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Top Tao Lin Quotes

Browse top 59 most favorite famous quotes and sayings by Tao Lin.

Favorite Tao Lin Quotes

1. "I know,' said Erin, and described how she'd lately felt depressed in a new and scary way, which Paul also had felt lately and described as a sadness-based fear, immune to tone and interpretation, as if not meant for humans - more visceral than sadness, but unlike fear because it decreased heart rate and impaired the senses, causing everything to seem 'darker." ~ Tao Lin
2. "On average, since the urge to kill myself isn't so strong that I actually kill myself, the world is worth living in." ~ Tao Lin
3. "Yeah. I like Chopin. I feel like Chopin is ‘emo.' Do you like Chopin?" ~ Tao Lin
4. "Gradually, after being the target a few times of a similar capriciousness, which he discerned as default behavior for most people, and not liking it, Paul learned to not be more generous or enthusiastic or attentive that he could sustain regardless of his mood and to not talk to people if his only reason to was because he felt lonely or bored." ~ Tao Lin
5. "Nice" said Paul staring transfixed at Fran's delicate and extreme gaze, like that of a skeleton with eyeballs, or a person with their face peeled off." ~ Tao Lin
6. "It sometimes seemed to him that for love to work, it had to be fair, that he should tell only half the joke, and she the other half. Otherwise, it would not be love, but something completely else–pity or entertainment, or stand-up comedy." ~ Tao Lin
7. "There was an enjoyment to being alive, he felt, that because of an underlying meaninglessness–like how a person alone for too long cannot feel comfortable when with others; cannot neglect that underlying the feeling of belongingness is the certainty, really, of loneliness, and nothingness, and so experiences life in that hurried, worthless way one experiences a mistake–he could no longer get at." ~ Tao Lin
8. "I don't think I understand the concept of regret. Because if I regret anything, that would mean, like, I hate myself." ~ Tao Lin
9. "I like part-time jobs in restaurants." ~ Tao Lin
10. "I think I've written about family and things in 'Taipei' which could be considered Asian culture." ~ Tao Lin
11. "I'm not being secretive about anything. I just actually don't have opinions about society." ~ Tao Lin
12. "that was bad; i shouldn't have done thatto prevent you from entering a catatonic statei am going to maintain a calm facial expressionwith crinkly eyes and an overall friendly demeanori believe in a human being that is not upseti believe if you are working i should not be insaneor upset--why am i ever insane or upset and not working?i vacuumed the entire house this morningi cleaned the kitchen and the computer roomand i made you a meat helmet with computer paperthe opportunity for change exists in each moment, all moments are aloneand separate from other moments, and there are a limited number of momentsand the idea of change is a delusion of positive or negative thinkingyour hands are covering your faceand your body moves like a statuewhen i try to manipulate an appendageif i could just get you to cry tears of joy one more time" ~ Tao Lin
13. "sad things are beautiful only from a distancetherefore you just want to get away from themfrom a distance of one hundred and thirty years ....i'm going to distance myself until the world is beautiful" ~ Tao Lin
14. "It was spring, not winter or autumn, Paul thought with some lingering confusion. He listened to the layered murmur of wind against leaves, familiarly and gently disorienting as a terrestrial sound track, reminding people of their own lives, then opened his MacBook—sideways, like a hardcover book—and looked at the internet, lying on his side, with his right ear pressed into his pillow, as if, unable to return to sleep, at least in position to hear what, in his absence, might be happening there." ~ Tao Lin
15. "If I were really rich, I would be flying places, I think." ~ Tao Lin
16. "My first book was poetry, but I didn't write it first. I wrote it third. So my first two books were prose." ~ Tao Lin
17. "I can discern that certain things have an effect on certain other things, but I don't view those effects as good or bad. If a context and a goal is defined, I could say if it's good or bad. But overall, I don't view things as good or bad." ~ Tao Lin
18. "I don't have specific music for when I'm writing. I'm usually listening to the same playlist or 'artist' before I arrive at the computer as when I'm walking somewhere after leaving the computer." ~ Tao Lin
19. "I feel 'proud' whenever I feel that I've worked on something for a certain amount of time with a certain amount of attention. I'm not sure if I think in terms of 'pride' though." ~ Tao Lin
20. "If I don't like someone and I start reading their stuff, it seems like my brain will just automatically start criticizing everything that's there. It's really hard to read a book without having all this outside information telling you what to think about it." ~ Tao Lin
21. "...one had to expect very little—almost nothing—from life, Aaron knew, one had to be grateful, not always trying to seize the days like some maniac of living, but to give oneself up, be seized by the days, the months and years, be taken up in the froth of sun and moon, some pale and smoothie-ed river-cloud of life, a long, drawn-out, gray sort of enlightenment, so that when it was time to die, one did not scream swear words and knock things down, did not make a scene, but went easily with understanding and tact, and quietly, in a lightly pummeled way, having been consoled–having allowed to be consoled–by the soft, generous, worthlessness of it all, having allowed to be massaged by the daily beating of life, instead of just beaten." ~ Tao Lin
22. "It would take her thousands of steps to get anywhere, but she would get there easily, and when she arrived, in the present, it would seem like it had been a single movement that brought her there. Did existence ever seem worked for? One seemed simply to be here, less an accumulation of moments than a single arrangement continuously gifted from some inaccessible future." ~ Tao Lin
23. "loneliness can fly a helicopter through a cut-out shapeof a helicopter the same size as the helicopterand that's it's only skilland it isn't good enoughbut it's still amazing." ~ Tao Lin
24. "He wanted to hide by shrinking past zero, through the dot at the end of himself, to a negative size, into an otherworld, where he would find a place— in an enormous city, too large to know itself, or some slowly developing suburb— to be alone and carefully build a life in which he might be able to begin, at some point, to think about what to do about himself." ~ Tao Lin
25. "Though she'd begun to get a bit fat that winter, it was in February, around when her father found a toy poodle (sitting there, in the side yard, watchful and waiting as a person), and adopted it, that a weightlessness entered into Chelsea's blood—an inside ventilation, like a bacteria of ghosts—and it was sometime in the fall, before her 23rd birthday, that her heart, her small and weary core, neglected now for years, vanished a little, from the center out, took on the strange and hollowed heaviness of a weakly inflated balloon." ~ Tao Lin
26. "- ¿No te parece a veces que vivir en el mundo es como una mierda?- ¿A qué te refieres? - dijo Paul lentamente.- A ver... que lo que el mundo puede darnos no basta para satisfacernos.- No -dijo Paul al cabo de unos diez segundos, y se tapó la cara con las manos-. Quiero decir... el mundo está bien, y me baso en pruebas, porque no me he suicidado. Si me suicidara... podría decir que el mundo es malo, en general.- Definitivamente, vamos.- En general -dijo Paul sin apartar las manos-. Como las ganas de suicidarme no son tan fuertes como para que me suicide, el mundo es un lugar en el que vale la pena vivir." ~ Tao Lin
27. "Garret went across the street to the library. There was a hole in the sidewalk the size of a bathtub. Construction was being done, was always being done. It was the journey that mattered, Garret thought woozily, the getting-there part. The mayor, and then the president, had begun saying that. "And where are we going?" the mayor had asked. "When will we get there? What will happen to us once we get there?" He really wanted to know." ~ Tao Lin
28. "You were one person alive and your brain was encased in a skull. There were other people out there. It took effort to be connected." ~ Tao Lin
29. "Life, people learned, was not easy. Life was not cake. Life was not a carrot cake." ~ Tao Lin
30. "He used to think things like, This organic soymilk will make me healthy and that'll make my brain work better and that'll improve my writing. Also things like, The less I eat the less money I spend on publicly owned companies the less pain and suffering will exist in the world. Now he thinks things like, It is impossible to be happy. Why would anyone think that?" ~ Tao Lin
31. "The correct arrangement of words will make these bad feelings go away tonight." ~ Tao Lin
32. "A world without right or wrong was a world that did not want itself, anything other than itself, or anything not those two things, but that still wanted something. A world without right or wrong invited you over, complained about you, and gave you cookies. Don't leave, it said, and gave you a vegan cookie. It avoided eye contact, but touched your knee sometimes. It was the world without right or wrong. It didn't have any meaning. It just wanted a little meaning." ~ Tao Lin
33. "Though if love was an animal, Garret knew, it would probably be the Loch Ness Monster. If it didn't exist, that didn't matter. People made models of it, put it in the water, and took photos. The hoax of it was good enough. The idea of it. Though some people feared it, wished it would just go away, had their lives insured against being eaten alive by it." ~ Tao Lin
34. "Sometimes an alien would stand with a moose, not because of solidarity, but because of accidentally doing it." ~ Tao Lin
35. "It was a face that said, "Fuck the world," but said it reluctantly, and tonelessly, and then apologized, said "Sorry," but said all of this so shyly that no one heard, anyway, except for himself. A year ago, Uncle Larry went to the hospital with the flu, somehow fell into a coma, and, a few days later, died." ~ Tao Lin
36. "When he heard laughter, before he could think or feel anything, his heart would already be beating like he'd sprinted twenty yards. As the beating slowly normalized he'd think of how his heart, unlike him, was safely contained, away from the world, behind bone and inside skin, held by muscles and arteries in its place, carefully off-center, as if to artfully assert itself as source and creator, having grown the chest to hide in and to muffle and absorb—and, later, after innovating the brain and face and limbs, to convert into productive behavior—its uncontrollable, indefensible, unexplainable, embarrassing squeezing of itself." ~ Tao Lin
37. "But then his parents changed. A year of California had changed them. They stopped sending money. Greg was forced to go out into the world, to interact with real people. And he was glad of this. He had always wanted to be a normal person. To be at ease in society. He had just been too scared to try. But now he was forced to, and so he did–he went and got a job at the public library. He was not quite a librarian, but close. Greg was a shelver. There would be carts of books to shelve, then there would be no more carts of books to shelve, then there would be carts of books to shelve.As a shelver, Greg felt that life was passing him by in a slow and distant, but massive, way–like the moon." ~ Tao Lin
38. "-Y ahora qué hacemos - dijo Paul cuando unos veinte minutos más tarde se marchaban del parque.Después de dar unos pasos en la calle, Daniel miró distraídamente en las dos direcciones y, con la vista al frente y expresión preocupada, dobló a la derecha en la acera.-Teníamos un objetivo específico, eso lo recuerdo -dijo Paul-. ¿Cuál era?- No lo sé - dijo Daniel al cabo de unos segundos.- Acabábamos de comentarlo.- Me acuerdo de algo -dijo Daniel con aire ausente.- Ah, sí , vender libros.- Vamos -dijo Daniel.- Habíamos olvidado nuestro propósito y acabamos de recuperarlo -dijo Paul sonriendo-. No teníamos ningún objetivo, pero aun así seguíamos avanzando al mismo ritmo.- Dios -dijo Daniel en voz baja." ~ Tao Lin
39. "I felt confused, to some degree, by everything—but in a delayed manner, in that I seemed to be repeatedly realizing that I felt confused, instead of feeling directly confused" ~ Tao Lin
40. "There was a metal rod inside of Colin. The rod went from his stomach to the middle of his head. It was made of steel and sugar, and had been dissolving inside of Colin for ten or fifteen years, slow and sweet, above and behind his tongue; and he could taste it in that way, like an aftertaste, removed and seeping and outside of the mouth. Sometimes he'd glimpse it with the black, numb backs of his eyes. But what he really wanted was to wrench it out. Cut it up and chew it. Or melt it. Bathe in the hard, sweet lava of it." ~ Tao Lin
41. "The Gorilla Foundation, like a tree or cloud or other thing from nature, seems to mostly present itself only to an ideal, abstract, fully internalized audience—one that does not question sincerity or intent, that does not require justification or meaning, that would rather The Gorilla Foundation not pause (to defend itself, to allow others time to comprehend it) but to continue always with what it's already doing. In this manner The Gorilla Foundation exists more in actualization of itself than in opposition to something else, which implies, to some degree, that it doesn't earnestly believe it—or anything—"needs" to exist or is "right" or "wrong," rather that its "mission" is a temporary concept, created by itself to directionalize itself, that without which [The Gorilla Foundation] wouldn't exist." ~ Tao Lin
42. "I won," said Chelsea's dad, and went to give Chelsea a high-five, but missed, as they were standing too close."My fault," he said. "That was my fault.""Oh," Chelsea said.And he stepped back a little and tried again, but Chelsea, distracted now by something—maybe the plant in the far corner, standing and waiting like a person in a dream; or maybe the green shoe or some other thing that was out there and longing, to be looked at, and taken—wasn't ready, and their hands, his then hers, passed through the air in a kind of wave, a little goodbye." ~ Tao Lin
43. "Colin didn't want to go back to his room. He walked around for a very long time, looking down at the sidewalks and streets, and thought of the things he and Dana might say to each other if she were with him. And every once in a while he would catch himself smiling and laughing a little, and it was those moments right after—as, having lapsed into fantasy, there was a correction, a moment of nothing and then a loose and sudden rush, back into the real world in a trick of escape, as if to some new place of possibilities—that he felt at once, and with clarity, most exhilarated, appreciative, disappointed, and accepting." ~ Tao Lin
44. "He sometimes felt that life was something that had already risen, and all of this, the Jackson Pollack of spring, summer, and fall, the vague refrigeration and tinfoiled sky of wintertime, was just a falling, really, originward, in a kind of correction, as if by spritual gravity, towards the wiser consciousness---or consciousnessless, maybe; could gravity trick itself like that?---of death. It was a kind of movement both very slow and very fast; there was both too much and not enough time to think." ~ Tao Lin
45. "I think you like other things better than me," he said on Gmail chat that night. "I mean generally you like things that aren't people. More than people. Like eating or sleeping or something. If you don't want to do something then just tell me and we don't have to be boyfriend and girlfriend anymore, instead of just pretending or something.""I want to be boyfriend and girlfriend," said Dakota Fanning. "I am learning. I know what to do.""I don't understand when people don't do what they say they want to do.""Me either," said Dakota Fanning. "That's why I don't understand myself or like myself.""I still don't understand," said Haley Joel Osment."I'm killing myself," said Dakota Fanning. "Good night." ~ Tao Lin
46. "pink hamster' recently criticized for not knowing what the word ‘meta' means practicing a LOOKBOOK.nu pose titled ‘Practicing A LOOKBOOK.nu Pose In Anticipation of a Rumored LOOKBOOK.nu for Hamsters' in anticipation of a rumored LOOKBOOK.nu for hamsters worried that LOOKBOOK.nu for hamsters will never be created and beginning to think (causing its eyes to unfocus slightly) of another way to show that it knows what the word ‘meta' means and if maybe there's a way to incorporate all of this, as it is, without the existence of LOOKBOOK.nu for hamsters, into one thing that would show to its detractors that it definitely knows what the word ‘meta' means" ~ Tao Lin
47. "Don't be stupid and awkward," the dolphin says. "You want to walk together or not?""You are a stupid piece of shit. Go away from me."The dolphin goes into the center of a circular clothing rack and quietly cries." ~ Tao Lin
48. "i recommend the phrase 'pineapple ass" ~ Tao Lin
49. "After untangling a cord, then moving the MacBook to the floor, Paul lay beside Erin and meekly pawed her forearm three times, then briefly held some of her fingers, which were surprisingly warm. He lay stomach-down with his arm on her arm, thinking that if she woke, while he was asleep, this contact could be viewed as accidental. Maybe she would roll toward him, resting her arm across his back—they'd both be stomach-down, as if skydiving—in an unconscious or dream-integrated manner she wouldn't remember, in the morning, when they'd wake in a kind of embrace and begin kissing, neither knowing who initiated, therefore brought together naturally, like plants that join at their roots." ~ Tao Lin
50. "Death is the end of the fear of death. [...] To avoid it we must not stop fearing it and so life is fear. Death is time because time allows us to move toward death which we fear at all times when alive. We move around and that is fear. Movement through space requires time. Without death there is no movement through space and no life and no fear. To be aware of death is to be alive is to fear is to move around in space and time toward death." ~ Tao Lin
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All graffiti is low-level dissent, but stencils have an extra history. They've been used to start revolutions and to stop wars."
Author: Banksy

What Did Tao Lin Talk About?

Thin
Here
Wit
Hen
Ear
Con
Ally
Ten
Thou
Tan
Self
Use
Act
Low
Era
Son
End
Times
Mean
Sin
She
Side
Less
Rate
Per
Felt
Though
Year
Exist
Said
Cause
Seem
Boo
King
Ways
Ought
Face
Lit
Book
Ring
Read
Sing
Sit
Hey
Itself
Ears
Slow
Air
Cat
Eye

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