time it has been seen... that simple children, roughly brought up in the wilderness, have begun to draw by themselves, impelled by their own natural genius, instructed solely by the example of these beautiful paintings and sculptures of Nature."
Author: Giorgio Vasari

18. "I recognize that it is through the engagement with my craft - by recognizing an idea and drawing it out, building physical models, collaborating with experts, constructing the sculptures at urban scale, and maintaining them through years of weather and interaction with the public - that a new art for cities has become real."
Author: Janet Echelman

19. "Art is central to all our lives, not just the better-off and educated. . . I know that from my own story, and from the evidence of every child ever born — they all want to hear and to tell stories, to sing, to make music, to act out little dramas, to paint pictures, to make sculptures. This is born in and we breed it out. And then, when we have bred it out, we say that art is elitist, and at the same time we either fetishize art — the high prices, the jargon, the inaccessibility — or we ignore it. The truth is, artist or not, we are all born on the creative continuum, and that is a heritage and a birthright of all of our lives."
Author: Jeanette Winterson

20. "I'd left behind a thousand tons of marble, I could have released sculptures, I could have released myself from the marble of myself. I'd experienced joy, but not nearly enough, could there be enough?"
Author: Jonathan Safran Foer

21. "I thought about life, about my life, the embarrassments, the little coincidences, the shadows of alarm clocks on bedside tables, i thought about my small victories and everything i'd seen destroyed. i'd swum through mink coats on my parents' bed while they hosted downstairs, i'd lost the only person with whom i could have spent my only life, i'd left behind a thousand tonnes of marble from which i could have released sculptures, i could have released myself from the marble of myself, i'd experienced joy, but not nearly enough, could there be enough? the end of suffering does not justify the suffering."
Author: Jonathan Safran Foer

22. "They are more beautiful than anything in the world, kinetic sculptures, perfect form in motion."
Author: Kate Millett

23. "Art is an expression of who you are. Parts that I play are my sculptures."
Author: Kim Cattrall

24. "Decadent cooks go one step further and make sculptures of the food itself. If life is to be spent in pursuit of the extravagant, the extreme, the grotesque, the bizarre, then one's diet should reflect the fact. Life, meals, everything must be as artificial as possible - in fact works of art. So why not begin by eating a few statues?"
Author: Medlar Lucan

25. "We say to the British government: you have kept those sculptures for almost two centuries. You have cared for them as well as you could, for which we thank you. But now in the name of fairness and morality, please give them back."
Author: Melina Mercouri

26. "The size thing is not some gimmick or attention-getting trick but a genuine undercurrent of the work. Frank Gehry for instance likes to imagine his buildings as sculptures. I like to imagine my sculptures as architectural."
Author: Michael Heizer

27. "I created a successful outdoor youth festival - the Liverd festival - against all good advice. It was a great way to explore and investigate social sculptures. Having that as my kind of studio, outside of a museum or precious white-cube gallery, that was a kind of education."
Author: Natalie Jeremijenko

28. "There could be a powerful international women's rights movement if only philanthropists would donate as much to real women as to paintings and sculptures of women."
Author: Nicholas D. Kristof

29. "The art of mastering life is the prerequisite for all further forms of expression, whether they are paintings, sculptures, tragedies, or musical compositions."
Author: Paul Klee

30. "I'm putting my consciousness towards trying to teach people through pictures and sculptures that there's something better in the world. That's what the world needs more of."
Author: Peter M. Brant

31. "Those who are esteemed umpires of taste, are often persons who have acquired some knowledge of admired pictures or sculptures, and have an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold. Their knowledge of the fine arts is some study of rules and particulars, or some limited judgment of color or form which is exercised for amusement or for show. It is a proof of the shallowness of the doctrine of beauty, as it lies in the minds of our amateurs, that men seem to have lost the perception of the instant dependence of form upon soul."
Author: Ralph Waldo Emerson

32. "I enjoy doing digital work. I enjoy sculpting digitally. I've had my digital sculptures on covers of the top digital magazines."
Author: Rick Baker

33. "All my wire sculptures come from the same loop. And there's only one way to do it. The idea is to do it simply, and you end up with a shape."
Author: Ruth Asawa

34. "A Cathedral Façade at MidnightAlong the sculptures of the western wallI watched the moonlight creeping:It moved as if it hardly moved at allInch by inch thinly peepingRound on the pious figures of freestone, broughtAnd poised there when the Universe was wroughtTo serve its centre, Earth, in mankind's thought.The lunar look skimmed scantly toe, breast, arm,Then edged on slowly, slightly,To shoulder, hand, face; till each austere formWas blanched its whole length brightlyOf prophet, king, queen, cardinal in state,That dead men's tools had striven to simulate;And the stiff images stood irradiate.A frail moan from the martyred saints there setMid others of the erectionAgainst the breeze, seemed sighings of regretAt the ancient faith's rejectionUnder the sure, unhasting, steady stressOf Reason's movement, making meaningless."
Author: Thomas Hardy

35. "I am finally getting the chance to build large structures and break preconceptions that my designs are just sculptures for people to be in. But my work always comes down to the human scale."
Author: Thomas Heatherwick

36. "It was an unusual sunset. Having sat behind opaque drapery all day, I had not realized that a storm was pushing in and that much of the sky was the precise shade of old suits of armor one finds in museums. At the same time, patches of brilliance engaged in a territorial dispute with the oncoming onyx of the storm. Light and darkness mingled in strange ways both above and below. Shadows and sunshine washed together, streaking the landscape with an unearthly study of glare and gloom. Bright clouds and black folded into each other in a no-man's land of the sky. The autumn trees took on the appearance of sculptures formed in a dream, their leaden-colored trunks and branches and iron-red leaves all locked in an infinite and unliving moment, unnaturally timeless. The gray lake slowly tossed and tumbled in a dead sleep, nudging unconsciously against its breakwall of numb stone. A scene of contradiction and ambivalence, a tragicomedic haze over all. A land of perfect twilight."
Author: Thomas Ligotti

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